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<title>Public marks with search interpretation</title>
<description>Public marks with search interpretation</description>
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<item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058612260">
<title>Marc Ngui | Drawing - Art</title>
<link>http://www.bumblenut.com/drawing/art/plateaus/index.shtml</link>
<description>&lt;blockquote&gt;&lt;p&gt;These drawings are a methodical interpretation of the first two chapters of A Thousand Plateaus: Capitalism and Schzophrenia (Wikipedia link) by Gilles Delueze and Felix Guattari, translated by Brian Massumi, University of Minnesota Press, 1987.&lt;/p&gt;&lt;p&gt;The drawings were created as a means of understanding the ideas being presented in the book.&lt;/p&gt;&lt;p&gt;Each drawing is labeled by chapter and paragraph.&lt;/p&gt;&lt;p&gt;Marc sent these diagrams to Brian Massumi, the translator of A Thousand Plateaus into English, who is currently one of the editors of Inflexions, the online journal for research-creation. The first volume of the journal includes some of these diagrams in the Tangents section.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-12-05T23:58:21Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>art, journal, illustration, philosophie</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.bumblenut.com/drawing/art/plateaus/index.shtml"><img border="0" src="http://blogmarks.net/screenshots/2009/12/05/ad9b5f2f87c1a610275563d188084ee9.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.bumblenut.com/drawing/art/plateaus/index.shtml">Marc Ngui | Drawing - Art</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>These drawings are a methodical interpretation of the first two chapters of A Thousand Plateaus: Capitalism and Schzophrenia (Wikipedia link) by Gilles Delueze and Felix Guattari, translated by Brian Massumi, University of Minnesota Press, 1987.</p><p>The drawings were created as a means of understanding the ideas being presented in the book.</p><p>Each drawing is labeled by chapter and paragraph.</p><p>Marc sent these diagrams to Brian Massumi, the translator of A Thousand Plateaus into English, who is currently one of the editors of Inflexions, the online journal for research-creation. The first volume of the journal includes some of these diagrams in the Tangents section.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/art">art</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/journal">journal</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/illustration">illustration</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/philosophie">philosophie</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/ycc2106/mark/1058596422">
<title>Surfraw - Shell Users' Revolutionary Front Rage Against the Web</title>
<link>http://surfraw.alioth.debian.org/</link>
<description>Surfraw provides a fast unix command line interface to a variety of popular WWW search engines and other artifacts of power. It reclaims google, altavista, babelfish, dejanews, freshmeat, research index, slashdot and many others from the false-prophet, pox-infested heathen lands of html-forms, placing these wonders where they belong, deep in unix heartland, as god loving extensions to the shell.  Surfraw abstracts the browser away from input. Doing so lets it get on with what it's good at. Browsing. Interpretation of linguistic forms is handed back to the shell, which is what it, and human beings are good at. Combined with netscape-remote or incremental text browsers, such as lynx, links or w3m, along with screen a Surfraw liberateur is capable of navigating speeds that leave GUI tainted idolaters agape with fear and wonder.</description>
<dc:date>2009-10-25T09:37:18Z</dc:date>
<dc:author>ycc2106</dc:author>
<dc:subject>yubnub, unix, SearchEngine, debian</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://surfraw.alioth.debian.org/"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://surfraw.alioth.debian.org/">Surfraw - Shell Users' Revolutionary Front Rage Against the Web</a></h4>
 
by <a href="http://blogmarks.net/user/ycc2106">ycc2106</a> 
<p class="description">Surfraw provides a fast unix command line interface to a variety of popular WWW search engines and other artifacts of power. It reclaims google, altavista, babelfish, dejanews, freshmeat, research index, slashdot and many others from the false-prophet, pox-infested heathen lands of html-forms, placing these wonders where they belong, deep in unix heartland, as god loving extensions to the shell.  Surfraw abstracts the browser away from input. Doing so lets it get on with what it's good at. Browsing. Interpretation of linguistic forms is handed back to the shell, which is what it, and human beings are good at. Combined with netscape-remote or incremental text browsers, such as lynx, links or w3m, along with screen a Surfraw liberateur is capable of navigating speeds that leave GUI tainted idolaters agape with fear and wonder.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/yubnub">yubnub</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/unix">unix</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/SearchEngine">SearchEngine</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/debian">debian</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/ycc2106/mark/1058596423">
<title>Surfraw - Shell Users' Revolutionary Front Rage Against the Web</title>
<link>http://surfraw.alioth.debian.org/?tab=people</link>
<description>Surfraw provides a fast unix command line interface to a variety of popular WWW search engines and other artifacts of power. It reclaims google, altavista, babelfish, dejanews, freshmeat, research index, slashdot and many others from the false-prophet, pox-infested heathen lands of html-forms, placing these wonders where they belong, deep in unix heartland, as god loving extensions to the shell.  Surfraw abstracts the browser away from input. Doing so lets it get on with what it's good at. Browsing. Interpretation of linguistic forms is handed back to the shell, which is what it, and human beings are good at. Combined with netscape-remote or incremental text browsers, such as lynx, links or w3m, along with screen a Surfraw liberateur is capable of navigating speeds that leave GUI tainted idolaters agape with fear and wonder.</description>
<dc:date>2009-10-25T09:35:57Z</dc:date>
<dc:author>ycc2106</dc:author>
<dc:subject>yubnub, unix, SearchEngine</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://surfraw.alioth.debian.org/?tab=people"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://surfraw.alioth.debian.org/?tab=people">Surfraw - Shell Users' Revolutionary Front Rage Against the Web</a></h4>
 
