05 December 2009 23:00
Marc Ngui | Drawing - Art
These drawings are a methodical interpretation of the first two chapters of A Thousand Plateaus: Capitalism and Schzophrenia (Wikipedia link) by Gilles Delueze and Felix Guattari, translated by Brian Massumi, University of Minnesota Press, 1987.
The drawings were created as a means of understanding the ideas being presented in the book.
Each drawing is labeled by chapter and paragraph.
Marc sent these diagrams to Brian Massumi, the translator of A Thousand Plateaus into English, who is currently one of the editors of Inflexions, the online journal for research-creation. The first volume of the journal includes some of these diagrams in the Tangents section.
New Zealand Book Council: Going West - Video - Creativity Online
Print may be dead, but paper is alive in this lovely stop-motion animation for the New Zealand Book Council.
Time Inc. Previews Sports Illustrated for E-Readers | Peter Kafka | MediaMemo | AllThingsD
Last month, Condé Nast played show-and-tell with its concept of a digitized magazine. Today it’s Time Inc.’s turn: The publisher is demoing a concept version of Sports Illustrated it says will be able to run on whatever tablet Apple (AAPL) or any else has up their sleeves. Eventually, the publisher imagines that it will port all its titles into the new format, which it says will be ready for primetime by the middle of next year or sooner.
Sponsorised links
05 December 2009 22:00
Fedora & l'assurance qualité sur les projets php
05 December 2009 21:00
Collection des manteaux mamans
05 December 2009 20:00
Sponsorised links
05 December 2009 19:00
05 December 2009 18:00
05 December 2009 17:00
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05 December 2009 15:00
solrpy - Project Hosting on Google Code
solrpy is a python client for solr, an enterprise search server built on top of lucene. solrpy allows you to add documents to a solr instance, and then to perform queries and gather search results from solr using your favorite programming language--python.
Pourvu qu’on ait l’ivresse : Face Ecran
Peu importe le flacon, le texte, c’est plus fort que tout/toi.
