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<title>Public marks with search perception</title>
<description>Public marks with search perception</description>
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<item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058623423">
<title>L'histoire du Kendo en france</title>
<link>http://www.chaken.fr/articlehistoire.html</link>
<description>Cet article a été écrit par Mr Tanguy L'Aminot, chercheur au CNRS à La Sorbonne. Toute critique ou réflexion concernant cet article lui sera transmise. Nous sommes en particulier à la recherche de tous documents anciens (photos ou texte) nous permettant, soit d'illustrer la pratique ancienne du kendo au Japon et dans les pays de civilisations et de mentalité européennes, soit de montrer au travers de textes journalistiques ou littéraire la perception de l'escrime japonaise par les écrivains et la presse occidentale .</description>
<dc:date>2009-12-17T09:40:33Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>martial arts</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.chaken.fr/articlehistoire.html"><img border="0" src="http://blogmarks.net/screenshots/2009/12/17/e97f32fd39bc7a2f1ac51e411ccad905.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.chaken.fr/articlehistoire.html">L'histoire du Kendo en france</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Cet article a été écrit par Mr Tanguy L'Aminot, chercheur au CNRS à La Sorbonne. Toute critique ou réflexion concernant cet article lui sera transmise. Nous sommes en particulier à la recherche de tous documents anciens (photos ou texte) nous permettant, soit d'illustrer la pratique ancienne du kendo au Japon et dans les pays de civilisations et de mentalité européennes, soit de montrer au travers de textes journalistiques ou littéraire la perception de l'escrime japonaise par les écrivains et la presse occidentale .</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/martial%2Barts">martial arts</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/cloreen/mark/1058541388">
<title>logiciels orthophonie</title>
<link>http://pagesperso-orange.fr/stefinel/presentation.htm</link>
<description>

STEFINEL,
Spécialiste informatique de l'aide à la rééducation orthophonique depuis 20 ans, crée et diffuse par correspondance des logiciels considérés comme des références dans des pathologies affectant des secteurs aussi divers que :

    * la perception et la discrimination visuelles et auditives
    * la concentration, la canalisation de l'attention  et la mémorisation à court terme
    * la latéralisation
    * l'articulation et la parole
    * l'analyse auditive, l'élaboration et la consolidation du système phonologique
    * le lexique
    * l'organisation d'un récit avec respect de la chronologie
    * la structuration de la phrase orale
    * la lecture :
      - mécanismes, compréhension, mémorisation
      - stratégies de lecture rapide
    * la structuration du mot écrit
    * l'analyse et la compréhension de la phrase écrite
    * les capacités mnésiques et lexiques chez le patient cérébro-lésé...
    * la mémoire de travail
</description>
<dc:date>2009-10-07T08:23:56Z</dc:date>
<dc:author>cloreen</dc:author>
<dc:subject>orthophonie, logiciel</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://pagesperso-orange.fr/stefinel/presentation.htm"><img border="0" src="http://blogmarks.net/screenshots/2009/10/07/5a132495c2d6943c0ab22de7053fc57a.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://pagesperso-orange.fr/stefinel/presentation.htm">logiciels orthophonie</a></h4>
 
by <a href="http://blogmarks.net/user/cloreen">cloreen</a> 
<p class="description">

STEFINEL,
Spécialiste informatique de l'aide à la rééducation orthophonique depuis 20 ans, crée et diffuse par correspondance des logiciels considérés comme des références dans des pathologies affectant des secteurs aussi divers que :

