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Oshima: A World of Their Own (Chasing Shadows, Take Four of Four)

by karlcow

Diary of a Shinjuko Thief, which equates artists with thieves (each appropriators) tells us that filmmaking, in its ways, undermines a tyrannical order of reality: the filmmaker claims reality for himself, a private reconfiguration and perversion, distortion of it, and shows it from a single perspective as good as any other.

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karlcow
the 14/08/2009 at 02:45