PUBLIC MARKS with search video

there was a popular blogger and he also had a Twitter account and he was complaining that his cable was out, and he was I'm going to write about this cable company, Compass and how terrible they are and its going to be the number one search result in, in search engines for year to come. And they were monitoring Twitter search for any mentions of they're brand name. And they saw that within a few minutes and they replied to him on Twitter, and they said what seems to be the problem, they were going to send a van out to your house. And they had his cable fixed in like 30 minutes, so the next day the blog post was, Compass has great customer service, and it was like a, you know a complete reversal and we were like wow, they're really smart about it,

Rebecca Duclos and David K. Ross have engaged in a multi-disciplinary, research and site-based practice since 1998. Their work is primarily characterized by its investigations into the literal and metaphorical aspects of storage, the construction of social and manufactured spaces, and the inscription/invention of histories, both written and illustrated.

Their collaborative and individual interests have included architectural propositions, photographic and digital video projects, and critical writing. Duclos and Ross consider all aspects of their projects—from pure research, to the rejuvenation of found materials and overlooked histories, to collaborations with other artists, students and designers—as critical to their work.

ARTE Video Night, une nuit de l’art vidéo sur ARTE. Faire d’une grande chaîne culturelle, le temps d’une nuit, un musée vivant de l’art vidéo, telle est l’ambition d’« Arte Video Night ». Ce programme-événement propose, à travers plus de 80 œuvres d’artistes du monde entier, de dresser un panorama de la création contemporaine et de montrer la diversité et la vitalité de l’un des moyens d’expression les plus inventifs d’aujourd’hui.

Slitscan imaging techniques are used to create static images of time-based phenomena. In traditional film photography, slit scan images are created by exposing film as it slides past a slit-shaped aperture. In the digital realm, thin slices are extracted from a sequence of video frames, and concatenated into a new image.

I bought a USB webcam off of eBay quite some time ago, and I decided to connect it to my telescope with a little bit of hardware hackery. I'll have to see about posting a writeup on how I did that at a later time. Anyway, when I installed my camera software, I quickly found how horrible the program was. It gave a tiny preview of what the camera saw, and had no way of capturing images or video without waaaay too many clicks of the mouse. That's when I decided to write my own in Python.