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Folded in Place furthers the abstraction once offered by landscape photography by removing the place itself and replacing it with a mapped construction. This method leads the viewer to re-imagine the spectacle of the foreign lands and explore the abstraction of place offered by photography. The combination of still-life constructions and the maps’ reference to large and distant lands examines the paradox of known and unknown geographies offered by the photographic image. In this manner, Folded in Place turns the abstract representation of the map back into a physical landscape using photography to look at the map as a geography of its own.