Sponsorised links
This month
DAVID SIMON - Vice Magazine
Cheat Sheet Round-Up: Ajax, CSS, LaTeX, Ruby… - Smashing Magazine
WhatTheFont for iPhone: Overview « MyFonts
Wired Is Getting Ready for Apple Tablet
The rumors about publishers who already have big plans for the device, however, are galore. The latest on the list? Condé Nast, which – according to All Things Digital – claims it’s preparing a digital version of Wired magazine for the Apple Tablet by the middle of next year, followed by its other 18 titles.
Sponsorised links
November 2009
micro hebdo | Scribd - E-magazine - Scans De Micro Hebdo
10 Steps To The Perfect Portfolio Website - Smashing Magazine
ephotozine
Image and Narrative
Image [&] Narrative is a peer-reviewed e-journal on visual narratology in the broadest sense of the term. Beside tackling theoretical issues, it is a platform for reviews of real life examples.
October 2009
Korben - Actualité informatique high tech et geek - Magasine
Archigram / - Design/Designer Information
ARCHIGRAM dominated the architectural avant garde in the 1960s and early 1970s with its playful, pop-inspired visions of a technocratic future after its formation in 1961 by a group of young London architects – Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb.
“A new generation of architecture must arise with forms and spaces which seems to reject the precepts of ‘Modern’ yet in fact retains those precepts. We have chosen to by pass the decaying Bauhaus image which is an insult to functionalism. You can roll out steel – any length. You can blow up a balloon – any size. You can mould plastic – any shape. Blokes that built the Forth Bridge – they didn’t worry.”
So wrote David Greene in a poem published in the first issue of Archigram magazine or, as Greene’s co-editor, Peter Cook, called it “a message, or abstract communication”. It was published in 1961 on a large sheet of the cheapest available paper. Filled with Greene’s poems and sketches of architectural projects designed by Cook, Michael ‘Spider’ Webb and other friends, the magazine voiced their frustration with the intellectual conservatism of the British architectural establishment.
