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This year

"Cough Up the Bucks", vidéo du nouvel album à venir de Neil Young

by crypticcyco
Vidéo de "Cough Up the Bucks", en avant-première avant la sortie du nouvel album de Neil Young, "Fork in the Road", à paraître le 7 avril.

Brave New World - Wikipedia, the free encyclopedia

by karlcow

Social critic Neil Postman contrasts the worlds of 1984 and Brave New World in the foreword of his 1985 book Amusing Ourselves to Death. He writes:

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.

Our desire for abondance

Neil Fraser: Writing: Differential Synchronization

by greut

Keeping two or more copies of the same document synchronized with each other in real-time is a complex challenge. This paper describes the differential synchronization algorithm. Differential synchronization offers scalability, fault-tolerance, and responsive collaborative editing across an unreliable network.

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2008

2008 revue par les acteurs d'How I Met Your Mother

by xibe

Alyson Hannigan, Josh Radnor, Jason Segel, Cobie Smulders et Neil Patrick Harris ont retenu de 2008 cinq moments mémorables - ou devrait-on dire LEGENDARY -, souvent discutables, qu'ils ont donc rejoués devant l'objectif d'un appareil photo.

From the Basement: Neil Hannon

by xibe
Superbe série de concerts, mis en son par Nigel Godrich.

A11 vs Football

by sbrothier (via)
On July 21, 1969, Neil Armstrong became the first human to walk on the moon. He didn’t moonwalk alone – ‘Buzz’ Aldrin joined him on the surface – and he didn’t walk far. After travelling hundreds of thousands of kilometers, the landing crew of the Apollo 11 lunar mission barely covered an area the size of a football pitch. Many thanks to John Mark Boling for sending in this extremely cool map, found at this page of the NASA history division website.

260 - You’ll Never Moonwalk Alone « Strange Maps

by karlcow & 1 other

On July 21, 1969, Neil Armstrong became the first human to walk on the moon.

carte de la marche des premiers pas sur la lune

Listen Here! | The Jazz Review | radio program/weekly podcast

by garret
Listen Here! is the jazz review radio program hosted by critics, friends and sparring partners Neil Tesser and Mark Ruffin. Listen Here! debuted in January 2005, as a high-energy one-hour show incorporating conversation, criticism, debate, recorded music, interviews, and occasional live performances from jazz venues around North America.

paidContent.org - The Economics of Content - British News Sites Get Third Of Readers From U.S.; Motivation For Crossing Atlantic

by mozkart
Le web sans frontière (autre que la langue) : 1/3 du trafic des sites anglais vient des USA… It’s old data, but this new research study from City University, London, online journalism researcher Neil Thurman is the first to illustrate why British news organizations are courting U.S. readers. We recently reported The Guardian is launching dedicated American news and comment websites, Times Online is using search engine optimization to reach Americans, while The Independent and Daily Mail get more visits from across the Atlantic than from at home. Combining stats and interviews circa 2005, Thurman shows why the publishers decided to monetize across the Atlantic:

2007

BLIP FESTIVAL 2007

by otrox
LINEUP: 6955 (Japan) 8GB (Argentina) Alex Mauer (Philadelphia, PA) Anamanaguchi (New York, NY) Bit Shifter (New York, NY) Blasterhead (Japan) Bodenständig 2000 (Germany) Bokusatsu Shoujo Koubou (Japan) Bubblyfish (New York, NY) The Depreciation Guild (New York, NY) Firebrand Boy(Scotland) Gijs Gieskes (Netherlands) Glomag (New York, NY) gwEm (United Kingdom) Hally (Japan) Huoratron (Finland) kiken.corporation (visuals) (Argentina) Lo-bat. (Belgium) Loud Objects (New York, NY) Mark DeNardo (New York, NY) Markus Schrodt (Austria) minusbaby (New York, NY) Neil Voss (New York, NY) No Carrier (visuals) (Philadelphia, PA) noteNdo (visuals) (Baltimore, MD) nrGiga (Italy) Nullsleep (New York, NY) Otro (visuals) (France) Paza (Sweden) Postal_M@rket (Italy) Rugar (Sweden) Sabrepulse (Scotland) Saskrotch (Chicago, IL) Tree Wave (Dallas, TX) Virt (New York, NY) Voltage Controlled (visuals) (New York, NY) Yes, Robot (Spain)

Neil Diamonds Jazz Singer

by bl100bec
Information on neil diamonds jazz singer.

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