PUBLIC MARKS with tag somethingbeautiful

Four-fingered pianist.

growing business card

「日本人賞櫻, 叫做「花見」, 日語是 Hanami。花見, 擴大解釋是不僅見花也見人, 花下見, 花下相見, 花下不能不相見。獨自賞櫻是會流淚的。」

「La Vie 2007年5月號剛好滿三週年，在誠品書店和金石堂書店購買還加贈特別紀念設計～「花‧鳥籠提袋」，不過這樣的提袋會實用嗎？」

喜帖設計︰喜上眉梢

香 港 面 積 細 小 ， 卻 是 個 「 蝴 蝶 天 堂 」 ， 蝴 蝶 品 種 多 達 240 種 ， 較 日 本 ， 甚 至 英 國 還 多 。

paper sculpture by hen stark

"Copenhagen's Bjarke Ingels Group (BIG) proposed this eye-catching design over a year ago to coincide with Shanghai's "Better City, Better Life" 2010 World Expo . The building takes its form from the Chinese character for person 人 (”ren”) and combines two buildings (one symbolic of mind and the other symbolic of body). We love the poetic inspiration that reflects both site and cultural sensitivity."

"You’ll say you understand, you’ll never understand I’ll say I’ll never wake up knowing how or why I don’t know what to believe in, you don’t know who I am You’ll say I need appeasing when I start to cry But never is a promise and I’ll never need a lie"

「全世界最美好的女孩」（Maailman ihanin tyttö-the loveliest girl in the world），是我所見過最美的影像記錄之一。這長達五年的攝影計畫，由芬蘭攝影家、同時也是社會教育家的Miina Savolainan主導，從1998年開始，她長期拍攝十個9歲到20歲、住在寄養之家的女孩照片

try clicking on the same spots..... see how to flowers overlapping each others! it's really amazing~

MOMA exhibition

「怎麼看，人都是生來受苦的，並且走在一再重覆的困境旅程裡。但伍國柱沒有要你堅強，也沒有要你一鼓作氣，去尖叫吧，去咒罵吧，痛哭一場吧，大哭一場後，你還要再回來的。他只是要你不斷走下去，不斷走下去便會看到風景，看到拉住你生命的彩色汽球；去回應別人的渴望，你的渴望也會得到回應，有人扶一把，就可以從比較高的地方去看處境。」

斷章 - 伍國柱 [雲門舞集]

"Then practice losing farther, losing faster:/ places, and names, and where it was you meant to travel. None of these will bring disaster." -- 《One Art》，Elizabeth Bishop（1911-1979）。

「世界總是如此，事物的表象之下蘊藏了無限的細節，如果不仔細思索，那無限的意義就輕易錯過了，塵封著，表象只是起起伏伏的片刻而已。但是如果仔細看它，想它，那麼這所有的細節就如同神秘難解的夢境，在莫名其妙的時刻浮現，攫取我們的感覺。」

「在它的〈Panasonic 探索世界〉的官網裡，它將1931~1950自家所生產的部分經典電器商品，製作成了3D紙模型供人下載，有興趣的網友可以去一探究竟」

"Here are again 30 hq plants wallpapers packed in a zipfile, no logos, text, frames or elsewhat. All pictures comes with 1920x1440 resolution"

"It's been so long since I picked up a pen and wrote more than everyday necessities: a grocery list or a phone number. But something about this place, authors alive and breathing within its walls, reminds me that I am writing because I must, because it is how I am supposed to experience the world. And if my words never glimmer longer than a moment, it doesn't matter. Because in that moment I am living and my words are lighting my jouney."

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