by <a href="http://blogmarks.net/user/ycc2106">ycc2106</a> 
<p class="description">Surfraw provides a fast unix command line interface to a variety of popular WWW search engines and other artifacts of power. It reclaims google, altavista, babelfish, dejanews, freshmeat, research index, slashdot and many others from the false-prophet, pox-infested heathen lands of html-forms, placing these wonders where they belong, deep in unix heartland, as god loving extensions to the shell.  Surfraw abstracts the browser away from input. Doing so lets it get on with what it's good at. Browsing. Interpretation of linguistic forms is handed back to the shell, which is what it, and human beings are good at. Combined with netscape-remote or incremental text browsers, such as lynx, links or w3m, along with screen a Surfraw liberateur is capable of navigating speeds that leave GUI tainted idolaters agape with fear and wonder.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/yubnub">yubnub</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/unix">unix</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/SearchEngine">SearchEngine</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058512202">
<title>Inside Google Books: Earth viewed from books</title>
<link>http://booksearch.blogspot.com/2007/03/earth-viewed-from-books.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;show the Earth viewed from books, where individual mentions of locations in books combine to yield another interpretation of the globe. The intensity of each pixel is proportional to the number of times the location at a given set of coordinates is mentioned across all of the books in Google Books Search.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-09-21T23:35:48Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>livre, datavisualization</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://booksearch.blogspot.com/2007/03/earth-viewed-from-books.html"><img border="0" src="http://blogmarks.net/screenshots/2009/09/21/9b0146c5e9829b94bd32520fa43806da.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://booksearch.blogspot.com/2007/03/earth-viewed-from-books.html">Inside Google Books: Earth viewed from books</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>show the Earth viewed from books, where individual mentions of locations in books combine to yield another interpretation of the globe. The intensity of each pixel is proportional to the number of times the location at a given set of coordinates is mentioned across all of the books in Google Books Search.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/livre">livre</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/datavisualization">datavisualization</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/fabifab/mark/1058499755">
<title>swissmiss | Heroine</title>
<link>http://www.swiss-miss.com/2009/09/heroine.html</link>
<description>Heroine is inspired by the typeface Windsor, designed by Eleisha Pechey in 1905. Windsor is the typeface used in the titles of many Woody Allen movies. A modern interpretation of this rusty pearl is something that always have been missing in the major type libraries. But Heroine is not only an interpretation, it goes beyond that. With the addition of swashes and alternate letters in several styles it becomes very addicitve. </description>
<dc:date>2009-09-11T09:18:17Z</dc:date>
<dc:author>fabifab</dc:author>
<dc:subject>font, showreel</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.swiss-miss.com/2009/09/heroine.html"><img border="0" src="http://blogmarks.net/screenshots/2009/09/11/9f698d806b239688a8b0c6b5c2db0d22.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.swiss-miss.com/2009/09/heroine.html">swissmiss | Heroine</a></h4>
 
