Rebecca Duclos and David K. Ross have engaged in a multi-disciplinary, research and site-based practice since 1998. Their work is primarily characterized by its investigations into the literal and metaphorical aspects of storage, the construction of social and manufactured spaces, and the inscription/invention of histories, both written and illustrated.

Their collaborative and individual interests have included architectural propositions, photographic and digital video projects, and critical writing. Duclos and Ross consider all aspects of their projects—from pure research, to the rejuvenation of found materials and overlooked histories, to collaborations with other artists, students and designers—as critical to their work.

I like to compare this practice to a game designer who lays out an intended context, rules and narrative for the game, but then has this moment of delight when users engender their own narrative, their own path. This is intrinsic to the conception of Information Visualization as a discovery tool.

It starts by including citizen to elicit and describe the local dynamics and needs to feed the data analysis process of their city. They can create their own point of view with the ability to observe and capture their environment. This potential to capture, observe and replay the city echoes very well with the recent interest of some architects, urban planners and designers in unconventional data sources (e.g. beyond traditional surveys). But how does it integrate into the current practice? Is there a spot for some vernacularism? How can urban scouts and urban safaris communicate with practitioners and decision makers?

We Value:

Validated Data over Expert Opinion

Quality of Data over Ease of Data Collection

Complete Workflows over Long Feature Lists

Achieving Results over Writing Reports

Collaborative Design over Design by Referendum or Design by Fiat

Ease of Use over Ease of Coding

Well-designed Critical and Common Workflows over Complete Coverage of Every Possible Workflow

Outstanding Issues in HTML

The current working specification for HTML[9] does not faithfully represent

contemporary practice as supported by applications such as Mosiac and Lynx.

Nor do those applications give a precise definition for HTML.

Faruk Ateş :

What makes Modernizr different from a lot of other, existing approaches is that it doesn’t use any UserAgent sniffing at all—in fact, Modernizr was partially designed and developed precisely to put an end to UA sniffing. It is a bad, unsafe and unreliable practice so the more alternatives we have to do it right, the better.

Criticism • Side effects often dominate over intended consequences of any project or endeavor. • Abstract views may make us callous or may badly reflect ground truth. • Ignorance is bliss. The world is filled with sob stories. Best to not dwell? • Such services may be used solely for the most banal aspirations and goals. • Struggle may be important - making things too easy may harm fitness and lower diversity of skills and abilities over long term. • What about poor people who are outside of any implied technological social network? • Why not just help people around you? • Any technology should go hand in hand with day to day personal practice that is unmediated? • Feedback loops may be created that accelerate and disrupt society. • Virtual and visual only for curators; not tactile; uses only one sense. A concern?

I did notice however several mentions of the "HTML5 standard" that led me to write this post to remind the community of the current status of the specification, both in practice and on the standards track.. HTML5 isn't a W3C standard. We certainly look forward to the day when it is, but it isn't yet. In fact, the specification, co-authored by Ian Hickson from Google, is still very much a work in progress.

Rappelons que HTML5 est le format "sérialisé à la SGML" du document, pour le standard on devrait écrire HTML 5 (mais Google a plus de mal à le trouver dans ce cas). Et Hickson nous rappelle dans les commentaires comment il peut être pragmatique (cf. hier).

Ways of Working is a series of articles I wrote in 2005 about the practice of street photography. The pieces are highly subjective, and are the result of much shooting, note taking, and general time wasting. I hope they prove to be of value, however small. Thanks for reading.

In Subnature, David Gissen, author of our critically acclaimed Big and Green, examines experimental work by today's leading designers, scholars, philosophers, and biologists that rejects the idea that humans can somehow recreate a purely natural world, free of the untidy elements that actually constitute nature. Each chapter provides an examination of a particular form of subnature and its actualization in contemporary design practice.

About

Scottish Arts Council

New Media Scotland is a national development agency fostering artist and audience engagement with all forms of new media practice.