PUBLIC MARKS with tag cinema

Director Wes Anderson has always been distinguished for his visual artistry, detail-rich sets, and storybook-like imagery. From the whimsical, campy feel of Moonrise Kingdom to the carefully crafted sets and miniatures in The Grand Budapest Hotel, Anderson’s movies are visual masterpieces.

A site designed and developed by Charlie Clark exploring the use of color in movies

utopia 2

The spread of new animation techniques – like motion capture, which involves tracking the movement of objects and people to create more life-like characters – will also inevitably contribute to the data avalanche. Meanwhile, Lucasfilm has announced that the next generation of Star Wars films will use 48 frames a second rather than 24, signalling a new era for the film industry.

"One of the biggest criticisms for games like The Stanley Parable and Gone Home is that they're not games. This is where we fit in," Bloch told Polygon. "It's between a movie, where you can lie back and watch, and a game, where you just want to have the action. There's a place in between where you want to intervene, but you want to be inside an immersive film experience."

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Exclusivité : WildBunch a réussi son coup. Le lancement en « direct to VOD » du film d’Abel Ferrara a fait couler beaucoup d’encre et a attisé la curiosité du public. Selon un tweet de son producteur, Vincent Maraval, 48.000 séances avaient été vendues à dimanche soir.

Animal Logic teamed up with Warner bros., Village Roadshow Pictures and Lin Pictures for The LEGO® Movie, the first-ever, full-length theatrical LEGO® adventure. The film tells the story of Emmett, an ordinary LEGO minifigure, mistakenly thought to be the extraordinary Master Builder, who is recruited to join a quest to stop an evil LEGO tyrant from glueing the universe together.

Fac-similés du carnet apparaissant dans le film « Indiana Jones et la dernière croisade ». Infographie, calligraphie, croquis. Plusieurs exemplaires (6-7) réalisés pour des collectionneurs. 

À partir des années 1960, le cinéma américain commence à sortir de sa longue adolescence : Elizabeth Taylor prononce des mots jusqu’alors interdits, Dustin Hoffman perd sa virginité dans les bras de Mrs. Robinson, Jon Voight fait le gigolo dans les rues de New York. À Hollywood, la sexualité fait enfin son apparition comme sujet et comme question de mise en scène. Comment représenter les rapports charnels ? Comment les intégrer à la narration et à la vie émotionnelle des personnages ? Quelle expérience le spectateur fait-il de telles scènes ?

La version actuellement en ligne est minimaliste : elle n'expose que la théorie de la mise en page des scripts. Une nouvelle version du site est prévue pour dans quelques temps, la partie théorique sur l'écriture des scénarios, telle qu'elle existait dans la précédente version du site, sera remise en ligne.

The elevator at Castle Black rumbled beneath my feet. Cold air blasted against my face, reminding me yet again how hostile the environment was here at the Wall, the home of the Night's Watch. At the top, I looked down across the realm from the dizzying, almost impossible heights. I reached out to steady myself, the wind howling in my ears. That's when the scary part began.

institut Jean Vigo

Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States - invoking a classic procedure borrowed from Conceptual Art. He would open the shutter just before the 'first light' hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. However - it's MORE than that, isn't it? There is also a social and political critique implicit to the gesture. The rendering of a 'blank' movie screen carries with it a whole series of alternate implications that are highly relevant to a culture of consumption.  The unavoidable allusions of mass social programming and lack of content are implicit in the act. This content, largely unaddressed crtiically, is what lends the images their incredible power - along wtih the natural fascination of being made privy to the photography's divine birthright - allowing us to see the normall invisible - to experience a finite collapse of time.   -JWD

Midnight Eye is an entirely non-commercial, non-profit initiative created and maintained by: Tom Mes - editor Jasper Sharp - editor Martin Mes - design and programming Nicholas Rucka - U.S. correspondent

Musings on the events inside and outside the gates of Temple Studios at Punchdrunk's The Drowned Man

Dans ce microcosme où le métal transperce la glace, une nouvelle hiérarchie des classes s'est reformée avec une poignée d'hommes qui part à l'assaut du train.

Ce blockbuster aux allures minimalistes qui ne ressemble à aucun autre, entraine le spectateur dans un tourbillon, mon avis en sortant de la salle de ciné !

In the context of omnipresent telecommunications surveillance, “The Pirate Cinema” makes the hidden activity and geography of Peer-to-Peer file sharing visible. The project is presented as a monitoring room, which shows Peer-to-Peer transfers happening in real time on networks using the BitTorrent protocol. The installation produces an arbitrary cut-up of the files currently being exchanged. This immediate and fragmentary rendering of digital activity, with information concerning its source and destination, thus depicts the topology of digital media consumption and uncontrolled content dissemination in a connected world.

Bienvenue sur Comme Au Cinéma, La référence de l'actualité cinéma, dvd et séries TV. Les films, les horaires des séances, les bandes-annonces et extraits vidéos, les artistes et les interviews sont sur Commeaucinema.com

L’interview de Bruce Lee par Pierre Berton est aujourd’hui un des rares témoignages vidéo encore existant à travers lequel la star du kung fu exprime sa philosophie, ses ambitions mais aussi ses espoirs pour le futur.