by <a href="http://blogmarks.net/user/fabifab">fabifab</a> 
<p class="description">Heroine is inspired by the typeface Windsor, designed by Eleisha Pechey in 1905. Windsor is the typeface used in the titles of many Woody Allen movies. A modern interpretation of this rusty pearl is something that always have been missing in the major type libraries. But Heroine is not only an interpretation, it goes beyond that. With the addition of swashes and alternate letters in several styles it becomes very addicitve. </p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/font">font</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/showreel">showreel</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058466506">
<title>Managing music collections often involves prioritizing explicit metadata fields, e.g. artist, album, year, in order to structure the collection on a storage device or display it in an interface. These metadata values are used because they are independent </title>
<link>http://journals.tdl.org/jodi/article/view/702/480</link>
<description>Managing music collections often involves prioritizing explicit metadata fields, e.g. artist, album, year, in order to structure the collection on a storage device or display it in an interface. These metadata values are used because they are independent of one's interpretation of the music and, thus, equally recognizable for all users. This paper presents a study of how people develop interpretive organizations for music in spatial hypertext. The resulting organizations included a variety of personal interpretations that drew from participants' knowledge of songs, memories associated with songs, and assessment of the mood of songs. Participants valued the expressive capabilities of spatial hypertext but missed the metadata-based tree views of the music collections for locating music.</description>
<dc:date>2009-08-14T03:16:31Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>musique, websemantique</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://journals.tdl.org/jodi/article/view/702/480"><img border="0" src="http://blogmarks.net/screenshots/2009/08/14/68190b391ea0bc2dcda3a9799316d5b5.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://journals.tdl.org/jodi/article/view/702/480">Managing music collections often involves prioritizing explicit metadata fields, e.g. artist, album, year, in order to structure the collection on a storage device or display it in an interface. These metadata values are used because they are independent </a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<p class="description">Managing music collections often involves prioritizing explicit metadata fields, e.g. artist, album, year, in order to structure the collection on a storage device or display it in an interface. These metadata values are used because they are independent of one's interpretation of the music and, thus, equally recognizable for all users. This paper presents a study of how people develop interpretive organizations for music in spatial hypertext. The resulting organizations included a variety of personal interpretations that drew from participants' knowledge of songs, memories associated with songs, and assessment of the mood of songs. Participants valued the expressive capabilities of spatial hypertext but missed the metadata-based tree views of the music collections for locating music.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/musique">musique</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/websemantique">websemantique</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058430422">
<title>Derringer Cycles</title>
<link>http://derringercycles.com/bikes.htm</link>
<description>&lt;blockquote&gt;&lt;p&gt;Derringer is the neo-classical interpretation of a 1920's era board track racing motorcycle, but that's not all.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-07-17T03:19:44Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>velo, design</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://derringercycles.com/bikes.htm"><img border="0" src="http://blogmarks.net/screenshots/2009/07/17/43663875bafe062b2c77868c6b301ae2.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://derringercycles.com/bikes.htm">Derringer Cycles</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>Derringer is the neo-classical interpretation of a 1920's era board track racing motorcycle, but that's not all.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/velo">velo</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/design">design</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/gregg/mark/1058224115">
<title>Watch &quot;Sita Sings the Blues&quot; on Reel 13 | REEL 13</title>
<link>http://www.thirteen.org/sites/reel13/blog/watch-sita-sings-the-blues-online/347/</link>
<description>Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by e-mail. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana. Set to the 1920’s jazz vocals of Annette Hanshaw, Sita Sings the Blues earns its tagline as “The Greatest Break-Up Story Ever Told.”</description>
<dc:date>2009-02-27T15:58:46Z</dc:date>
<dc:author>gregg</dc:author>
<dc:subject>video, animation</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.thirteen.org/sites/reel13/blog/watch-sita-sings-the-blues-online/347/"><img border="0" src="http://blogmarks.net/screenshots/2009/02/27/f57b14b767c58fc9ff13327c289e9a42.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.thirteen.org/sites/reel13/blog/watch-sita-sings-the-blues-online/347/">Watch &quot;Sita Sings the Blues&quot; on Reel 13 | REEL 13</a></h4>
 
by <a href="http://blogmarks.net/user/gregg">gregg</a> 
<p class="description">Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by e-mail. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana. Set to the 1920’s jazz vocals of Annette Hanshaw, Sita Sings the Blues earns its tagline as “The Greatest Break-Up Story Ever Told.”</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/video">video</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/animation">animation</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058223010">
<title>montylingua :: a free, commonsense-enriched natural language understander</title>
<link>http://web.media.mit.edu/~hugo/montylingua/</link>
<description>&lt;blockquote&gt;&lt;p&gt;MontyLingua is a free*, commonsense-enriched, end-to-end natural language understander for English. Feed raw English text into MontyLingua, and the output will be a semantic interpretation of that text. Perfect for information retrieval and extraction, request processing, and question answering. From English sentences, it extracts subject/verb/object tuples, extracts adjectives, noun phrases and verb phrases, and extracts people's names, places, events, dates and times, and other semantic information.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-02-26T22:21:32Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>textparser</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://web.media.mit.edu/~hugo/montylingua/"><img border="0" src="http://blogmarks.net/screenshots/2009/02/26/dc83b7adc411adafc2ec188baa6032d7.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://web.media.mit.edu/~hugo/montylingua/">montylingua :: a free, commonsense-enriched natural language understander</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/1271516">1 other(s)</a> 
<div class="description"><blockquote><p>MontyLingua is a free*, commonsense-enriched, end-to-end natural language understander for English. Feed raw English text into MontyLingua, and the output will be a semantic interpretation of that text. Perfect for information retrieval and extraction, request processing, and question answering. From English sentences, it extracts subject/verb/object tuples, extracts adjectives, noun phrases and verb phrases, and extracts people's names, places, events, dates and times, and other semantic information.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/textparser">textparser</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/sbrothier/mark/1057990056">
<title>YouTube - Chaîne de BrooklynMuseum</title>
<link>http://fr.youtube.com/user/BrooklynMuseum</link>
<description>The mission of the Brooklyn Museum is to act as a bridge between the rich artistic heritage of world cultures, as embodied in its collections, and the unique experience of each visitor. Dedicated to the primacy of the visitor experience, committed to excellence in every aspect of its collections and programs, and drawing on both new and traditional tools of communication, interpretation, and presentation, the Museum aims to serve its diverse public as a dynamic, innovative, and welcoming center for learning through the visual arts.</description>
<dc:date>2008-09-22T07:29:58Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>museum, video, euvs, youtube, euvs-content</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://fr.youtube.com/user/BrooklynMuseum"><img border="0" src="http://blogmarks.net/screenshots/2008/09/22/c8f7bf419e4f9574996c8b929dabfafd.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://fr.youtube.com/user/BrooklynMuseum">YouTube - Chaîne de BrooklynMuseum</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">The mission of the Brooklyn Museum is to act as a bridge between the rich artistic heritage of world cultures, as embodied in its collections, and the unique experience of each visitor. Dedicated to the primacy of the visitor experience, committed to excellence in every aspect of its collections and programs, and drawing on both new and traditional tools of communication, interpretation, and presentation, the Museum aims to serve its diverse public as a dynamic, innovative, and welcoming center for learning through the visual arts.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/museum">museum</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/video">video</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/euvs">euvs</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/youtube">youtube</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/euvs-content">euvs-content</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/cascamorto/mark/1057932303">
<title>Results and comments - matousec.com</title>
<link>http://www.matousec.com/projects/firewall-challenge/results.php#firewalls-ratings</link>
<description>Firewalls' ratings : Interpretation of results

