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<item rdf:about="http://blogmarks.net/api/user/blackgoldfish/mark/1058569240">
<title>four</title>
<link>http://weblog.buttonsmagee.com/2009/10/four.html</link>
<description>Today, my baby, you turn four.  When did this happen?  Was it not just yesterday that I had to put you inside my coat to keep you warm?  Now look at you!  Almost as tall as your sister with just as much spunk.  Happy Birthday my punkin.  

What four is looking like so far:

You pronounce your Rs as if you lived in Boston your whole life-  A feather is a featheh.

You sing from dawn to dusk- singsong monologues of your life.  

You eat a peanut butter sandwich every single day.

You wake up hungry and must immediately eat a granola bar or your world collapses.

You love coffee

Your favorite color is blue

You swing so high that I have to hold in my own concern  because I see how much you need to do it.  

When you get mad, I suggest people step away, as you get a bit ferocious. 

You will brush my hair four an hour straight, and therefore I'll not ever cut it.

You like to get your back lightly scratched, just like Mama.

Happy Birthday, my sweet girl.  Every day with you is a treasure and a surprise.  I love you.</description>
<dc:date>2009-11-01T13:45:14Z</dc:date>
<dc:author>blackgoldfish</dc:author>
<dc:subject>inspiration, 生活態度, list-making</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://weblog.buttonsmagee.com/2009/10/four.html"><img border="0" src="http://blogmarks.net/screenshots/2009/11/01/529d3013d1b453f7f8357844768c85f8.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://weblog.buttonsmagee.com/2009/10/four.html">four</a></h4>
 
by <a href="http://blogmarks.net/user/blackgoldfish">blackgoldfish</a> 
<p class="description">Today, my baby, you turn four.  When did this happen?  Was it not just yesterday that I had to put you inside my coat to keep you warm?  Now look at you!  Almost as tall as your sister with just as much spunk.  Happy Birthday my punkin.  

What four is looking like so far:

You pronounce your Rs as if you lived in Boston your whole life-  A feather is a featheh.

You sing from dawn to dusk- singsong monologues of your life.  

You eat a peanut butter sandwich every single day.

You wake up hungry and must immediately eat a granola bar or your world collapses.

You love coffee

Your favorite color is blue

You swing so high that I have to hold in my own concern  because I see how much you need to do it.  

When you get mad, I suggest people step away, as you get a bit ferocious. 

You will brush my hair four an hour straight, and therefore I'll not ever cut it.

You like to get your back lightly scratched, just like Mama.

