2014
2013
2012
SuperCollider
by EmauxSuperCollider is an environment and programming language for real time audio synthesis and algorithmic composition. It provides an interpreted object-oriented language which functions as a network client to a state of the art, realtime sound synthesis server.
SuperCollider was written by James McCartney over a period of many years, and is now an open source (GPL) project maintained and developed by various people. It is used by musicians, scientists, and artists working with sound.
Digital Music online course - INTRO
by EmauxBasic
Concepts of Digital Music
Author: Gianni
Corino
Digital
Representation of Sound
Editing
MIDI and Sequencers
Additive Synthesis Technique
Basic Frequency Modulation Synthesis Technique
Advanced
FM Synthesis
Computational
Models of Music
Author: Eduardo
Reck Miranda
Artificial
Intelligence and Music Introduction
to Cellular Automata Music Research
Chaosynth
- A Cellular Automata-based Composition
Example Essay
in 12 Paragraphs: Sounds of the Brain
SoftSynth - music and computers
by EmauxSoftSynth provides audio solutions for desktops, mobile devices and the web.
Our products include a Polyphonic Ringtone Engine from Mobileer Inc. and JSyn.
2010
Granular Synthesis: Resource Site
by EmauxThis resource has been designed for composers, musicians, researchers and anyone who has an interest in sound design and
musical composition using granular synthesis.
It features music, forums, software and guides on what granular synthesis is and how it can be used for creating
music and soundscapes. It also covers control mechanisms and instrument building using granular synthesis as a sound source.
Feel free to use these resources for research, musical composition, and discussions.
2009
SuperCollider » About
by Emaux & 1 otherSuperCollider is an environment and programming language for real time audio synthesis and algorithmic composition. It provides an interpreted object-oriented language which functions as a network client to a state of the art, realtime sound synthesis server.
SuperCollider was written by James McCartney over a period of many years, and is now an open source (GPL) project maintained and developed by various people. It is used by musicians, scientists, and artists working with sound.
Argo - Gérard Paresys
by EmauxARGOPd est constitué de modules de synthèse et de traitement sonore et visuel fonctionnant en temps réel sous Pure Data.
ARGOPd is made of real-time sound and visual synthesis modules. A module is a Pure Data patch.
Pour MacOSX, Windows, Linux.
ARGOPd est fait pour des utilisateurs qui n'ont jamais programmé Pure Data
2008
Symbolic Sound Kyma: Company WebHome
by EmauxKyma X is a sound design environment being used in music and post-production studios, research labs, art installations, game developers' studios, educational institutions, home studios, and live performances. A sound library with over 1000 pre-packaged examples means you can start creating amazing sounds straight out of the box.
OICCM : Observatoire international de la création et des cultures musicales
by EmauxLe LIAM est affilié à la fois au secteur composition électroacoustique et au secteur musicologie de la Faculté de musique de l'Université de Montréal et accueille des chercheurs et étudiants provenant des différents domaines de la recherche consacrée à la musique
Welcome to U and I Software
by EmauxThe cutting-edge of music and graphics software is found here at U&I Software. With our software you can create music and graphics not possible with other tools.
Arturia - Software & Hardware
by EmauxARTURIA specializes in the development of music software and hardware for both the professional and amateur musician. Focusing on innovation, the company strives to integrate the latest advances in computer music research and technology into their products. This involves working closely with partner research institutions, such as IRCAM France, in the development of leading edge musical instruments and software, the results of which have gone on to been used in the making of numerous hit records and Hollywood sound tracks.
Synful
by EmauxSynful Orchestra is not a sampler or a sample library. Synful Orchestra is not a physical modeling synthesizer. It is an entirely new concept in music synthesis. At the heart of Synful Orchestra is Synful’s Reconstructive Phrase Modeling (RPM) technology. This is the result of many years of research, several patents, and a lifetime of experimentation, design, and frustration with older synthesis technologies.
Eric Lindemann (Synful CEO)
2007
PuceMuseWiki
by Emaux & 2 othersCe site est un wiki collaboratif, ayant pour but l'élaboration d'une documentation de la Méta-Mallette et du Méta-Instrument. Chacun peut y apporter sa contribution...
OpenSoundControl
by EmauxOpenSound Control ("OSC") is a protocol for communication among computers, sound synthesizers, and other multimedia devices that is optimized for modern networking technology and has been used in many application areas.
OSC Features
Open-ended, dynamic,URL-style symbolic naming scheme
Numeric and symbolic arguments to messages
Pattern matching language to specify multiple targets of a single message
High resolution time tags
"Bundles" of messages whose effects must occur simultaneously
Query system to dynamically find out the capabilities of an OSC server and get documentation
EARS: ElectroAcoustic Resource Site
by EmauxThe ElectroAcoustic Resource Site (EARS) project has been established to provide resources for those wishing to conduct research in the area of electroacoustic music studies. EARS will take the form of a structured Internet portal supported by extensive bibliographical tools. To aid the greater understanding of the opportunities offered by these radical forms of sound organisation, as well as their cultural impact, the project will cite (or link directly to) texts, titles, abstracts, images, audio and audio-visual files, and other relevant formats
cSounds.com - Official Website
by Emaux & 1 otherCsound is a programming language designed and optimized for sound rendering and signal processing. The language consists of over 1300 opcodes - the operational codes that the sound designer uses to build "instruments" or patches. Although there are an increasing number of graphical "front-ends" for the language, you typically design and modify your patches using a word processor
FM-Alive Home Page
by Emaux & 1 otherHere you can : Download editors and librarians for the DX and SY series synths. Get answers to technical questions. Read some basic information to help you get started programming.
In return I hope you'll give me some feedback so that we can all ensure FM programming has a future.
CRCA - Center for Research in Computing and the Arts - Research : Computer Music
by EmauxComputer music has been an integral part of CRCA since its inception. Computer music projects at CRCA cover a broad range of spectra, from pure research to technically advanced creative endeavors. Currently, research in spatialized audio, computer music languages, interactive performance, and synthesis techniques are conducted at CRCA. CRCA is the home of Pd, the latest graphical language authored by Miller Puckette, and CARL, which was developed at the Center for Music Experiment (CME) by F. Richard Moore et al.
mesi - more electronic sounds & imageries
by EmauxSpécialiste des instruments pour la musique électronique, distribution d'interfaces et convertisseurs MIDI, logiciels temps réels de synthèse et de création musicale