PUBLIC MARKS with search john(prostitution)

When you create a public group everything will go well for a couple days, at most. Without fail an onslaught of spam will start to come through your group - I've even seen it happen within the first day. It happens to every group and doesn't matter how well you advertise it (or try to hide it). After having watched Google Groups for as long as I have I can only assume that there exists no spam filtering whatsoever. Or, if there is any, it's the most grossly incompetent spam filter I've ever seen.

Le plus gros problème aussi, et que (au moins à une certaine époque), la liste de tous les inscrits avec leur adresses mails était publique... (et une boîte mail de perdue, une). Google, premier récepteur de SPAM, mais aussi premier fournisseur de chair à SPAM.

karl — 4:14 AM on October 22, 2009 Reply to this comment

Hmmm…

In the available doc, I have not seen any geolocation UI for the photos by picking up a location on a map. See Flickr system and/or HoudahGeo http://www.houdah.com/houdahGeo/

Is it really the case?

John Jean a d’ailleurs publié ses benchmarks sur son blog, c’est très instructif. Il passe donc d’un crack de MD5 d’une durée de 11h sur un CPU classique à une durée de 1h30 pour un mot de passe de 8 lettres sur un multi core… Je vous laisse imaginer le délire !

Bref, il est fini le temps où vous pensiez que les mots de passes hashés en base de vos utilisateurs étaient secure car hashés…

In Fall 2007, Princeton Architectural Press published Minka: My Farmhouse In Japan the memoir of retired AP foreign correspondent John Roderick. Moved by the story of this remarkable house and the memories it contained, and with seed funding from the Graham Foundation, we began work on a documentary film about John, his adopted son architect Yoshihiro Takishita, and the 250-year old house they shared. John died in March 2008 at the age of 93. “Minka” is a meditation on place, architecture, memory and the meanings of home. It is a work in progress. For more information visit Andrew Blum’s website.

In 1999, John Redant, then a student at university in Canada, with input from DigiBarn curator Bruce Damer and others filled out the original "bushy tree" diagram of the lineage of visual computing systems (mostly software). The goal was to bring this diagram up to the year 2000.

People will be able to control and federate their own data

Authored by John Clippinger

John Clippinger, who directs the Law Lab at Harvard University, predicts a huge shift over the next one to two years in the way people manage their identities. He asserts that "user-centric identity, "the ability of individuals to carry their information from one site to another in a "cloud" of their own making, will become increasingly important.

There’s a strong tendency to see services as ‘things’: we often hear that services are ‘more complex’ than products. All kinds of means to grasp the complexity of an airline or a hospital can be applied – cybernetics, actor-network theory, etc. But the interaction between a prostitute and his or her john or jane is complex in a way I don’t think these approaches capture.

Drawing inspiration from John Cage’s, Notations, Notations 21 features illustrated musical scores from more than 100 international composers, all of whom are making amazing breakthroughs in the art of notation. These spectacularly beautiful and fascinatingly creative visual pieces not only make for exciting music, but inspiring visual art as well. The scores are accompanied by written contributions from the artists that explore every facet of their creative processes, from inspiration to execution. Contributors include the likes of Karlheinz Stockhausen, Earle Brown, Halim El-Dabh, Joan La Barbara, and Yuji Takahashi, as well as emerging composers whose compositions are also visually astounding and important.