PUBLIC MARKS with search explain

talked about many many things including my first, but hardly my last, attempt to make him explain RDF to me.

This poster (800×1000mm) was designed to summarize and explain the summer holiday of 2009: a roadtrip/ moving house expedition undertaken by my partner Marthe and I, from Norway to England and back.

The document at: [...] validates as XHTML 1.1 plus MathML 2.0.

I made the appropriate changes for the doctype and the content-type to convert to being a HTML 5 document. [...] I get 2 types of repeating errors [...] I have no idea what the second error is complaining about.

I need an HTML 5 language lawyer to explain what is wrong and how to fix these errors.

Pauvre hère, il a cru les bobards comme quoi HTML 5 était compatible avec XHTML !

If someone doesn't know anything about HTML or other mark-up languages, will such an explanation make sense? Or is there a better way to explain the differences between structural and presentational mark-up to clients and new Web designers?

The term “2D Barcode” is the name given to the next generation of the barcodes we are used to on everyday packaging and products. Before digging into 2D barcodes, we need to explain the history of 1D barcodes and how we arrived at this point. 1D barcodes are the traditional barcodes we see everyday, they are called one-dimensional because their pattern of thick and thin vertical bars is read in only one direction, from left to right.

I listen more attentively. I feel more like I am standing next to the participant as opposed to opposite to them. We compensate participants not only with money but also with respect, candidness, and humanness. We adopted their language to explain that we value them and their obstacles; both sides are “participants” in the research.

The central idea we were working on was this idea of de-localized information — information for which I didn't care what computer it was stored on. It didn't depend on any particular computer. I didn't know the identities of other computers in the ensemble that I was working on. I just knew myself and the cybersphere, or sometimes we called it the tuplesphere, or just a bunch of information floating around. We used the analogy — we talked about helium balloons. We used a million ways to try and explain this idea.

LORD OF THE CLOUD

John Markoff and Clay Shirky talk to David Gelernter

An Edge Roundtable

Twitter-Streetart: This demonstrates perfectly just how stupid and pointless twitter is!

twitterstreetart

Twitter-Streetart von Questionmarc (via Urban Prankster) mit einem bemerkenswerten Kommentar darunter.

Das ist schon sehr, sehr lustig. Es ist ja nicht nur so, dass ein paar Journalisten Twitter nicht verstehen und darauf rumhacken. Es ist auch so, dass sobald man irgendetwas über Twitter schreibt, steht mindestens einmal der Kommentar „Dieses Posting ist der perfekte Beweis dafür, wie unglaublich belanglos und banal Twitter doch eigentlich ist.“ Jetzt könnte man sich ja denken, diese Twittmeckermentalität wäre ein deutsches Phänomen – da sah ich obige Streetart und darunter der Kommentar „This demonstrates perfectly just how stupid and pointless twitter is!“ Von wegen deutsch, das ist schlicht ein mentales Filterproblem der Rezipienten. Wenn ich die Worte „Fashion“ oder „Ballett“ lese, dann lese ich gar nicht erst weiter und ich schreibe erst Recht nicht einen Kommentar wie „Dieses Posting ist der perfekte Beweis dafür, wie unglaublich belanglos und banal Ballett doch eigentlich ist.“

Ich glaube, dieser Satz offenbart die komplette Absurdität solcher Kommentare. Geht auch so: „Dieses Posting ist der perfekte Beweis dafür, wie unglaublich belanglos und banal Blogs doch eigentlich sind.“ Bullshit. Ich kaufe mir auch keine Geflügelzüchtermagazine und beschwere mich dann, dass diese voller Geflügelzüchtercontent sind. Wenn man sich gerne und ausschließlich lange Abhandlungen zur Außenpolitik von Papua Neuguinea durchliest, wird man wohl schwerlich ein Fan von Twitter. Aber dann: Don’t fucking read it!

Ansonsten empfehle ich immer noch Julies Anleitung zum Glücklichtwittern: Twitter ist unnütz.

[update] Von Jeriko grade in den Kommentaren gepostet, auch sehr schön:

it’s a lesson in how the future of music is working -

fans are literally (and i mean that….literally) lining up at the signing table after shows and HANDING me cash, saying “thank you”.

i had to EXPLAIN to the so-called “head of digital media” of roadrunner australia WHAT TWITTER WAS. and his brush-off that “it hasn’t caught on here yet” was ABSURD because the next day i twittered that i was doing an impromptu gathering in a public park and 12 hours later, 150 underage fans - who couldn’t attend the show - showed up to get their records signed.

no manager knew! i didn’t even warn or tell her! no agents! no security! no venue! we were in a fucking public park!

life is becoming awesome.