    * la perception et la discrimination visuelles et auditives
    * la concentration, la canalisation de l'attention  et la mémorisation à court terme
    * la latéralisation
    * l'articulation et la parole
    * l'analyse auditive, l'élaboration et la consolidation du système phonologique
    * le lexique
    * l'organisation d'un récit avec respect de la chronologie
    * la structuration de la phrase orale
    * la lecture :
      - mécanismes, compréhension, mémorisation
      - stratégies de lecture rapide
    * la structuration du mot écrit
    * l'analyse et la compréhension de la phrase écrite
    * les capacités mnésiques et lexiques chez le patient cérébro-lésé...
    * la mémoire de travail
</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/orthophonie">orthophonie</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/logiciel">logiciel</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1058500188">
<title>Digital Contacts Will Keep an Eye on Your Vital Signs | Gadget Lab | Wired.com</title>
<link>http://www.wired.com/gadgetlab/2009/09/ar-contact-lens</link>
<description>The tech industry calls the digital enrichment of the physical world “augmented reality.” Such technology is already appearing in smartphones and toys, and enthusiasts dream of a pair of glasses we could don to enhance our everyday perception. But why stop there?</description>
<dc:date>2009-09-11T19:13:40Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>augmented reality</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.wired.com/gadgetlab/2009/09/ar-contact-lens"><img border="0" src="http://blogmarks.net/screenshots/2009/09/11/dad5d5b9d9705b6a575160f35c1f4e77.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.wired.com/gadgetlab/2009/09/ar-contact-lens">Digital Contacts Will Keep an Eye on Your Vital Signs | Gadget Lab | Wired.com</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">The tech industry calls the digital enrichment of the physical world “augmented reality.” Such technology is already appearing in smartphones and toys, and enthusiasts dream of a pair of glasses we could don to enhance our everyday perception. But why stop there?</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/augmented%2Breality">augmented reality</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/Emaux/mark/1058499722">
<title>Mecenat Global - Global Patronage</title>
<link>http://mecenat-global.org/index-fr.html</link>
<description>Au niveau opérationnel, les internautes versent d'une manière obligatoire une somme contractuelle fixe (ni une redevance, ni une taxe ) qui est collectée par le fournisseurs d'accès à Internet-( FAI) et versée aux différentes Sociétés de Perception et de Pépartition des Droits d'auteur (SPRD) ou une Société d'Acceptation et de Répartition des Dons ( SARD ). 
Contrairement à la licence globale, où ils ne sont pas consultés, les internautes déterminent la clef de répartition de la somme fixe collectée. Cette clef permet sa répartition entre les différents auteurs d'oeuvres numériques selon leurs appréciations de l'oeuvre, et non pas selon leurs consommations.</description>
<dc:date>2009-09-11T08:42:05Z</dc:date>
<dc:author>Emaux</dc:author>
<dc:subject>création_artistique, droit, licence, internet, Répartition, liens</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://mecenat-global.org/index-fr.html"><img border="0" src="http://blogmarks.net/screenshots/2009/09/11/00de7de58454e45d2605d70bfa5c9319.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://mecenat-global.org/index-fr.html">Mecenat Global - Global Patronage</a></h4>
 
by <a href="http://blogmarks.net/user/Emaux">Emaux</a> 
<p class="description">Au niveau opérationnel, les internautes versent d'une manière obligatoire une somme contractuelle fixe (ni une redevance, ni une taxe ) qui est collectée par le fournisseurs d'accès à Internet-( FAI) et versée aux différentes Sociétés de Perception et de Pépartition des Droits d'auteur (SPRD) ou une Société d'Acceptation et de Répartition des Dons ( SARD ). 
Contrairement à la licence globale, où ils ne sont pas consultés, les internautes déterminent la clef de répartition de la somme fixe collectée. Cette clef permet sa répartition entre les différents auteurs d'oeuvres numériques selon leurs appréciations de l'oeuvre, et non pas selon leurs consommations.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/cr%25C3%25A9ation_artistique">création_artistique</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/droit">droit</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/licence">licence</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/internet">internet</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/R%25C3%25A9partition">Répartition</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/liens">liens</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/rwatuny/mark/1058503011">
<title>Collective Perception</title>
<link>http://www.collectiveperception.com/</link>
<description></description>
<dc:date>2009-08-28T15:18:34Z</dc:date>
<dc:author>rwatuny</dc:author>
<dc:subject>art, design, inspiration, culture, images, science</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.collectiveperception.com/"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.collectiveperception.com/">Collective Perception</a></h4>
 
