PUBLIC MARKS with search past

Now today there are few human beings who, for biological reasons, cannot forget. What sounds like a blessing, they certainly do remember where they parked their car in a shopping mall. It turns out that they have tremendous difficulties in acting in time, in deciding in time, because they remember all their bad, failed decisions in the past, and therefore hesitate to make a decision in the present.

Slitscan imaging techniques are used to create static images of time-based phenomena. In traditional film photography, slit scan images are created by exposing film as it slides past a slit-shaped aperture. In the digital realm, thin slices are extracted from a sequence of video frames, and concatenated into a new image.

Over the past few months I’ve been talking with many people passionate about Information Visualization who share a sense of saturation over a growing number of frivolous projects. The criticism is slightly different from person to person, but it usually goes along these lines: “It’s just visualization for the sake of visualization”, “It’s just eye-candy”, “They all look the same”.

Way back in 2006 I wrote a blog post concerning the modelling of time in RDF (see Refactoring Bio With Einstein Part 3: Temporal Invariants. That post also provoked some discussion in the blogosphere. Although I haven’t written anything on the subject for the past three years I haven’t stopped thinking about it. In fact I’ve been working quite hard on the problem, mainly by modelling real data, especially geographical information. This is the first of a series of blog posts describing my experiments. I’d like to thank Leigh Dodds and Jeni Tennison who gave me valuable feedback on an earlier version of this write-up.

In-search of the source of the universe, singularity, art and science. A short docu/drama inspired by Space Collective and other forward thinking terrestrials. Set in the near future and narrated through a series of interviews from the past and letters from the future in a kind of audiovisual diary essay style. Shot in 5 countries over 2 years. This film uses five digit dates, eg (0)2009 - the extra zero is to solve the deca-millennium bug which will come into effect in about 8,000 years. Directed & Produced by Jason Gleeson

I did want to apologize for assuming that the XHTML errors I had recently were due to WhatWG members having fun at my expense. I've had people deliberately break my XHTML-based comments in the past when I've written about XHTML, and the break was documented with a screenshot in the web site of a WhatWG member. I put 2 and 2 together and came up with 5. (1/10/2009)

Anne VK est taquin (see via). -- Ceci dit j'admire Shelley pour maintenir ses sites en full xhtml + extensions > svg+rdfa. Mais Dieu que la route est difficile avec des navigateurs si peu adaptés. (Firefox et son yellow screen of death)

An archive of Transparencies that have run in our past issues and online at www.good.is

During the past decade, rapid developments in information and communications technology have transformed key social, commercial, and political realities. Within that same time period, working at something less than Internet speed, much of the academic and policy debate arising from these new and emerging technologies has been fragmented. There have been few examples of interdisciplinary dialogue about the importance and impact of anonymity and privacy in a networked society. Lessons from the Identity Trail: Anonymity, Privacy and Identity in a Networked Society fills that gap, and examines key questions about anonymity, privacy, and identity in an environment that increasingly automates the collection of personal information and relies upon surveillance to promote private and public sector goals.

Would you know if a dear, but seldom seen, friend happened to be on the same train as you? The proximeter is both an agent that tracks the past and future proximity of one’s social cloud, and an instrument that charts this in an ambient display. By reading existing calendar and social network feeds of others, and abstracting these into a glanceable pattern of paths, we hope to nuture within users a social proprioception and nudge them toward more face-to-face interactions when opportunities arise.