December 2006
cdbaby - sell / buy your own cd's
by june76
djmixes breakbeat releases make money by selling your own music here
November 2006
October 2006
September 2006
请周杰伦带头支持正版 - 王冉 - 新浪BLOG
by jackiege
***音乐公司为了保证自己的商业利益不愿意放弃比较高的保底门槛固然无可厚非，但是不主动放弃一些眼前的利益培养市场，未来真正利益受损的还是音乐公司自己。你们必须意识到，你们最大
August 2006
June 2006
May 2006
Jamendo : Ouvrez grand vos oreilles
by Kossatsch & 2 others
Sur jamendo, les artistes ont librement choisi de diffuser leur musique en respectant une licence de diffusion Creative Commons qui leur permet de conserver leurs droits d'auteurs sur leurs oeuvres tout en autorisant le public à les écouter, les téléc
April 2006
Canadian music industry: forget the levies, bring on DRM heaven
by multilinko (via)
Digital Rights Management, to repeat my argument, is not about stopping piracy, but about shutting down fair use. The aim of shutting down fair use is simple: the copyright owners want to nickel and dime users.
Unemployed Philosopher: 反反盜版運動
by phgod
人和物之間的關係，講到底，是一種社會關係而已．你說你「擁有」一杯蜜糖、一盆花，這是針對你的鄰人而言的．但你不能對蜜蜂和蝴蝶說同樣的話．
..::littleoslo::..::Blog::..
by felixlaumon
Quote: 《No Protection》的概念跟Black Eyed Peas的《Monkey Business》同出一徹，但只算形似。…音樂不僅是只有八個音符。要比較兩首歌的節奏、速度、編排和風格並不是太過困難的事，作為音樂人應該更為敏感，聽歌無數的話便留意小心避免跌入剽竊的陷阱裡頭。當然要是自己選擇跳下去的又當別論。
March 2006
The big DRM mistake
by micah (via)
Digital Rights Managements hurts paying customers, destroys Fair Use rights, renders customers' investments worthless, and can always be defeated. Why are consumers and publishers being forced to use DRM?
February 2006
January 2006
Copy Protection
by phgod & 1 other
"Commercial Piracy is one thing (and copy-protection won't stop it), but buying a CD only to find it won't play on your PC is just such a piss-off, it's enough to drive you to P2P downloading."
December 2005
Music Should Be Heard But Not Understood
by jackysee
美國音樂業正在搗截歌詞軟件和網站，究竟歌詞算是歌曲的一部分，還是可看成獨立創作？版權又如何計算？音樂工業是否要完全獨立於互聯網？不思進取？
November 2005
Boing Boing: Sony rootkit roundup, part II
by tinyau
Sony DRM 事件簿 Part II，Rookit uninstaller 還引致更大保安漏洞，真的離譜
