PUBLIC MARKS with search london

One of the odd qualities attributed to Stewart was his ubiquity: a perceived ability to be in more than one place at a time. Following a lifetime of walking across the known world, his final years in London were spent in seemingly unending peregrinations across the city, and more than one commentator recorded encountering him in impossible positions: sat steadfast upon Westminster Bridge, and minutes later, as steadfast upon a bench in St James’ Park. De Quincey himself records passing him at Somerset House, and then overtaking him again on Tottenham Court Road – despite having taken the shortest route through Covent Garden.

And if other people know what's going on in our thoughts and in our personal records and communications, they've invaded that margin and they've made it less easy for us to control our own lives.

The CLOUD proposes an entirely new form of observation deck,connecting visitors to both the whole of London and the whole of the world, immersing them in euphoric gusts of weather and digital data. Each individual footstep on the ascent to the CLOUD participates in a vast collective energy-harvesting effort. Everyone around the world can contribute to the Cloud - whether by visiting or by sponsoring an LED, helping to keep the London lamp aflame.

Geoplanet is a database of 5.4 million places in a hierarchy. Each entry has a unique, permanent ID (WOEID), a name and a place type. For example, Homerton (20089379) is a Suburb in the London Borough of Hackney (12695808), which is a LocalAdmin in London (44418), which is a Town in Greater London (23416974), and so on.

ARCHIGRAM dominated the architectural avant garde in the 1960s and early 1970s with its playful, pop-inspired visions of a technocratic future after its formation in 1961 by a group of young London architects – Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb.

“A new generation of architecture must arise with forms and spaces which seems to reject the precepts of ‘Modern’ yet in fact retains those precepts. We have chosen to by pass the decaying Bauhaus image which is an insult to functionalism. You can roll out steel – any length. You can blow up a balloon – any size. You can mould plastic – any shape. Blokes that built the Forth Bridge – they didn’t worry.”

So wrote David Greene in a poem published in the first issue of Archigram magazine or, as Greene’s co-editor, Peter Cook, called it “a message, or abstract communication”. It was published in 1961 on a large sheet of the cheapest available paper. Filled with Greene’s poems and sketches of architectural projects designed by Cook, Michael ‘Spider’ Webb and other friends, the magazine voiced their frustration with the intellectual conservatism of the British architectural establishment.

After Madlib was forced to cancel a show in Paris late last year, Malcolm Catto came from London to Paris on a moment’s notice with fellow Heliocentrics Jake Ferguson (bass) and Adey Owasu (guitar) of The Heliocentrics, and stole the show in front of 650 rather frenzied Stones Throw fans. This less-than-ten-minute section of their one hour jam session doesn’t come close to capturing the vibe in the cramped quarters of La Bellevilloise that Saturday, 6th of December 2008.

I simply took the oauth.py module by Leah Culver and wrapped it with some useful functions taken from a similar Twitter app we've done at work.

44.5% of people use the Tube map to walk round London.

This meant I could go from idea to implementation in about 3 hours. Nice.