PUBLIC MARKS with search deal

VideoClix, a Vancouver-based provider of technologies for clickable interactive video (which it calls "hypervideo"), said last week that it has signed a deal with Dailymotion, a Paris-based company which claims that its flagship broadband video portal is the world's second-largest. According to VideoClix, its technology will provide Dailymotion users with an "active and engaging" experience while providing advertisers with a non-intrusive way to reach their target audience. "This partnership brings clickable video to the masses on a global scale," VideoClix CEO, Babak Maghfourian, said in a prepared statement. "It's a win, win, win for audiences, publishers and advertisers alike."

When we move into any social space we have to choose which of our faces to show. At any given moment, a few of them are visible. The others are hidden, often because we think they are somehow "weird".

This exhibition which caused a great deal of commentary was one of the first manifestations of arte povera, conceptual art and land art in Europe and as such marked an artistic breakthrough for many of the participants. Among the artists are Carl Andre, Giovanni Anselmo, Ben d'Armagnac, Joseph Beuys, Walter de Maria, Jan Dibbets, Barry Flanagan, Jannis Kounellis, Richard Long, Mario Merz, Bob Morris, Bruce Nauman, Dennis Oppenheim, Panamarenko, Rob Ryman, Lawrence Weiner, & Gilberto Zorio.

A significant weakness of HTTP in my view is its dependence on the MIME standard for media type identification and on the related iana registry. This registry is a limited bottleneck that does not have the capacity to deal with the media type definition requirements of individual enterprises or domains. Machine-centric environments rely in a higher level of semantics than the human-centric environment of the Web. In order for machines to effectively exploit information, every unique schema of information needs to be standardised in a media type and for those media types to be individually identified. The number of media types grows as machines become more dominant in a distributed computing environment and as the number of distinct environments increases.

Ends up the App Store review team simply doesn’t deal with copyright and trademark verification (with the exception of enforcing Apple’s own trademarks, of course). Any beef Nintendo has ([...]) is between Nintendo and Mariolife’s developer. Makes sense.

A partir du moment où Apple touche un tiers du produit des ventes, ça en fait pas sens du tout qu'ils n'aient rien à faire de la propriété intellectuelle concernant les applications qu'ils choisissent de distribuer.

I chose to use a 110A because I got a good deal on eBay. 110Bs are the most popular just because they have a couple minor improvements over the 110A. Some people convert the 'lesser' models as well. Here is my 150 next to my 110A. See the obvious difference in the lens quality.