Happy Birthday, my sweet girl.  Every day with you is a treasure and a surprise.  I love you.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/inspiration">inspiration</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/%25E7%2594%259F%25E6%25B4%25BB%25E6%2585%258B%25E5%25BA%25A6">生活態度</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/list-making">list-making</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058563311">
<title>Vivian Maier - Her Discovered Work</title>
<link>http://www.vivianmaier.blogspot.com/</link>
<description>&lt;blockquote&gt;&lt;p&gt;This was created in dedication to the photographer Vivian Maier, a street photographer from the 1950s - 1970s. Vivian's work was discovered at an auction here in Chicago where she lived for 50 years but was originally a native to France. Her discovered work includes between 30-40,000 mostly medium format negatives. Born February 1, 1926 and deceased on Tuesday, April 21, 2009.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-10-25T20:50:52Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>photographie</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.vivianmaier.blogspot.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/10/25/f9e246efb1805c6668bcee11f8f1719c.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.vivianmaier.blogspot.com/">Vivian Maier - Her Discovered Work</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>This was created in dedication to the photographer Vivian Maier, a street photographer from the 1950s - 1970s. Vivian's work was discovered at an auction here in Chicago where she lived for 50 years but was originally a native to France. Her discovered work includes between 30-40,000 mostly medium format negatives. Born February 1, 1926 and deceased on Tuesday, April 21, 2009.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/photographie">photographie</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058550480">
<title>russell davies: ruricomp</title>
<link>http://russelldavies.typepad.com/planning/2009/09/small-town-computing.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;a. This is only just true, in the last few years. So for almost all of human history, most of us have not lived in cities. This would suggest that we're pretty well adapted to not living in cities. I'm not calling for a retreat to a bucolic paradise, but I'm saying this is worth thinking about.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-10-18T14:20:22Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>ruricomp, societé</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://russelldavies.typepad.com/planning/2009/09/small-town-computing.html"><img border="0" src="http://blogmarks.net/screenshots/2009/10/18/ae7a22b415848ac56370038d5d820981.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://russelldavies.typepad.com/planning/2009/09/small-town-computing.html">russell davies: ruricomp</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>a. This is only just true, in the last few years. So for almost all of human history, most of us have not lived in cities. This would suggest that we're pretty well adapted to not living in cities. I'm not calling for a retreat to a bucolic paradise, but I'm saying this is worth thinking about.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ruricomp">ruricomp</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/societ%25C3%25A9">societé</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/Takwann/mark/1058522367">
<title>Muso Shinden Ryo Iaido Koryu Kata (All Japan Kendo Federation) - View topic • sharethefiles.com</title>
<link>http://sharethefiles.com/forum/viewtopic.php?f=130&amp;t=151355</link>
<description>These Iai arts were performed by NAGAE Matasaburo, in his sixties (guess). He was born and lived in Nagasaki, received the 7th grade of Kendo and 8th grade of Iai from Zen-Nippon Kendo Renmei (All-Japan Kendo Federation). He also practiced Shinto Munen style Iai. The original movies were recorded in 8mm films, then edited in a VHS tape. It's not known who took and maintained these films (maybe one of Matasaburo's disciples did). They were converted to DV (digital video) format, stored in HDD, finally created QuickTime H.263 format (360x240, 15fps, compressed).</description>
<dc:date>2009-09-28T12:47:13Z</dc:date>
<dc:author>Takwann</dc:author>
<dc:subject>iaido, kata, Muso Shinden Ryu, video</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://sharethefiles.com/forum/viewtopic.php?f=130&amp;t=151355"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://sharethefiles.com/forum/viewtopic.php?f=130&amp;t=151355">Muso Shinden Ryo Iaido Koryu Kata (All Japan Kendo Federation) - View topic • sharethefiles.com</a></h4>
 
by <a href="http://blogmarks.net/user/Takwann">Takwann</a> 
<p class="description">These Iai arts were performed by NAGAE Matasaburo, in his sixties (guess). He was born and lived in Nagasaki, received the 7th grade of Kendo and 8th grade of Iai from Zen-Nippon Kendo Renmei (All-Japan Kendo Federation). He also practiced Shinto Munen style Iai. The original movies were recorded in 8mm films, then edited in a VHS tape. It's not known who took and maintained these films (maybe one of Matasaburo's disciples did). They were converted to DV (digital video) format, stored in HDD, finally created QuickTime H.263 format (360x240, 15fps, compressed).</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/iaido">iaido</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/kata">kata</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Muso%2BShinden%2BRyu">Muso Shinden Ryu</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/video">video</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/garret/mark/1058482186">
<title>The ill-ec-tro-nic | Music Blog</title>
<link>http://ill-ec-tro-nic.blogspot.com/</link>
<description></description>
<dc:date>2009-08-26T18:11:25Z</dc:date>
<dc:author>garret</dc:author>
<dc:subject>mp3, music blogs, techno, house, electro, electronica</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://ill-ec-tro-nic.blogspot.com/"><img border="0" src="http://blogmarks.net/screenshots/2009/08/26/73390bec08ae16a7f65f374672ec8efd.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://ill-ec-tro-nic.blogspot.com/">The ill-ec-tro-nic | Music Blog</a></h4>
 
by <a href="http://blogmarks.net/user/garret">garret</a> 
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/mp3">mp3</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/music%2Bblogs">music blogs</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/techno">techno</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/house">house</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/electro">electro</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/electronica">electronica</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/paulantoinem/mark/1058470297">
<title>If You Lived Here Still... A project by Martha Rosler Actuphoto.com Photographie</title>
<link>http://envrac.posterous.com/if-you-lived-here-still-a-project-by-martha-r</link>
<description>via actuphoto.com      ...</description>
<dc:date>2009-08-12T12:06:37Z</dc:date>
<dc:author>paulantoinem</dc:author>
<dc:subject></dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://envrac.posterous.com/if-you-lived-here-still-a-project-by-martha-r"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://envrac.posterous.com/if-you-lived-here-still-a-project-by-martha-r">If You Lived Here Still... A project by Martha Rosler Actuphoto.com Photographie</a></h4>
 