Outpost Firewall Pro 2009 6.5.2355.316.0597 leads the challenge with 99%, tightly followed by the paid version of Online Armor Personal Firewall 2.1.0.131 with 98% and the best free product – Comodo Firewall Pro 3.0.22.349 with 95%. ProSecurity 1.43, which will be replaced by Real-time Defender in the future, is on the third place with 93%. All these products reached the Excellent protection level. Online Armor Personal Firewall 2.1.0.131 Free and Kaspersky Internet Security 7.0.1.325 are close to the excellent results. </description>
<dc:date>2008-07-31T15:23:13Z</dc:date>
<dc:author>cascamorto</dc:author>
<dc:subject>test, securite, firewalls, informations</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.matousec.com/projects/firewall-challenge/results.php#firewalls-ratings"><img border="0" src="http://blogmarks.net/screenshots/2008/07/31/4c171013c1ed47d4b79e79a0abcea804.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.matousec.com/projects/firewall-challenge/results.php#firewalls-ratings">Results and comments - matousec.com</a></h4>
 
by <a href="http://blogmarks.net/user/cascamorto">cascamorto</a> 
<p class="description">Firewalls' ratings : Interpretation of results

Outpost Firewall Pro 2009 6.5.2355.316.0597 leads the challenge with 99%, tightly followed by the paid version of Online Armor Personal Firewall 2.1.0.131 with 98% and the best free product – Comodo Firewall Pro 3.0.22.349 with 95%. ProSecurity 1.43, which will be replaced by Real-time Defender in the future, is on the third place with 93%. All these products reached the Excellent protection level. Online Armor Personal Firewall 2.1.0.131 Free and Kaspersky Internet Security 7.0.1.325 are close to the excellent results. </p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/test">test</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/securite">securite</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/firewalls">firewalls</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/informations">informations</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/Antikoerperchen/mark/1057928645">
<title>Aufbau einer Gedicht-Interpretation</title>
<link>http://www.jugendbegegnung2000.de</link>
<description>Was muss man bei der Interpretation eines Gedichts beachten?</description>
<dc:date>2008-07-27T11:33:47Z</dc:date>
<dc:author>Antikoerperchen</dc:author>
<dc:subject>aufbau, muster, beispiel, Interpretation, gedichtinterpretation, analyse, gedichtanalyse, schule, Gedicht, hausaufgabe</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.jugendbegegnung2000.de"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.jugendbegegnung2000.de">Aufbau einer Gedicht-Interpretation</a></h4>
 
by <a href="http://blogmarks.net/user/Antikoerperchen">Antikoerperchen</a> 
<p class="description">Was muss man bei der Interpretation eines Gedichts beachten?</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/aufbau">aufbau</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/muster">muster</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/beispiel">beispiel</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Interpretation">Interpretation</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/gedichtinterpretation">gedichtinterpretation</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/analyse">analyse</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/gedichtanalyse">gedichtanalyse</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/schule">schule</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Gedicht">Gedicht</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/hausaufgabe">hausaufgabe</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/4004/mark/1057913575">
<title>Tree Ring Reading</title>
<link>http://web.utk.edu/~grissino/gallery.htm</link>
<description>&amp; the study of the history of climatic and environmental
changes of a geographical region based on the interpretation of the annual growth rings in the trunks of trees</description>
<dc:date>2008-07-11T07:02:22Z</dc:date>
<dc:author>4004</dc:author>
<dc:subject>dendrochronology, tree, ring</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://web.utk.edu/~grissino/gallery.htm"><img border="0" src="http://blogmarks.net/screenshots/2008/07/11/6ae7d66294cc6a205ec854d73214eaff.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://web.utk.edu/~grissino/gallery.htm">Tree Ring Reading</a></h4>
 
