Kibera in Nairobi, Kenya, widely known as Africa's largest slum, remains a blank spot on the map. Without basic knowledge of the geography and resources of Kibera it is impossible to have an informed discussion on how to improve the lives of residents. This November, young Kiberans create the first public digital map of their own community.

ARCHIGRAM dominated the architectural avant garde in the 1960s and early 1970s with its playful, pop-inspired visions of a technocratic future after its formation in 1961 by a group of young London architects – Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb.

“A new generation of architecture must arise with forms and spaces which seems to reject the precepts of ‘Modern’ yet in fact retains those precepts. We have chosen to by pass the decaying Bauhaus image which is an insult to functionalism. You can roll out steel – any length. You can blow up a balloon – any size. You can mould plastic – any shape. Blokes that built the Forth Bridge – they didn’t worry.”

So wrote David Greene in a poem published in the first issue of Archigram magazine or, as Greene’s co-editor, Peter Cook, called it “a message, or abstract communication”. It was published in 1961 on a large sheet of the cheapest available paper. Filled with Greene’s poems and sketches of architectural projects designed by Cook, Michael ‘Spider’ Webb and other friends, the magazine voiced their frustration with the intellectual conservatism of the British architectural establishment.

The project, meant for a family house back yard in the suburbs, aimed at designing a small park or opened area where the young parents and their newborn child would enjoy a independent space from day to day house activities, a space for reading, playing, etc. Having in mind this objective, and considering the usages of the space in the long term, it was proposed the project incorporated a small building to complement and support outside activities. That way he building would serve as a shelter for the child to share with his parents and, later on, as his own personal activities and hobbies setting.

since the Japanese media is not allowed to talk about trends in terms of socioeconomic class or subculture, Koakuma Ageha’s popularity gave the impression that all young women, no matter the family background, have suddenly clamored to work nights in Kabukicho.

When I was young, I placed my baby teeth under my pillow and when i woke up I'd find a shiny new quarter. But whatever happened to those little teeth? Where did they go? Would I ever see them again?

Founded in 1990 by the late Kuo Pao Kun, The Substation is Singapore's first independent contemporary arts centre. We are centrally located in the city's civic district. Our venues include a black box theatre, a gallery, a dance studio,Random Room and two multi-function classrooms. We present and co-present a wide range of artists and programmes, from traditionally trained dancers to local rock bands; established visual artists to young poets; publications to international short film festivals; experimental theatre to seminal conferences on Singapore arts and culture.

people rarely held on to money in the form of cash for any length of time, for the most part due to lack of access to banks and/or the high cost of maintaining an account proportionate to their incomes. Cash was rapidly converted to goods based on priorities and these 'goods' acted as insurance (silver), savings (buying building materials on a piecemeal basis as cashflow allowed until the house could be built), a cushion aka insurance (selling a pig for an emergency or eaten for food) and finally investment (milk bearing cow, young piglets to rear to maturity, etc).

He is part of Japan’s 2,400-strong Rural Labor Squad, urban trainees dispatched to the countryside under a pilot program to put Japan’s underemployed youth to work tilling its farms.