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"Classic Hong Kong and Japanese action scenes were 'expressionistic' in the sense that their larger-than-life balletics and aerobatics amplified recognizable (if extreme) possibilities of the human body," writes David Bordwell. "The result was a carnal cinema, in which shooting and cutting aimed to enlarge and prolong graceful movement. By contrast, Hollywood action scenes became 'impressionistic,' rendering a combat or pursuit as a blurred confusion. We got a flurry of cuts calibrated not in relation to each other or to the action but suggesting in their flurry a vast busyness. Here camerawork and editing didn't serve the specificity of the action but overwhelmed, even buried it."