by <a href="http://blogmarks.net/user/4004">4004</a> 
<p class="description">& the study of the history of climatic and environmental
changes of a geographical region based on the interpretation of the annual growth rings in the trunks of trees</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/dendrochronology">dendrochronology</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/tree">tree</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ring">ring</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/pooky_a/mark/1057690435">
<title>Photo Friday - The Weekly Photo Challenge</title>
<link>http://www.photofriday.com/</link>
<description>The weekly photo challenge - Each week Photo Friday posts a photo assignment. Your mission is the creative interpretation of the week's theme. When you're done, post the picture you took to your website and submit your link to Photo Friday.

Photo Friday is about challenging our participants to be original and creative within the constraints of the week's theme. It's not a competition. Anyone with a camera and a place on the internet to post pictures can participate.</description>
<dc:date>2008-02-07T11:50:07Z</dc:date>
<dc:author>pooky_a</dc:author>
<dc:subject>photo, Anglais, concours</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.photofriday.com/"><img border="0" src="http://blogmarks.net/screenshots/2008/02/07/1a57e61a4832e08285fb42d18e7f9258.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.photofriday.com/">Photo Friday - The Weekly Photo Challenge</a></h4>
 
by <a href="http://blogmarks.net/user/pooky_a">pooky_a</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/49484">5 other(s)</a> 
<p class="description">The weekly photo challenge - Each week Photo Friday posts a photo assignment. Your mission is the creative interpretation of the week's theme. When you're done, post the picture you took to your website and submit your link to Photo Friday.

Photo Friday is about challenging our participants to be original and creative within the constraints of the week's theme. It's not a competition. Anyone with a camera and a place on the internet to post pictures can participate.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/photo">photo</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Anglais">Anglais</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/concours">concours</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1057645344">
<title>JScript Blog : ECMAScript 3 and beyond</title>
<link>http://blogs.msdn.com/jscript/archive/2007/10/29/ecmascript-3-and-beyond.aspx</link>
<description>&lt;blockquote&gt;&lt;p&gt;The point is that JavaScript developers shouldn’t have to detect and workaround such issues. JavaScript should work the same across all implementations. We believe this is the first step in making JavaScript better.

 

To make it possible to achieve such implementation conformance, the first step is knowing where the divergences are. We in the JScript team are looking into where various browser based implementations diverge, where our engine is incorrect in its interpretation of the specification, what if any de facto compatibility conventions have been reached, and the value of codifying such conventions into the standard. We’ve published the first draft of JScript Deviations from ES3 as a starting point.&lt;/p&gt;&lt;/blockquote&gt;

Cool</description>
<dc:date>2008-01-08T05:03:26Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>QA, interoperability, implementation, javascript</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://blogs.msdn.com/jscript/archive/2007/10/29/ecmascript-3-and-beyond.aspx"><img border="0" src="http://blogmarks.net/screenshots/2008/01/08/2dcb91cfadf16fdd8ed1a048bf3296e8.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://blogs.msdn.com/jscript/archive/2007/10/29/ecmascript-3-and-beyond.aspx">JScript Blog : ECMAScript 3 and beyond</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2515479">1 other(s)</a> 
<div class="description"><blockquote><p>The point is that JavaScript developers shouldn’t have to detect and workaround such issues. JavaScript should work the same across all implementations. We believe this is the first step in making JavaScript better.

 

To make it possible to achieve such implementation conformance, the first step is knowing where the divergences are. We in the JScript team are looking into where various browser based implementations diverge, where our engine is incorrect in its interpretation of the specification, what if any de facto compatibility conventions have been reached, and the value of codifying such conventions into the standard. We’ve published the first draft of JScript Deviations from ES3 as a starting point.</p></blockquote>

