PUBLIC MARKS from sbrothier with tag webdesign

The Outbreak and more productions

It’s an inspirational showcase of incredible sites from around the web.

Slammer overlays any grid you want, anywhere you want. Typographic Grids, Golden Sections, Fibonacci series or Rule of Thirds. Slammer also has Rulers, Crosshairs, Magnifier, Measurements & Screenshots.

honeyee.com〈ハニカム〉は、センシティブな都市生活者に価値あるライフスタイル情報を提供する、これまでにないwebマガジンです。 現在、ファッション、アート、インテリア、トラベル、グルメ、クルマ、エンターテインメントといったライフスタイルに関する情報は、人生を彩るための不可欠な要素として、世代／性別を超え多くの人々が求めるものとなっています。特に都市部に住む30～40代の男性が衣食住のスタイルにこだわりをもつということは、ごく当たり前のこととして定着しつつあり、言葉を変えれば、ライフスタイルという観点から新たな階層／クラスが誕生しはじめていると言えるでしょう。そうした人々が求める価値あるライフスタイル情報をスピーディに伝えるのがhoneyee.com〈ハニカム〉です。

The hottest new music based on your scrobbles

Interval est née d'une véritable passion pour les supports et la création numérique. Aujourd'hui, Interval réalise du "sur mesure", avec une équipe d'experts, pour des projets ambitieux et innovants.La philosophie créative d’Interval ?

After founding Threadless.com and helping it grow into a large successful business, Jacob decided to leave the company in 2007 and start over from scratch in true entrepreneurial spirit.

Goodbye Fancypants Agency. Hello Nosotros. We're an experienced team of down-to-earth people. We make great websites and unforgettable brands.

Hej. Hello. Hola. Bonjour. 喂. مرحبا I’m Rasmus Andersson, a twenty-something guy living in Stockholm, Sweden. Lead designer at Spotify, owner of Notion and a passionate technologist with a soft side for emotional values, coffee and chocolates. Read more…

tha & yugop

Google Browser Size is a visualization of browser window sizes for people who visit Google. For example, the "90%" contour means that 90% of people visiting Google have their browser window open to at least this size or larger.

Everything is cool in the beginning. The client communicates their needs. You set expectations. Enthusiasm and excitement all 'round.

A few people have been asking me how the LENS Blog on The New York Times site came to be and what software it was built on. I thought I’d shed a little light on the development process and answer some of these questions.

The use of motiongraphics/animation is still pretty new at The New York Times. We’re still figuring things out, but I thought it might be useful for some people to see what our work flow is like.

3 Dimensional Thinking for Web Designers 3D Slides from a presentation given by Mike Kus. The Future of Web Design 2009 / New York.

a life in a timeline

Work faster. Impress your clients. Test your website designs across all major browsers in seconds with Litmus.

Division de McKann tokyo

Unit 9 is a digital creative production company. Our interactive directors, graphic artists and web specialists have created some of the most entertaining and compelling interactive experiences of the last 10 years.

Typekit Makes Sites Pretty. That should be enough, but there’s so much more! In this episode, Ryan Carver and Greg Veen join us from Small Batch Inc., the makers of Typekit. Typekit aims to solve all of the problems that currently prevent web designers from using commercial typefaces in their designs. Every major desktop browser will support linking to custom fonts from within your site’s CSS using @font-face. You can then use these fonts on your web site without users having to install the fonts on their system beforehand. => This really is going to change web design

In January 2000, T-Online asked us what we’d do if we could design a browser from scratch. Our answer was “Tabs”. Eight years later Aza Raskin, head of user experience at Mozilla, asked me what I think a new tab should look like. The answer after days of mailing back and forth: “Forget tabs!”

In January 2009 we were invited to take part in a paid pitch for the print redesign for the Swiss newspaper Tages-Anzeiger. All in all five agencies took part in the pitch. We were the only UX oriented agency. The story of a beautiful failure.

Suprb is Andreas Pihlstrom, born and raised in Stockholm / Sweden. Specialised in typography, code, movable and static shapes since 1978.