by <a href="http://blogmarks.net/user/paulantoinem">paulantoinem</a> 
<p class="description">via actuphoto.com      ...</p>
<p class="tags">
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058429295">
<title>The Whole Earth Effect — Plenty Magazine</title>
<link>http://www.plentymag.com/magazine/the_whole_earth_effect.php</link>
<description>&lt;blockquote&gt;&lt;p&gt;The Whole Earth Effect&lt;/p&gt;&lt;p&gt;How did a publication with just a four-year run help shape a community so prolific that it went on to inspire Google, Craigslist, and the blogosphere; save six American rivers; and shape sustainable business practices as we know them today? Forty years after the first issue of the Whole Earth Catalog, this oral history of the publication, as told by those who made it and those who read it, tracks the long-lasting impact of a short-lived journal that altered the course of the world.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-07-16T01:45:29Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>wholeearthcatalog, livre</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php"><img border="0" src="http://blogmarks.net/screenshots/2009/07/16/ccaffaf30c3e1e16bab53e798fd6c471.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.plentymag.com/magazine/the_whole_earth_effect.php">The Whole Earth Effect — Plenty Magazine</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>The Whole Earth Effect</p><p>How did a publication with just a four-year run help shape a community so prolific that it went on to inspire Google, Craigslist, and the blogosphere; save six American rivers; and shape sustainable business practices as we know them today? Forty years after the first issue of the Whole Earth Catalog, this oral history of the publication, as told by those who made it and those who read it, tracks the long-lasting impact of a short-lived journal that altered the course of the world.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/wholeearthcatalog">wholeearthcatalog</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/livre">livre</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/karlcow/mark/1058319325">
<title>Nava Durga Chitra Mandir</title>
<link>http://www.gpgrieve.org/3maps/3maps-[ii].html</link>
<description>&lt;blockquote&gt;&lt;p&gt;It would seem that such banal, pedestrian knowledges as the experience sof drinking tea and walking around with a group to the cinema hall is a subject unworthy of theorizing. Many would argue that the purpose of doing fieldwork is not to watch films at the Nava Durga Chitra Mandir, but to investigate the Naudruga dance troupe.But in response I would argue that to de -colonize the city, that is to demonstrate how lived tradition actually serves as a effective social formation, it is these very low-level ground experiences that need to be studied. I will refer to the situated experience of the walker as &quot;pedestrian knowledges.&quot;&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-05-10T12:00:12Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>cinema, social, ville, societé</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.gpgrieve.org/3maps/3maps-[ii].html"><img border="0" src="http://blogmarks.net/screenshots/2009/05/10/c448e238ff1f4544fa5e1919a9eabb6b.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.gpgrieve.org/3maps/3maps-[ii].html">Nava Durga Chitra Mandir</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>It would seem that such banal, pedestrian knowledges as the experience sof drinking tea and walking around with a group to the cinema hall is a subject unworthy of theorizing. Many would argue that the purpose of doing fieldwork is not to watch films at the Nava Durga Chitra Mandir, but to investigate the Naudruga dance troupe.But in response I would argue that to de -colonize the city, that is to demonstrate how lived tradition actually serves as a effective social formation, it is these very low-level ground experiences that need to be studied. I will refer to the situated experience of the walker as "pedestrian knowledges."</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/cinema">cinema</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/social">social</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ville">ville</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/societ%25C3%25A9">societé</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/rax262/mark/1058299289">
<title>Straw Bale Gardening</title>
<link>http://www.nicholsgardennursery.com/strawbales.htm</link>
<description>An in depth explanation about how to use straw bales as a growing medium for plants.  Great for folks who have soil ill suited for gardens or anyone who hates the bending and straining of traditional methods.</description>
<dc:date>2009-04-26T13:38:39Z</dc:date>
<dc:author>rax262</dc:author>
<dc:subject>gardening, straw bale</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.nicholsgardennursery.com/strawbales.htm"><img border="0" src="http://blogmarks.net/screenshots/2009/04/26/d382b4a8fa30e15c29a26a913523d6b3.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.nicholsgardennursery.com/strawbales.htm">Straw Bale Gardening</a></h4>
 
