Sponsorised links
September 2008
July 2008
Sponsorised links
February 2008
October 2007
September 2007
July 2007
DigitalBaobab
Olivier Huz et Claire Moreux sont designers graphiques. Ils travaillent essentiellement pour l'art contemporain et la musique électronique.
Depuis 1997, ils sont aussi responsables du label Aspic Records. Ils ont participé au collectif Téléférique, en 2000.
June 2007
Flexx
Selection of todays and yesterdays electronic and/or dance music
Polysics
punk synthétique en technicolor
March 2007
February 2007
Goto80
by 1 otherGOTO8O (new website)
With roots in both catchy and extreme music plus an unhealthy obsession with errors and variation, Goto80 delivers eclectic music based on 8-bit technology. Since 10 years Goto80 has been praised as a datapriest both in the demoscene aswell as at pop and club stages around the world, with some 80 gigs in Europe, America and Australia. Within the 8-bit sound he seamlessly blends styles ranging from soothing ambience to furious breakcore, although often recognized for his melodic poppy songs. Apart from some commercial releases, he spreads his music for free. His live shows humanize the technology by number-jamming, singing and keyboard-destruction and hopefully have either Entter or Jossystem as VJs.
Rabid Records
Rabid Records is situated in Stockholm, Sweden and runs by The Knife and Frau Rabid. It was started in 1998 by the members of Honey is cool. Today Rabid Records seldomly releases any other music than The Knife's music. We have made an exception this year for Jenny Wilson, so now we guess it will take several years until we let any other outsider in.
Sweat.X
South Africa
Crunk
Le "Crunk" est une musique à rythme rapide, basé sur un son répétitif dérivant de la Miami Bass et de la musique électronique, qui exploite les basses lorsqu'il est joué a un volume élevée.
Niyi
"dropped a fiver on the floor"
London,
United Kingdom
Minimal Wave
Minimal Wave is a website and label dedicated to minimal synth, new wave, cold wave, minimal electronik, post punk, and synthpunk (or 'tekno-punk' as D Stop likes to call it).
