public marks

PUBLIC MARKS with tag "Synthèse sonore"

This year

2013

2012

SuperCollider

by Emaux
SuperCollider is an environment and programming language for real time audio synthesis and algorithmic composition. It provides an interpreted object-oriented language which functions as a network client to a state of the art, realtime sound synthesis server. SuperCollider was written by James McCartney over a period of many years, and is now an open source (GPL) project maintained and developed by various people. It is used by musicians, scientists, and artists working with sound.

The SuperCollider Home Page

by Emaux
A real time audio synthesis programming language

Digital Music online course - INTRO

by Emaux
Basic Concepts of Digital Music Author: Gianni Corino Digital Representation of Sound Editing MIDI and Sequencers Additive Synthesis Technique Basic Frequency Modulation Synthesis Technique Advanced FM Synthesis Computational Models of Music Author: Eduardo Reck Miranda Artificial Intelligence and Music Introduction to Cellular Automata Music Research Chaosynth - A Cellular Automata-based Composition Example Essay in 12 Paragraphs: Sounds of the Brain

SoftSynth - music and computers

by Emaux
SoftSynth provides audio solutions for desktops, mobile devices and the web. Our products include a Polyphonic Ringtone Engine from Mobileer Inc. and JSyn.

Binary Heap

by Emaux
Blogue consacré à la musique électronique et à ses instruments

2010

Granular Synthesis: Resource Site

by Emaux
This resource has been designed for composers, musicians, researchers and anyone who has an interest in sound design and musical composition using granular synthesis. It features music, forums, software and guides on what granular synthesis is and how it can be used for creating music and soundscapes. It also covers control mechanisms and instrument building using granular synthesis as a sound source. Feel free to use these resources for research, musical composition, and discussions.

2009

SuperCollider » About

by Emaux & 1 other
SuperCollider is an environment and programming language for real time audio synthesis and algorithmic composition. It provides an interpreted object-oriented language which functions as a network client to a state of the art, realtime sound synthesis server. SuperCollider was written by James McCartney over a period of many years, and is now an open source (GPL) project maintained and developed by various people. It is used by musicians, scientists, and artists working with sound.

Samovar

by Emaux
Ce wiki est dédié à l’initiation aux deux langages de programmation suivants : Puredata : Langage de “patchs” graphiques orienté temps-réel - autorise notamment la manipulation de flux audio-visuels et de signaux de contrôle (provenant par exemple de capteurs gestuels). * Python : Langage de “scripts” orienté objet. Une attention particulière sera portée sur l’utilisation conjointe de ces deux langages et sur les applications dédiées au son numérique.

Argo - Gérard Paresys

by Emaux
ARGOPd est constitué de modules de synthèse et de traitement sonore et visuel fonctionnant en temps réel sous Pure Data. ARGOPd is made of real-time sound and visual synthesis modules. A module is a Pure Data patch. Pour MacOSX, Windows, Linux. ARGOPd est fait pour des utilisateurs qui n'ont jamais programmé Pure Data

ixi audio

by Emaux
ixi audio is an experimental project concerned with the creation of digital musical instruments and environments for generative music. We are interested in the computer as a workshop for building non-conventional tools for musicians, i.e. not trying to imitate or copy the tools that we know from the world of acoustic instruments or studio technology. We currently work with open source software such as SuperCollider, ChucK and Pure Data, but our aim is to distribute our applications packaged in a way that allows everybody to use them. Simplicity and ease of use together with depth in interaction and expressive scope is the aim of our experimental music software.

SoftSynth.com

by Emaux & 1 other
Audio Software Synthesis API and Plugins for Java

2008

Native Instruments

by Emaux
Native Instruments is in the field of software instruments one of the key players in the market of computer-based audio production technology. The company’s mission is to develop outstanding tools for musicians, producers, sound designers and DJs of all styles and genres.

Symbolic Sound Kyma: Company WebHome

by Emaux
Kyma X is a sound design environment being used in music and post-production studios, research labs, art installations, game developers' studios, educational institutions, home studios, and live performances. A sound library with over 1000 pre-packaged examples means you can start creating amazing sounds straight out of the box.

OICCM : Observatoire international de la création et des cultures musicales

by Emaux
Le LIAM est affilié à la fois au secteur composition électroacoustique et au secteur musicologie de la Faculté de musique de l'Université de Montréal et accueille des chercheurs et étudiants provenant des différents domaines de la recherche consacrée à la musique

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last mark : 10/06/2014 10:15