by <a href="http://blogmarks.net/user/rwatuny">rwatuny</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2548018">1 other(s)</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/art">art</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/design">design</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/inspiration">inspiration</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/culture">culture</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/images">images</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/science">science</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058466441">
<title>Art Fag City » IMG MGMT: The Nine Eyes of Google Street View</title>
<link>http://www.artfagcity.com/2009/08/12/img-mgmt-the-nine-eyes-of-google-street-view/</link>
<description>&lt;blockquote&gt;&lt;p&gt;his essay illustrates how my Street View collections reflect the excitement of exploring this new, virtual world. The world captured by Google appears to be more truthful and more transparent because of the weight accorded to external reality, the perception of a neutral, unbiased recording, and even the vastness of the project. At the same time, I acknowledge that this way of photographing creates a cultural text like any other, a structured and structuring space whose codes and meaning the artist and the curator of the images can assist in constructing or deciphering.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-08-14T01:51:40Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>art, google, opacité</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.artfagcity.com/2009/08/12/img-mgmt-the-nine-eyes-of-google-street-view/"><img border="0" src="http://blogmarks.net/screenshots/2009/08/14/e08ba3d5db46616b4faf56ecaebfb53f.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.artfagcity.com/2009/08/12/img-mgmt-the-nine-eyes-of-google-street-view/">Art Fag City » IMG MGMT: The Nine Eyes of Google Street View</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>his essay illustrates how my Street View collections reflect the excitement of exploring this new, virtual world. The world captured by Google appears to be more truthful and more transparent because of the weight accorded to external reality, the perception of a neutral, unbiased recording, and even the vastness of the project. At the same time, I acknowledge that this way of photographing creates a cultural text like any other, a structured and structuring space whose codes and meaning the artist and the curator of the images can assist in constructing or deciphering.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/art">art</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/google">google</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/opacit%25C3%25A9">opacité</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/CharlesNepote/mark/1058449211">
<title>How SenseCam’s External Memories Screw With Your Own Perception | Justin Lloyd</title>
<link>http://www.justinlloyd.org/465-how-sensecams-external-memories-screw-with-your-own-perception/</link>
<description></description>
<dc:date>2009-07-30T15:59:45Z</dc:date>
<dc:author>CharlesNepote</dc:author>
<dc:subject>lifelogging</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.justinlloyd.org/465-how-sensecams-external-memories-screw-with-your-own-perception/"><img border="0" src="http://blogmarks.net/screenshots/2009/07/30/d1e87d410ea5aba63a3d2496a2ceee66.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.justinlloyd.org/465-how-sensecams-external-memories-screw-with-your-own-perception/">How SenseCam’s External Memories Screw With Your Own Perception | Justin Lloyd</a></h4>
 
by <a href="http://blogmarks.net/user/CharlesNepote">CharlesNepote</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/lifelogging">lifelogging</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058442343">
<title>555 KUBIK_ extended version on Vimeo</title>
<link>http://vimeo.com/5677104</link>
<description>&lt;blockquote&gt;&lt;p&gt;The conception of this project consistently derives from its underlying architecture - the theoretic conception and visual pattern of the Hamburg Kunsthalle. The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers &quot;Galerie der Gegenwart&quot;. Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement. A situation of reflexivity evolves - describing the constitution and spacious perception of this location by means of the building itself.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-07-27T01:00:45Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>architecture, video</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://vimeo.com/5677104"><img border="0" src="http://blogmarks.net/screenshots/2009/07/27/b04496cf428fd90d09bc47438166c5a1.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://vimeo.com/5677104">555 KUBIK_ extended version on Vimeo</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>The conception of this project consistently derives from its underlying architecture - the theoretic conception and visual pattern of the Hamburg Kunsthalle. The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers "Galerie der Gegenwart". Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement. A situation of reflexivity evolves - describing the constitution and spacious perception of this location by means of the building itself.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/architecture">architecture</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/video">video</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058438026">
<title>Design View / Andy Rutledge - Gestalt Principles of Perception 3: Proximity, Uniform Connectedness, and Good Continuation</title>
<link>http://www.andyrutledge.com/gestalt-principles-3.php</link>
<description>&lt;blockquote&gt;&lt;p&gt;The paragraph is not an arbitrary construct nor was it an optional invention. It is required for written communication; else communicative writing would be relegated to individual words or unwieldy, enormous chunks of copy.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-07-22T10:10:13Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>design, ergonomie</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.andyrutledge.com/gestalt-principles-3.php"><img border="0" src="http://blogmarks.net/screenshots/2009/07/22/051c91a1b2ed2fa1e097f16cfa61e3b1.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.andyrutledge.com/gestalt-principles-3.php">Design View / Andy Rutledge - Gestalt Principles of Perception 3: Proximity, Uniform Connectedness, and Good Continuation</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>The paragraph is not an arbitrary construct nor was it an optional invention. It is required for written communication; else communicative writing would be relegated to individual words or unwieldy, enormous chunks of copy.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/design">design</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ergonomie">ergonomie</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/Line/mark/1058389796">
<title>pourpre.com - les mondes de la couleur, les couleurs du monde</title>
<link>http://pourpre.com/</link>
<description>Ce site propose des articles consacrés à la couleur: le phénomène physique, la perception des couleurs, la langue française et la couleur, des questions-réponses, un glossaire, une présentation des principaux modèles et nuanciers de couleurs, quelques jeux, une sélection de liens...</description>
<dc:date>2009-06-24T12:06:58Z</dc:date>
<dc:author>Line</dc:author>
<dc:subject>couleur, pantone</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://pourpre.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/06/24/723b6166055d3fe105503b8e0ba48d36.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://pourpre.com/">pourpre.com - les mondes de la couleur, les couleurs du monde</a></h4>
 