Cool</div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/QA">QA</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/interoperability">interoperability</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/implementation">implementation</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/javascript">javascript</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/jacek/mark/1057538581">
<title>Co.Co.A. - Summer School on Comparative Interpretation of European Constitutional Jurisprudence - University of Trento </title>
<link>http://www.jus.unitn.it/cocoa/</link>
<description></description>
<dc:date>2007-11-11T17:05:46Z</dc:date>
<dc:author>jacek</dc:author>
<dc:subject>law</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.jus.unitn.it/cocoa/"><img border="0" src="http://blogmarks.net/screenshots/2007/11/11/470fc7b62b493d218494acf343257cf5.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.jus.unitn.it/cocoa/">Co.Co.A. - Summer School on Comparative Interpretation of European Constitutional Jurisprudence - University of Trento </a></h4>
 
by <a href="http://blogmarks.net/user/jacek">jacek</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/law">law</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/ms_michel/mark/1057527322">
<title>JScript Deviations from ES3 </title>
<link>http://blogs.msdn.com/jscript/archive/2007/10/29/ecmascript-3-and-beyond.aspx</link>
<description>&lt;cite&gt;We in the JScript team are looking into where various browser based implementations diverge, where our engine is incorrect in its interpretation of the specification, what if any de facto compatibility conventions have been reached, and the value of codifying such conventions into the standard.&lt;/cite&gt;</description>
<dc:date>2007-11-07T14:49:36Z</dc:date>
<dc:author>ms_michel</dc:author>
<dc:subject>javascript</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://blogs.msdn.com/jscript/archive/2007/10/29/ecmascript-3-and-beyond.aspx"><img border="0" src="http://blogmarks.net/screenshots/2008/01/08/2dcb91cfadf16fdd8ed1a048bf3296e8.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://blogs.msdn.com/jscript/archive/2007/10/29/ecmascript-3-and-beyond.aspx">JScript Deviations from ES3 </a></h4>
 
by <a href="http://blogmarks.net/user/ms_michel">ms_michel</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2515479">1 other(s)</a> 
<div class="description"><cite>We in the JScript team are looking into where various browser based implementations diverge, where our engine is incorrect in its interpretation of the specification, what if any de facto compatibility conventions have been reached, and the value of codifying such conventions into the standard.</cite></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/javascript">javascript</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/knann/mark/1057461638">
<title>The Art Critiquing Process</title>
<link>http://www.brigantine.atlnet.org/GigapaletteGALLERY/websites/ARTiculationFinal/MainPages/ArtCritiquingMain.htm</link>
<description>The Art Critiquing Process is a method of organizing the facts and your thoughts about a particular work of art. In some ways it is similar to the Scientific Method used in your science classes. The Art Critiquing Process is broken down into FOUR areas. Each area specifically looks at one section. The FOUR steps are Description, Analysis, Interpretation and Judgment. </description>
<dc:date>2007-09-30T11:37:15Z</dc:date>
<dc:author>knann</dc:author>
<dc:subject>district, hsvt, hs:dd</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.brigantine.atlnet.org/GigapaletteGALLERY/websites/ARTiculationFinal/MainPages/ArtCritiquingMain.htm"><img border="0" src="http://blogmarks.net/screenshots/2007/09/30/55a110f44272af649a38b32c7284e153.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.brigantine.atlnet.org/GigapaletteGALLERY/websites/ARTiculationFinal/MainPages/ArtCritiquingMain.htm">The Art Critiquing Process</a></h4>
 
by <a href="http://blogmarks.net/user/knann">knann</a> 
<p class="description">The Art Critiquing Process is a method of organizing the facts and your thoughts about a particular work of art. In some ways it is similar to the Scientific Method used in your science classes. The Art Critiquing Process is broken down into FOUR areas. Each area specifically looks at one section. The FOUR steps are Description, Analysis, Interpretation and Judgment. </p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/district">district</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/hsvt">hsvt</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/hs%253Add">hs:dd</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/kaaloo/mark/1057436963">
<title>Structure and Interpretation of Computer Programs</title>
<link>http://mitpress.mit.edu/sicp/full-text/book/book.html</link>
<description></description>
<dc:date>2007-09-11T10:22:11Z</dc:date>
<dc:author>kaaloo</dc:author>
<dc:subject>computer science</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://mitpress.mit.edu/sicp/full-text/book/book.html"><img border="0" src="http://blogmarks.net/screenshots/2007/09/11/cc152f3f73e89585684bee04f79ddc5d.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://mitpress.mit.edu/sicp/full-text/book/book.html">Structure and Interpretation of Computer Programs</a></h4>
 
by <a href="http://blogmarks.net/user/kaaloo">kaaloo</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/102812">6 other(s)</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/computer%2Bscience">computer science</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/CALPHAD/mark/1057402967">
<title>A full-service interpretation company</title>
<link>http://www.ela1.com/</link>
<description></description>
<dc:date>2007-08-15T13:03:58Z</dc:date>
<dc:author>CALPHAD</dc:author>
<dc:subject>language, languages, localization, translation, translator</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.ela1.com/"><img border="0" src="http://blogmarks.net/screenshots/2007/09/01/03ed61e78664adc2d5af3617c2f14b8e.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.ela1.com/">A full-service interpretation company</a></h4>
 
