PUBLIC MARKS with search media

there was a popular blogger and he also had a Twitter account and he was complaining that his cable was out, and he was I'm going to write about this cable company, Compass and how terrible they are and its going to be the number one search result in, in search engines for year to come. And they were monitoring Twitter search for any mentions of they're brand name. And they saw that within a few minutes and they replied to him on Twitter, and they said what seems to be the problem, they were going to send a van out to your house. And they had his cable fixed in like 30 minutes, so the next day the blog post was, Compass has great customer service, and it was like a, you know a complete reversal and we were like wow, they're really smart about it,

The City of Toronto (City) now grants you a world-wide, royalty-free, non-exclusive licence to use, modify, and distribute the datasets in all current and future media and formats for any lawful purpose. more

TheArtCollider is a platform for connected creation of time based art aiming towards a collaborative approach of media art creation through a system of Peer-to-Peer or Artist-to-Artist production.

This Timeline of 20th c. Art and New Media was created to include relationships between art, new media art, science, technology, war and media theory.

The USGS is now testing out Twitter to collect early response information about earthquakes: “the USGS is developing a system that gathers real-time, earthquake-related messages from the social networking site Twitter and applies place, time, and quantity data to provide geo-located earthquake detection within 60 seconds of an event’s origin time.“ Social media can be a valuable tool in helping to assess earthquake hazards through anecdotal information from hundreds and potentially thousands of local users.

Via Stefan, a proposal from the WSO2 gang for an approach to decentralizing media types and removing the requirement for the registration process.

In a plain HTTP interaction, the Content-type and Accept headers carry information about the type of the data being transmitted and accepted, respectively. You’ve seen these media types in numerous examples, e.g. a typical request or response might have a Content-type header with the value application/xml.

A significant weakness of HTTP in my view is its dependence on the MIME standard for media type identification and on the related iana registry. This registry is a limited bottleneck that does not have the capacity to deal with the media type definition requirements of individual enterprises or domains. Machine-centric environments rely in a higher level of semantics than the human-centric environment of the Web. In order for machines to effectively exploit information, every unique schema of information needs to be standardised in a media type and for those media types to be individually identified. The number of media types grows as machines become more dominant in a distributed computing environment and as the number of distinct environments increases.

A bare bones locative media server and client that lets users share their favorite places edit

Orthogonal to these strategies, which revolve around the nature and scale of content being created, there are those sites with look to aggregation methods across a variety of data types (from weblog feeds to traffic news streams). In addition, there are various services and technologies which can enhance the data and provide some plugin style publishing components (e.g. maps with events pinned on them) for hyperlocal sites to leverage.