by <a href="http://blogmarks.net/user/Line">Line</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/31359">27 other(s)</a> 
<p class="description">Ce site propose des articles consacrés à la couleur: le phénomène physique, la perception des couleurs, la langue française et la couleur, des questions-réponses, un glossaire, une présentation des principaux modèles et nuanciers de couleurs, quelques jeux, une sélection de liens...</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/couleur">couleur</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/pantone">pantone</a>
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<title>UrbanTick: Routine Part 01 - Mental Maps of Daily Commuting</title>
<link>http://urbantick.blogspot.com/2009/05/routine-part-01-mental-maps-of-daily.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;As a second phase of the UrbanDiary project, the data collection focuses on the participants perception of their routine and activity.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-05-28T02:19:50Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>data, ville</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://urbantick.blogspot.com/2009/05/routine-part-01-mental-maps-of-daily.html"><img border="0" src="http://blogmarks.net/screenshots/2009/05/28/5032868f622e82df94d798ca84ac30d5.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://urbantick.blogspot.com/2009/05/routine-part-01-mental-maps-of-daily.html">UrbanTick: Routine Part 01 - Mental Maps of Daily Commuting</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>As a second phase of the UrbanDiary project, the data collection focuses on the participants perception of their routine and activity.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/data">data</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ville">ville</a>
</p>
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<title>Perception Strategies</title>
<link>http://www.perstrat.com/</link>
<description></description>
<dc:date>2009-05-21T19:55:40Z</dc:date>
<dc:author>rwatuny</dc:author>
<dc:subject>achat-mystère, service-à-la-clientèle</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.perstrat.com/"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.perstrat.com/">Perception Strategies</a></h4>
 
by <a href="http://blogmarks.net/user/rwatuny">rwatuny</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/achat-myst%25C3%25A8re">achat-mystère</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/service-%25C3%25A0-la-client%25C3%25A8le">service-à-la-clientèle</a>
</p>
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<title>VPTCS : un modèle pour la qualité Web - Temesis</title>
<link>http://www.temesis.com/publications/article/vptcs_fr.html</link>
<description>Visibilité - Perception - Technique - Contenu - Services</description>
<dc:date>2009-05-14T09:11:33Z</dc:date>
<dc:author>Nissone</dc:author>
<dc:subject>qualité, modèle</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.temesis.com/publications/article/vptcs_fr.html"><img border="0" src="http://blogmarks.net/screenshots/2009/05/14/297b22b6569cbbb335d068e395bb2f9a.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.temesis.com/publications/article/vptcs_fr.html">VPTCS : un modèle pour la qualité Web - Temesis</a></h4>
 
by <a href="http://blogmarks.net/user/Nissone">Nissone</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/556598">1 other(s)</a> 
<p class="description">Visibilité - Perception - Technique - Contenu - Services</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/qualit%25C3%25A9">qualité</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/mod%25C3%25A8le">modèle</a>
</p>
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<title>Exploratorium: the museum of science, art and human perception</title>
<link>http://www.exploratorium.edu/</link>
<description></description>
<dc:date>2009-04-25T07:06:31Z</dc:date>
<dc:author>ycc2106</dc:author>
<dc:subject>kids, science, portal, museum, illusions, fun, education</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.exploratorium.edu/"><img border="0" src="http://www.blogmarks.net/screenshots/2006/06/22/e6a0fb2291cc9a3976de908fdb8501e6.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.exploratorium.edu/">Exploratorium: the museum of science, art and human perception</a></h4>
 