by <a href="http://blogmarks.net/user/CALPHAD">CALPHAD</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/language">language</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/languages">languages</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/localization">localization</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/translation">translation</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/translator">translator</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/ogrisel/mark/1057305105">
<title>Convex Optimization / Boyd and Vandenberghe</title>
<link>http://www.stanford.edu/~boyd/cvxbook/</link>
<description>This book is about convex optimization, a special class of mathematical optimization
problems, which includes least-squares and linear programming problems. It
is well known that least-squares and linear programming problems have a fairly
complete theory, arise in a variety of applications, and can be solved numerically
very efficiently. The basic point of this book is that the same can be said for the
larger class of convex optimization problems.
While the mathematics of convex optimization has been studied for about a
century, several related recent developments have stimulated new interest in the
topic. The first is the recognition that interior-point methods, developed in the
1980s to solve linear programming problems, can be used to solve convex optimization
problems as well. These new methods allow us to solve certain new classes
of convex optimization problems, such as semidefinite programs and second-order
cone programs, almost as easily as linear programs.
The second development is the discovery that convex optimization problems
(beyond least-squares and linear programs) are more prevalent in practice than
was previously thought. Since 1990 many applications have been discovered in
areas such as automatic control systems, estimation and signal processing, communications
and networks, electronic circuit design, data analysis and modeling,
statistics, and finance. Convex optimization has also found wide application in combinatorial
optimization and global optimization, where it is used to fond bounds on
the optimal value, as well as approximate solutions. We believe that many other
applications of convex optimization are still waiting to be discovered.
There are great advantages to recognizing or formulating a problem as a convex
optimization problem. The most basic advantage is that the problem can then be
solved, very reliably and efficiently, using interior-point methods or other special
methods for convex optimization. These solution methods are reliable enough to be
embedded in a computer-aided design or analysis tool, or even a real-time reactive
or automatic control system. There are also theoretical or conceptual advantages
of formulating a problem as a convex optimization problem. The associated dual
problem, for example, often has an interesting interpretation in terms of the original
problem, and sometimes leads to an efficient or distributed method for solving it.
We think that convex optimization is an important enough topic that everyone
who uses computational mathematics should know at least a little bit about it.
In our opinion, convex optimization is a natural next topic after advanced linear
algebra (topics like least-squares, singular values), and linear programming.</description>
<dc:date>2007-07-01T15:47:16Z</dc:date>
<dc:author>ogrisel</dc:author>
<dc:subject>interior point, quadratic programming, linear programming, optimization, convex, dual problem</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.stanford.edu/~boyd/cvxbook/"><img border="0" src="http://blogmarks.net/screenshots/2007/07/01/68e5c9f0bb7be57e7d0a7547d03a6b45.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.stanford.edu/~boyd/cvxbook/">Convex Optimization / Boyd and Vandenberghe</a></h4>
 
by <a href="http://blogmarks.net/user/ogrisel">ogrisel</a> 
<p class="description">This book is about convex optimization, a special class of mathematical optimization
problems, which includes least-squares and linear programming problems. It
is well known that least-squares and linear programming problems have a fairly
complete theory, arise in a variety of applications, and can be solved numerically
very efficiently. The basic point of this book is that the same can be said for the
larger class of convex optimization problems.
While the mathematics of convex optimization has been studied for about a
century, several related recent developments have stimulated new interest in the
topic. The first is the recognition that interior-point methods, developed in the
1980s to solve linear programming problems, can be used to solve convex optimization
problems as well. These new methods allow us to solve certain new classes
of convex optimization problems, such as semidefinite programs and second-order
cone programs, almost as easily as linear programs.
The second development is the discovery that convex optimization problems
(beyond least-squares and linear programs) are more prevalent in practice than
was previously thought. Since 1990 many applications have been discovered in
areas such as automatic control systems, estimation and signal processing, communications
and networks, electronic circuit design, data analysis and modeling,
statistics, and finance. Convex optimization has also found wide application in combinatorial
optimization and global optimization, where it is used to fond bounds on
the optimal value, as well as approximate solutions. We believe that many other
applications of convex optimization are still waiting to be discovered.
There are great advantages to recognizing or formulating a problem as a convex
optimization problem. The most basic advantage is that the problem can then be
solved, very reliably and efficiently, using interior-point methods or other special
methods for convex optimization. These solution methods are reliable enough to be
embedded in a computer-aided design or analysis tool, or even a real-time reactive
or automatic control system. There are also theoretical or conceptual advantages
of formulating a problem as a convex optimization problem. The associated dual
problem, for example, often has an interesting interpretation in terms of the original
problem, and sometimes leads to an efficient or distributed method for solving it.
We think that convex optimization is an important enough topic that everyone
who uses computational mathematics should know at least a little bit about it.
In our opinion, convex optimization is a natural next topic after advanced linear
algebra (topics like least-squares, singular values), and linear programming.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/interior%2Bpoint">interior point</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/quadratic%2Bprogramming">quadratic programming</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/linear%2Bprogramming">linear programming</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/optimization">optimization</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/convex">convex</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/dual%2Bproblem">dual problem</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/oqdbpo/mark/1057234744">
<title>peggy</title>
<link>http://www.mattbilfield.com/Matt Bilfield/peggy.html</link>
<description>the work above, “peggy,” is the most recent project of this collection.  this piece was meticulously constructed over the course of five months.  it is comprised of 2788 hand cut, sanded, and painted dowels that when put together form a modern interpretation of a painting by artist roy lichtenstein entitled, “m-maybe.”  it measures seven feet wide by three feet tall.  commissionable variations of this work can be constructed upon request.</description>
<dc:date>2007-06-01T16:37:17Z</dc:date>
<dc:author>oqdbpo</dc:author>
<dc:subject>Peggy, artist, painting</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.mattbilfield.com/Matt Bilfield/peggy.html"><img border="0" src="http://blogmarks.net/screenshots/2007/06/01/b25dc0fda50948d7938bb94bca82e3ad.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.mattbilfield.com/Matt Bilfield/peggy.html">peggy</a></h4>
 
