PUBLIC MARKS with search lead(ing)pass

The goal is not that all implementations should pass all tests. V8 set out with that intention and we learned the hard way that sometimes you have to be incompatible with the spec to be compatible with the web. Rather, we want Sputnik to be a tool for identifying differences between implementations.

Each and every title is precious to me, and my hope is that a viewing on this website will lead you to seek out screenings of these pictures or perhaps DVDs as they appear.

Again, I fail to see any clear distinction between someone's boring Twitter feed – considered only semi-literate and very much bad – and someone else's equally boring, paper-based diary – considered both pro-humanist and unquestionably good.

Kafka would have had a Twitter feed! And so would have Hemingway, and so would have Virgil, and so would have Sappho. It's a tool for writing. Heraclitus would have had a f***ing Twitter feed.

offering mobile boarding passes. You can get a test boarding pass sent to your phone by SMS or email if you want to see how it works. In my case, I went to the boarding pass URL in a desktop browser, saved the page as a PDF and slapped that onto my iPod Touch using FileMagnet.

Because, this is what your new Elvis looks like, gang. And, eventually somebody will figure out (and publicly admit) that Kutiman, and any number of his peers on the “To-Sue” list, should be passed from Legal down to A&R.

Everybody knows the business has moved from legal to binary files. The question now is how much more lead time old media companies and other IP-obsessives can afford to burn by pretending it’s otherwise.

Data from the client computer is passed over 256-bit encrypted SSL into our own custom hashing system where it is immediately encrypted and then stored in our database.

Departing Madrid early on a Sunday morning, I found this paper map of the Metro, tucked neatly within the seams of a pre-fab wall, ready for re-use. I wondered, who was on their way out of Madrid, thinking that they could not in good conscience throw away their worn map, looking about for a way to pass it along to another visitor.

Another instance of a Thoughtful Act.

Why do I blog this? Sudden interest in observing improvisatory social practices which are signals of a sort, not always of a “service” or designed object to adopt that practice into a commodified instantiation. But sometimes merely a curiosity that helps us better understand who we/people are, like waypoints along a contour of individual and collective humanities.

the interesting thing with the map offered here is that it is an pseudo anonymous gift. At an instant t when the map has been put, the local people around the person may have identified the gesture and see the person (unlikely but let's say they have at least seen the act) BUT the people who will benefit of it in the further instant have probably no connection at all with the source.

A signature (automatic or not) defines a contract that tie to all kind of responsibilities and legibility which are not necessary beneficial for the group as large. The anonymous nature is defined by the time span and the a-connection between the two events (giving the map/receiving the map). Both gestures will be locally identified but the odds of being connected very small. On the Web, the odds of connection are very high and change completely the social dynamics of giving and sharing information. The network has a "memory" of the context.

Pondering what the combination of corn circles, very large QR codes and Google Earth might lead to. Any takers?

The term locative media refers generally to the communication technologies involving location; ie, those providing a link or information relating to a specific place via devices such as GPS, mobile telephones or PDAs, laptop computers or wireless networks. These media are now fully integrated into our daily lives and lead to a whole series of social, professional and cultural routines. Likewise, they have catalysed a certain level of curiosity and concern both in terms of artistic practice and academic study. In this issue of Artnodes, we want to contribute to the academic debate on locative media. We focus specifically on artistic projects that use these media for distinct aims, from political activism to games, or the different ways of appropriating these technologies. This allows us to see, from a conceptual perspective, that all these projects share an idea of the notion of space: how it is ordered, how it is represented, or what kind of social interaction takes place there. These are the underlying questions in each and every one of these locative media projects.

Unfortunately, that's what the French postcard artist Philippe Pissier faces in "obscenity" charges for sending the piece above in the mail as part of a mail art exhibition entitled “Erotic Moments” that was curated by Mark Falkant.

An actual new choice can be useful, but a new set of speculative debates, not so much. Better to ship.