PUBLIC MARKS with search change

In 1993, the City of Darkness, or the Walled City of Kowloon, was demolished. To the 35,000 people living in this dense urban slum, the change was the end of a lawless existence. The area was a diplomatic black hole, the model of an anarchist society somehow allowed to grow organically without the aid of any government, existing somewhere outside of both British Hong Kong and China.

The buildings of "Hak Nam" folded into one other in a dense configuration of labyrinthine corridors and seedy brown shacks stacked up 10, 12 and 14 stories high. It was a solid building, 200 x 100 meters, a pulsating anomaly, one of the most densely populated places in the world at the time of its destruction. It was called "the world’s first flexible megastructure, the closest thing to a truly self-regulating, self-sufficient, self determining modern city that has ever been built," "an environment as richly varied and as sensual as anything in the heart of the tropical forest."

Nayar saw the Academy Award–winning Born into Brothels, a 2004 documentary film about children living in Calcutta’s red light district who were handed cameras and joyfully taught to reveal the life before their eyes. “The film reaffirmed that the camera is like no other piece of technology,” he said. It raises emotions “both for the person being shot and for the person shooting.”

Support Structure is an architectural interface. Support Structure aims to create a space which is continuously reinvented by its users in relation to its context. Support Structure houses artefacts as well as activities and aids reconsideration of existing spaces as an impulse for future change. Support Structure is an evolving collaborative project between architect Celine Condorelli and artist-curator Gavin Wade. Our aim is to design and create a universally adaptable support structure that approaches the specific rather than the generic. To achieve this we are putting Support Structure through a learning process.

As Haruki Murakami, Japan’s best-known living novelist, wrote via e-mail, “My personal view on the Japanese language (or any language) is, If it wants to change, let it change. Any language is alive just like a human being, just like you or me. And if it’s alive, it will change. Nobody can stop it.” There is no such thing as simplification of language, he added. “It just changes for better or worse (and nobody can tell if it is better or worse).”

DESIGN 21: Social Design Network's mission is to inspire social activism through design. We connect people who want to explore ways design can positively impact our many worlds, and who want to create change here, now.

ARMCHAIR explorers who soar over 3D cityscapes on their computer may be used to the idea of maps with an extra dimension. But they are now getting accurate enough to offer much more than a preview of your next holiday destination. Accurate, large-scale 3D maps could soon change the way we design, manage and relate to our urban environments.

Apolis Activism is an independent contemporary brand that began with dreams and thread. Three brothers — Raan, Shea, and Stenn Parton — created a unique bridge between commerce and sustainable development. Through their travels they discovered stories of struggle and survival from visionaries and activists for change. These experiences shaped their perspective, resulting in a union of ideal and action. They anchored this vision in the word Apolis, which translates as a “global citizen” — where there are no flags and no borders, humanity is our common cause and greatest priority.

If you ask most Firefox (Firefox) fans the main reason they won’t switch to Chrome, a good majority of them will probably cite its lack of extensions. But that might change, because Chrome extensions are coming — perhaps soon. And for users of the developer’s build of Chrome, they’re already here. So for those of you brave enough to use the unstable developers release of Chrome, here are 6 extensions that social media addicts will want to install.

* Fixers. People that can repair existing equipment to maintain its previous function. (these people are the staple of almost all disaster fiction).

* Makers. People that repurpose existing technology through the implementation of alterations to change its function. A corollary to Makers are people that improve existing products/systems (make them more powerful/better/faster).

* Creators. People that create new tools or unique systems from scratch using raw materials (think fab lab hacks).