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Trampo do grafiteiro e designer Mach505 do estúdio Truly-Design. A Série chamada de "Robocaps" é produzida com "caps" [bicos de spray], usa cola, tinta acrílica e alguns imãs fortes, que segundo ele, permite a movimentação das juunções dos robôs.

THE VISUAL LANGUAGE OF HERBERT MATTER is a revealing look at the fascinating life story of the highly influential mid-century modern design master. Known as a quintessential designer's designer, Swiss born Herbert Matter is largely credited with expanding the use of photography as a design tool and bringing the semantics of fine art into the realm of applied arts.

ARCHIGRAM dominated the architectural avant garde in the 1960s and early 1970s with its playful, pop-inspired visions of a technocratic future after its formation in 1961 by a group of young London architects – Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb.

“A new generation of architecture must arise with forms and spaces which seems to reject the precepts of ‘Modern’ yet in fact retains those precepts. We have chosen to by pass the decaying Bauhaus image which is an insult to functionalism. You can roll out steel – any length. You can blow up a balloon – any size. You can mould plastic – any shape. Blokes that built the Forth Bridge – they didn’t worry.”

So wrote David Greene in a poem published in the first issue of Archigram magazine or, as Greene’s co-editor, Peter Cook, called it “a message, or abstract communication”. It was published in 1961 on a large sheet of the cheapest available paper. Filled with Greene’s poems and sketches of architectural projects designed by Cook, Michael ‘Spider’ Webb and other friends, the magazine voiced their frustration with the intellectual conservatism of the British architectural establishment.