by <a href="http://blogmarks.net/user/ycc2106">ycc2106</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/155267">6 other(s)</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/kids">kids</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/science">science</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/portal">portal</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/museum">museum</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/illusions">illusions</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/fun">fun</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/education">education</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058251255">
<title>Doors of Perception weblog: Dreaming of a Paris as a sponge</title>
<link>http://www.doorsofperception.com/archives/2009/03/paris_plans.php</link>
<description>&lt;blockquote&gt;&lt;p&gt;Nicolas Sarkozy, the French president, asked 10 architects to project 20 years into the future and dream up &quot;the world's most sustainable post-Kyoto metropolis&quot;.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-03-27T07:44:18Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>architecture, paris</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.doorsofperception.com/archives/2009/03/paris_plans.php"><img border="0" src="http://blogmarks.net/screenshots/2009/03/27/cb7ea7a3924ed090adb62c0c9c5ccb74.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.doorsofperception.com/archives/2009/03/paris_plans.php">Doors of Perception weblog: Dreaming of a Paris as a sponge</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>Nicolas Sarkozy, the French president, asked 10 architects to project 20 years into the future and dream up "the world's most sustainable post-Kyoto metropolis".</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/architecture">architecture</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/paris">paris</a>
</p>
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<title>HTML5 Evolution</title>
<link>http://intertwingly.net/stories/2009/03/13/html5-evolution.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;Google’s role is not free from the perception of conflict of interest, and that coupled with Ian’s endorsed role as a dictator will affect the credibility of the outcome produced. In particular, it will give Microsoft all of the excuse it needs to avoid implementing the standards. (Not that eliminating that excuse will magically cause Microsoft to participate…)&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-03-14T12:41:20Z</dc:date>
<dc:author>xibe</dc:author>
<dc:subject>web, openweb, html, html5, w3c, whatwg, ianhickson</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://intertwingly.net/stories/2009/03/13/html5-evolution.html"><img border="0" src="http://blogmarks.net/screenshots/2009/03/14/8f89b4c80a394335eef171abd99270f4.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://intertwingly.net/stories/2009/03/13/html5-evolution.html">HTML5 Evolution</a></h4>
 
by <a href="http://blogmarks.net/user/xibe">xibe</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/3126687">1 other(s)</a> 
<div class="description"><blockquote><p>Google’s role is not free from the perception of conflict of interest, and that coupled with Ian’s endorsed role as a dictator will affect the credibility of the outcome produced. In particular, it will give Microsoft all of the excuse it needs to avoid implementing the standards. (Not that eliminating that excuse will magically cause Microsoft to participate…)</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/web">web</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/openweb">openweb</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/html">html</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/html5">html5</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/w3c">w3c</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/whatwg">whatwg</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ianhickson">ianhickson</a>
</p>
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<title>Photos: Tokyo - Setagaya - Shimokitazawa 2006-2008</title>
<link>http://yoda.zoy.org/2009/Setagaya_2006-2008/</link>
<description>&lt;blockquote&gt;&lt;p&gt;Ma perception de Tokyo changea. C'était encore «chez moi», ce lieu où mes premières racines avaient poussé, au long de ma vingtaine.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-02-24T19:43:11Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>下北沢, shimokitazawa, tokyo, mémoire</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://yoda.zoy.org/2009/Setagaya_2006-2008/"><img border="0" src="http://blogmarks.net/screenshots/2009/02/24/224dd0cb73299dc6861130268e20d672.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://yoda.zoy.org/2009/Setagaya_2006-2008/">Photos: Tokyo - Setagaya - Shimokitazawa 2006-2008</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>Ma perception de Tokyo changea. C'était encore «chez moi», ce lieu où mes premières racines avaient poussé, au long de ma vingtaine.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/%25E4%25B8%258B%25E5%258C%2597%25E6%25B2%25A2">下北沢</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/shimokitazawa">shimokitazawa</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/tokyo">tokyo</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/m%25C3%25A9moire">mémoire</a>
</p>
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<title>&quot;IETF is a black hole.&quot; Sam Ruby 18 May 2004</title>
<link>http://www.w3.org/2004/05/18-atom-nyc</link>
<description>&lt;blockquote&gt;&lt;p&gt;sr - sam ruby, IBM
: IETF is a black hole. I'm not thrilled with them. But it has an external perception of being open.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-01-24T22:09:03Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>atom, ietf</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.w3.org/2004/05/18-atom-nyc"><img border="0" src="http://blogmarks.net/screenshots/2009/01/24/54d332f98a52a361ac234c828a4b2e7a.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.w3.org/2004/05/18-atom-nyc">&quot;IETF is a black hole.&quot; Sam Ruby 18 May 2004</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/442">2 other(s)</a> 
<div class="description"><blockquote><p>sr - sam ruby, IBM
: IETF is a black hole. I'm not thrilled with them. But it has an external perception of being open.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/atom">atom</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ietf">ietf</a>
</p>
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<title>Salvia divinorum and how it effects you | Ethnobotanical - H</title>
<link>http://www.ethnobotanicalherbals.com/salvia-divinorum-and-how-it-effects-you/</link>
<description>Salvia divinorum (also known by shamans as Diviners Sage) is an extraordinary herb used in shamanism, divination, healing, meditation, spiritual insight and the exploration of consciousness. Its an herb from the mint family can induce spiritual phenomena like astral projections, positive and permanent mind altering changes in perception and out of</description>
<dc:date>2009-01-12T16:32:11Z</dc:date>
<dc:author>johnmccollim</dc:author>
<dc:subject>ethnobotanical, salvia divinorum, salvia</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.ethnobotanicalherbals.com/salvia-divinorum-and-how-it-effects-you/"><img border="0" src="http://blogmarks.net/screenshots/2009/01/12/dec5ae5ad25002de981f8a7bd3ef8c9e.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.ethnobotanicalherbals.com/salvia-divinorum-and-how-it-effects-you/">Salvia divinorum and how it effects you | Ethnobotanical - H</a></h4>
 