by <a href="http://blogmarks.net/user/oqdbpo">oqdbpo</a> 
<p class="description">the work above, “peggy,” is the most recent project of this collection.  this piece was meticulously constructed over the course of five months.  it is comprised of 2788 hand cut, sanded, and painted dowels that when put together form a modern interpretation of a painting by artist roy lichtenstein entitled, “m-maybe.”  it measures seven feet wide by three feet tall.  commissionable variations of this work can be constructed upon request.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Peggy">Peggy</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/artist">artist</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/painting">painting</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/keusta/mark/1057209356">
<title>Meek•FM Typographic Synthesizer</title>
<link>http://meekfm.org/</link>
<description>Description: Meek FM is an interpretation of type as sound. Using new software and the M.E.E.K. typographic synthesizer, the musician/designer develops sounds and typographic visuals in parallel. Meek FM will be premiering as an interactive installation at the Typo2007. The Meek FM team will also perform live at the Festival event.</description>
<dc:date>2007-05-21T15:57:07Z</dc:date>
<dc:author>keusta</dc:author>
<dc:subject>synthetizer, typographie, media:musique</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://meekfm.org/"><img border="0" src="http://blogmarks.net/screenshots/2007/05/21/177df2f061423c430a243935616194f1.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://meekfm.org/">Meek•FM Typographic Synthesizer</a></h4>
 
by <a href="http://blogmarks.net/user/keusta">keusta</a> 
<p class="description">Description: Meek FM is an interpretation of type as sound. Using new software and the M.E.E.K. typographic synthesizer, the musician/designer develops sounds and typographic visuals in parallel. Meek FM will be premiering as an interactive installation at the Typo2007. The Meek FM team will also perform live at the Festival event.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/synthetizer">synthetizer</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/typographie">typographie</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/media%253Amusique">media:musique</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/4004/mark/1057181406">
<title>Many-worlds interpretation - Wikipedia</title>
<link>http://en.wikipedia.org/wiki/Many-worlds_interpretation#Many_worlds_in_literature_and_science_fiction</link>
<description>Many-worlds interpretation</description>
<dc:date>2007-05-11T06:32:56Z</dc:date>
<dc:author>4004</dc:author>
<dc:subject>eels, e, manyworldsinterpretation, hugheverett</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://en.wikipedia.org/wiki/Many-worlds_interpretation#Many_worlds_in_literature_and_science_fiction"><img border="0" src="http://blogmarks.net/screenshots/2007/05/11/531cd0ce8e755ebdadc99713d71e9bff.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://en.wikipedia.org/wiki/Many-worlds_interpretation#Many_worlds_in_literature_and_science_fiction">Many-worlds interpretation - Wikipedia</a></h4>
 
by <a href="http://blogmarks.net/user/4004">4004</a> 
<p class="description">Many-worlds interpretation</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/eels">eels</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/e">e</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/manyworldsinterpretation">manyworldsinterpretation</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/hugheverett">hugheverett</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/mauriz/mark/2599608">
<title>FanEdit.org</title>
<link>http://fanedit.org/index.html</link>
<description>A fan edit is a version of a film modified by a viewer, that removes, reorders, or adds material in order to create a new interpretation of the film.</description>
<dc:date>2007-04-19T09:11:37Z</dc:date>
<dc:author>mauriz</dc:author>
<dc:subject>film, bittorent, edit, cinema, fan</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://fanedit.org/index.html"><img border="0" src="http://blogmarks.net/screenshots/2007/04/19/1d2a21bd2546e92e191f9521b3a422a5.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://fanedit.org/index.html">FanEdit.org</a></h4>
 
by <a href="http://blogmarks.net/user/mauriz">mauriz</a> 
<p class="description">A fan edit is a version of a film modified by a viewer, that removes, reorders, or adds material in order to create a new interpretation of the film.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/film">film</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/bittorent">bittorent</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/edit">edit</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/cinema">cinema</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/fan">fan</a>
</p>
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