Sponsorised links
This year
Samovar
Ce wiki est dédié à l’initiation aux deux langages de programmation suivants :
Puredata : Langage de “patchs” graphiques orienté temps-réel - autorise notamment la manipulation de flux audio-visuels et de signaux de contrôle (provenant par exemple de capteurs gestuels).
* Python : Langage de “scripts” orienté objet.
Une attention particulière sera portée sur l’utilisation conjointe de ces deux langages et sur les applications dédiées au son numérique.
Argo - Gérard Paresys
ARGOPd est constitué de modules de synthèse et de traitement sonore et visuel fonctionnant en temps réel sous Pure Data.
ARGOPd is made of real-time sound and visual synthesis modules. A module is a Pure Data patch.
Pour MacOSX, Windows, Linux.
ARGOPd est fait pour des utilisateurs qui n'ont jamais programmé Pure Data
ixi audio
ixi audio is an experimental project concerned with the creation of digital musical instruments and environments for generative music. We are interested in the computer as a workshop for building non-conventional tools for musicians, i.e. not trying to imitate or copy the tools that we know from the world of acoustic instruments or studio technology. We currently work with open source software such as SuperCollider, ChucK and Pure Data, but our aim is to distribute our applications packaged in a way that allows everybody to use them. Simplicity and ease of use together with depth in interaction and expressive scope is the aim of our experimental music software.
Sponsorised links
2008
Native Instruments
Native Instruments is in the field of software instruments one of the key players in the market of computer-based audio production technology. The company’s mission is to develop outstanding tools for musicians, producers, sound designers and DJs of all styles and genres.
Symbolic Sound Kyma: Company WebHome
Kyma X is a sound design environment being used in music and post-production studios, research labs, art installations, game developers' studios, educational institutions, home studios, and live performances. A sound library with over 1000 pre-packaged examples means you can start creating amazing sounds straight out of the box.
OICCM : Observatoire international de la création et des cultures musicales
Le LIAM est affilié à la fois au secteur composition électroacoustique et au secteur musicologie de la Faculté de musique de l'Université de Montréal et accueille des chercheurs et étudiants provenant des différents domaines de la recherche consacrée à la musique
Electronic Music Studios: University of Iowa
Welcome to the University of Iowa Electronic Music Studios. You'll find in our site updates of our facilities to 5.1, 9.1, and 16.2 sound.
Our Musical Instrument Samples Database now includes strings, more winds and brass, and a Steinway piano. Our history and archive pages show how the studios have developed over the years and include a wonderful set of Moog Demo mp3s by Peter Tod Lewis. Our visitors page lists composers who have come to Iowa over the years to work with students, including alumnus Charles Dodge, James Dashow, Denis Smalley, and synthesizer pioneer, Don Buchla. The upcoming year brings Kevin Blechdom, Elizabeth McNutt, Andrew May, and Terry Riley.
In the spring of 2002, the studios hosted SEAMUS, the National Conference of the Society for Electro-Acoustic Music in the US, bringing over 240 participants for three days of concert and paper sessions.
Welcome to U and I Software
The cutting-edge of music and graphics software is found here at U&I Software. With our software you can create music and graphics not possible with other tools.
Arturia - Software & Hardware
ARTURIA specializes in the development of music software and hardware for both the professional and amateur musician. Focusing on innovation, the company strives to integrate the latest advances in computer music research and technology into their products. This involves working closely with partner research institutions, such as IRCAM France, in the development of leading edge musical instruments and software, the results of which have gone on to been used in the making of numerous hit records and Hollywood sound tracks.
Synful
Synful Orchestra is not a sampler or a sample library. Synful Orchestra is not a physical modeling synthesizer. It is an entirely new concept in music synthesis. At the heart of Synful Orchestra is Synful’s Reconstructive Phrase Modeling (RPM) technology. This is the result of many years of research, several patents, and a lifetime of experimentation, design, and frustration with older synthesis technologies.
Eric Lindemann (Synful CEO)
2007
PuceMuseWiki
Ce site est un wiki collaboratif, ayant pour but l'élaboration d'une documentation de la Méta-Mallette et du Méta-Instrument. Chacun peut y apporter sa contribution...
OpenSoundControl
OpenSound Control ("OSC") is a protocol for communication among computers, sound synthesizers, and other multimedia devices that is optimized for modern networking technology and has been used in many application areas.
OSC Features
Open-ended, dynamic,URL-style symbolic naming scheme
Numeric and symbolic arguments to messages
Pattern matching language to specify multiple targets of a single message
High resolution time tags
"Bundles" of messages whose effects must occur simultaneously
Query system to dynamically find out the capabilities of an OSC server and get documentation
EARS: ElectroAcoustic Resource Site
The ElectroAcoustic Resource Site (EARS) project has been established to provide resources for those wishing to conduct research in the area of electroacoustic music studies. EARS will take the form of a structured Internet portal supported by extensive bibliographical tools. To aid the greater understanding of the opportunities offered by these radical forms of sound organisation, as well as their cultural impact, the project will cite (or link directly to) texts, titles, abstracts, images, audio and audio-visual files, and other relevant formats
cSounds.com - Official Website
Csound is a programming language designed and optimized for sound rendering and signal processing. The language consists of over 1300 opcodes - the operational codes that the sound designer uses to build "instruments" or patches. Although there are an increasing number of graphical "front-ends" for the language, you typically design and modify your patches using a word processor
FM-Alive Home Page
Here you can : Download editors and librarians for the DX and SY series synths. Get answers to technical questions. Read some basic information to help you get started programming.
In return I hope you'll give me some feedback so that we can all ensure FM programming has a future.
CRCA - Center for Research in Computing and the Arts - Research : Computer Music
Computer music has been an integral part of CRCA since its inception. Computer music projects at CRCA cover a broad range of spectra, from pure research to technically advanced creative endeavors. Currently, research in spatialized audio, computer music languages, interactive performance, and synthesis techniques are conducted at CRCA. CRCA is the home of Pd, the latest graphical language authored by Miller Puckette, and CARL, which was developed at the Center for Music Experiment (CME) by F. Richard Moore et al.
The SuperCollider Home Page
SuperCollider : A real time audio synthesis programming language
mesi - more electronic sounds & imageries
Spécialiste des instruments pour la musique électronique, distribution d'interfaces et convertisseurs MIDI, logiciels temps réels de synthèse et de création musicale
algorithmic.net: algorithmic composition resources | Main
This site provides a comprehensive research resource for computer aided algorithmic music composition, including over one-thousand research listings, over one hundred system listings, cross referenced links to research, links to software downloads and documentation, and web-based tools for searching and filtering the complete lexicon.
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