by <a href="http://blogmarks.net/user/johnmccollim">johnmccollim</a> 
<p class="description">Salvia divinorum (also known by shamans as Diviners Sage) is an extraordinary herb used in shamanism, divination, healing, meditation, spiritual insight and the exploration of consciousness. Its an herb from the mint family can induce spiritual phenomena like astral projections, positive and permanent mind altering changes in perception and out of</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ethnobotanical">ethnobotanical</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/salvia%2Bdivinorum">salvia divinorum</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/salvia">salvia</a>
</p>
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<title>Buy Salvia Divinorum in Pittsburgh PA.</title>
<link>http://newindiansummer.com/buy-salvia-divinorum-in-pittsburgh-pa/</link>
<description>About salvia divinorum Struggling to gain spiritual insight? Or did you ever wonder what its like to have an out of body experience? Diviners Sage can induce spiritual phenomena like astral projections, positive and permanent mind altering changes in perception and out of body experiences. Salvia divinorum aka Diviners Sage is an extr</description>
<dc:date>2008-11-28T00:34:30Z</dc:date>
<dc:author>johnmccollim</dc:author>
<dc:subject>salvia, salvia divinorum, diviners sage, salvia extract</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://newindiansummer.com/buy-salvia-divinorum-in-pittsburgh-pa/"><img border="0" src="http://blogmarks.net/screenshots/2008/11/28/1963690c79a874ff58efeb40af3e4fa9.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://newindiansummer.com/buy-salvia-divinorum-in-pittsburgh-pa/">Buy Salvia Divinorum in Pittsburgh PA.</a></h4>
 
by <a href="http://blogmarks.net/user/johnmccollim">johnmccollim</a> 
<p class="description">About salvia divinorum Struggling to gain spiritual insight? Or did you ever wonder what its like to have an out of body experience? Diviners Sage can induce spiritual phenomena like astral projections, positive and permanent mind altering changes in perception and out of body experiences. Salvia divinorum aka Diviners Sage is an extr</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/salvia">salvia</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/salvia%2Bdivinorum">salvia divinorum</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/diviners%2Bsage">diviners sage</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/salvia%2Bextract">salvia extract</a>
</p>
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<title>brand tags</title>
<link>http://www.brandtags.net/</link>
<description>A collective experiment in brand perception. All tags are generated by people like you and do not reflect the opinions of the site owner or anyone else he knows. Have fun.
//// les pages de tags sont assez chouettes</description>
<dc:date>2008-10-27T13:10:15Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>tags, typography, branding, identity</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.brandtags.net/"><img border="0" src="http://blogmarks.net/screenshots/2008/10/27/3f17fc86ad1b63584c0a14df55485383.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.brandtags.net/">brand tags</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2780290">1 other(s)</a> 
<p class="description">A collective experiment in brand perception. All tags are generated by people like you and do not reflect the opinions of the site owner or anyone else he knows. Have fun.
//// les pages de tags sont assez chouettes</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/tags">tags</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/typography">typography</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/branding">branding</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/identity">identity</a>
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<title>Multistable perception - Wikipedia, the free encyclopedia</title>
<link>http://en.wikipedia.org/wiki/Multistable_perception</link>
<description></description>
<dc:date>2008-10-25T12:57:56Z</dc:date>
<dc:author>kruty</dc:author>
<dc:subject></dc:subject>
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<a href="http://en.wikipedia.org/wiki/Multistable_perception"><img border="0" src="http://blogmarks.net/screenshots/2008/10/25/32587fdb39ac307772b093bf5cc4df83.jpg" alt="" /></a>
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<h4><a class="taggedlink" href="http://en.wikipedia.org/wiki/Multistable_perception">Multistable perception - Wikipedia, the free encyclopedia</a></h4>
 
by <a href="http://blogmarks.net/user/kruty">kruty</a> 
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<title>TEL :: [tel-00006260, version 1] Les enjeux cognitifs et stylistiques de l'organisation hypertextuelle : le Lieu, Le Lien, Le Livre</title>
<link>http://tel.archives-ouvertes.fr/documents/archives0/00/00/62/60/index_fr.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;
L'enjeu de ce doctorat est de montrer comment la perception et les pratiques liées à la figure de l'hypertexte permettent d'entrevoir de profonds bouleversements dans notre rapport à l'écrit (document numérique, nouveaux genres littéraires, textualité renouvelée), à l'organisation de la connaissance, ainsi qu'à la manière dont s'agrègent, se constituent, se développent et se transforment les différents types de rapport au réel présents dans toute organisation sociale réticulée. L'analyse critique de ces transformations nous permet de préciser comment se met progressivement en place une nouvelle écologie cognitive, en quoi elle est rendue nécessaire, et quels sont les outils (typologie englobante des processus de liaison entre entités) et les pratiques sociales émergentes qui la fondent.
&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2008-09-04T12:12:36Z</dc:date>
<dc:author>kuruzman</dc:author>
<dc:subject>web</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://tel.archives-ouvertes.fr/documents/archives0/00/00/62/60/index_fr.html"><img border="0" src="http://blogmarks.net/screenshots/2008/09/04/a49e56c0ba343b40abe874fd36d75a01.jpg" alt="" /></a>
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<h4><a class="taggedlink" href="http://tel.archives-ouvertes.fr/documents/archives0/00/00/62/60/index_fr.html">TEL :: [tel-00006260, version 1] Les enjeux cognitifs et stylistiques de l'organisation hypertextuelle : le Lieu, Le Lien, Le Livre</a></h4>
 
by <a href="http://blogmarks.net/user/kuruzman">kuruzman</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2888574">1 other(s)</a> 
<div class="description"><blockquote><p>
L'enjeu de ce doctorat est de montrer comment la perception et les pratiques liées à la figure de l'hypertexte permettent d'entrevoir de profonds bouleversements dans notre rapport à l'écrit (document numérique, nouveaux genres littéraires, textualité renouvelée), à l'organisation de la connaissance, ainsi qu'à la manière dont s'agrègent, se constituent, se développent et se transforment les différents types de rapport au réel présents dans toute organisation sociale réticulée. L'analyse critique de ces transformations nous permet de préciser comment se met progressivement en place une nouvelle écologie cognitive, en quoi elle est rendue nécessaire, et quels sont les outils (typologie englobante des processus de liaison entre entités) et les pratiques sociales émergentes qui la fondent.
</p></blockquote></div>
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<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/web">web</a>
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</item> <item rdf:about="http://blogmarks.net/api/user/Neewok/mark/1057970455">
<title>TEL :: [tel-00006260, version 1] Les enjeux cognitifs et stylistiques de l'organisation hypertextuelle : le Lieu, Le Lien, Le Livre</title>
<link>http://tel.archives-ouvertes.fr/documents/archives0/00/00/62/60/index_fr.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;
L'enjeu de ce doctorat est de montrer comment la perception et les pratiques liées à la figure de l'hypertexte permettent d'entrevoir de profonds bouleversements dans notre rapport à l'écrit (document numérique, nouveaux genres littéraires, textualité renouvelée), à l'organisation de la connaissance, ainsi qu'à la manière dont s'agrègent, se constituent, se développent et se transforment les différents types de rapport au réel présents dans toute organisation sociale réticulée. L'analyse critique de ces transformations nous permet de préciser comment se met progressivement en place une nouvelle écologie cognitive, en quoi elle est rendue nécessaire, et quels sont les outils (typologie englobante des processus de liaison entre entités) et les pratiques sociales émergentes qui la fondent.
&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2008-09-03T13:50:36Z</dc:date>
<dc:author>Neewok</dc:author>
<dc:subject>livres, hypertexte, littérature, web</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://tel.archives-ouvertes.fr/documents/archives0/00/00/62/60/index_fr.html"><img border="0" src="http://blogmarks.net/screenshots/2008/09/04/a49e56c0ba343b40abe874fd36d75a01.jpg" alt="" /></a>
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<h4><a class="taggedlink" href="http://tel.archives-ouvertes.fr/documents/archives0/00/00/62/60/index_fr.html">TEL :: [tel-00006260, version 1] Les enjeux cognitifs et stylistiques de l'organisation hypertextuelle : le Lieu, Le Lien, Le Livre</a></h4>
 
by <a href="http://blogmarks.net/user/Neewok">Neewok</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2888574">1 other(s)</a> 
<div class="description"><blockquote><p>
L'enjeu de ce doctorat est de montrer comment la perception et les pratiques liées à la figure de l'hypertexte permettent d'entrevoir de profonds bouleversements dans notre rapport à l'écrit (document numérique, nouveaux genres littéraires, textualité renouvelée), à l'organisation de la connaissance, ainsi qu'à la manière dont s'agrègent, se constituent, se développent et se transforment les différents types de rapport au réel présents dans toute organisation sociale réticulée. L'analyse critique de ces transformations nous permet de préciser comment se met progressivement en place une nouvelle écologie cognitive, en quoi elle est rendue nécessaire, et quels sont les outils (typologie englobante des processus de liaison entre entités) et les pratiques sociales émergentes qui la fondent.
</p></blockquote></div>
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<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/hypertexte">hypertexte</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/litt%25C3%25A9rature">littérature</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/web">web</a>
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<title>Pétrole et écrans de fumée</title>
<link>http://www.onpeutlefaire.com/petrole-et-ecrans-de-fumee</link>
<description>&quot;&quot;Oil, smoke &amp; mirrors&quot; (Du pétrole et des écrans de fumées) donne une sérieuse analyse de la perception de notre monde présent et à venir, à la lumière des évènements imminents, non signalés et volontairement oubliés, des contraintes énergétiques mondiales.&quot;</description>
<dc:date>2008-08-25T09:20:06Z</dc:date>
<dc:author>kooolman</dc:author>
<dc:subject>pétrole, mazout, énergie, écologie, nature, vidéo, film</dc:subject>
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<a href="http://www.onpeutlefaire.com/petrole-et-ecrans-de-fumee"><img border="0" src="http://blogmarks.net/screenshots/2008/08/25/7184d50d406eb7db025d9b8b38025d88.jpg" alt="" /></a>
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<h4><a class="taggedlink" href="http://www.onpeutlefaire.com/petrole-et-ecrans-de-fumee">Pétrole et écrans de fumée</a></h4>
 
by <a href="http://blogmarks.net/user/kooolman">kooolman</a> 
<p class="description">""Oil, smoke & mirrors" (Du pétrole et des écrans de fumées) donne une sérieuse analyse de la perception de notre monde présent et à venir, à la lumière des évènements imminents, non signalés et volontairement oubliés, des contraintes énergétiques mondiales."</p>
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<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/p%25C3%25A9trole">pétrole</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/mazout">mazout</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/%25C3%25A9nergie">énergie</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/%25C3%25A9cologie">écologie</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/nature">nature</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/vid%25C3%25A9o">vidéo</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/film">film</a>
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