by <a href="http://blogmarks.net/user/rax262">rax262</a> 
<p class="description">An in depth explanation about how to use straw bales as a growing medium for plants.  Great for folks who have soil ill suited for gardens or anyone who hates the bending and straining of traditional methods.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/gardening">gardening</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/straw%2Bbale">straw bale</a>
</p>
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</item> <item rdf:about="http://blogmarks.net/api/user/topdos/mark/1058286775">
<title>Typeface Inspired by Comic Books Has Become a Font of Ill Will </title>
<link>http://online.wsj.com/article/SB123992364819927171.html</link>
<description>Comic Sans MS - vincent connare interview</description>
<dc:date>2009-04-17T15:59:24Z</dc:date>
<dc:author>topdos</dc:author>
<dc:subject>article, fun, spam, interview, typographie</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://online.wsj.com/article/SB123992364819927171.html"><img border="0" src="http://blogmarks.net/screenshots/2009/04/17/369dec1b149f784ac4d23c19c63a74a8.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://online.wsj.com/article/SB123992364819927171.html">Typeface Inspired by Comic Books Has Become a Font of Ill Will </a></h4>
 
by <a href="http://blogmarks.net/user/topdos">topdos</a> 
<p class="description">Comic Sans MS - vincent connare interview</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/article">article</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/fun">fun</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/spam">spam</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/interview">interview</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/typographie">typographie</a>
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<title>webkit (Apple), presto (Opera) in Adobe products</title>
<link>http://www.elayidom.com/index.php/2008/09/10/a-quick-look-at-browser-engines-trident-gecko-webkit-presto/</link>
<description>&lt;blockquote&gt;&lt;p&gt;Adobe has licensed Opera technology for use in the Adobe Creative Suite applications, however, given Adobe’s recent promotion of WebKit inside of AIR, their use of Presto technology in CS should be short lived. &lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2009-01-26T21:59:54Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>webkit, opera</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.elayidom.com/index.php/2008/09/10/a-quick-look-at-browser-engines-trident-gecko-webkit-presto/"><img border="0" src="http://blogmarks.net/screenshots/2009/01/26/5a930e6016e37f5c7d102b47a03dcf8c.jpg" alt="" /></a>
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<h4><a class="taggedlink" href="http://www.elayidom.com/index.php/2008/09/10/a-quick-look-at-browser-engines-trident-gecko-webkit-presto/">webkit (Apple), presto (Opera) in Adobe products</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>Adobe has licensed Opera technology for use in the Adobe Creative Suite applications, however, given Adobe’s recent promotion of WebKit inside of AIR, their use of Presto technology in CS should be short lived. </p></blockquote></div>
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<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/webkit">webkit</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/opera">opera</a>
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<title>MarshalSandler.com » Gotham Gal-Etiquette</title>
<link>http://marshalsandler.com/2009/01/gotham-gal-4/</link>
<description>It is no secret Gotham Gal is one of my favorites and is a top content creator ! I once posted a comment on her husband’s web site that I still took notes on  Crain StationaryWith A Quill pen ! http://www.crane.com/

My mother was very well educated and in our house Etiquette was king ! We had beautiful Crane Note paper and I still remember even though I was born in 1936-having to write hundreds of thank you note’s to people who attended my Bar Mitzvah ! I of course used a Parker 51 Fountain Pen that I got as a gift !  When I turned 21 I had my own Crain Stationary that was blind embossed with a simple line in the left hand column and the store where I bought it had to register the embossing !  The stationary got me a lot of response from politicians and other people I wrote , they must have thought I was important !  Presentation is a very important element in any communcation !  I was always jealous of my Friends who attented Catholic School since their penmanship was a work of art ! They had the Palmer method applied to their fingers with a ruler !

I didn’t meet the ruler method until I went Hebrew School !  I  went to Detroit Country Day School for grades 1-12 and there was a lot of pressure applied to read and write ! Steve Ballmer also graduated from that School  a long time after me and I know dam well it gave him an excellent base for a career !  Most of the people at that school were Harvard Bound since the headmaster F Alden Shaw was a Harvard graduate ! Me I went to the University of Miami and majored in what they call today Communication, with a minor in Statistics  and it was the fifties so we all got 5th Degree Black Belts in Rum Drinking on a beautiful island 90 mies from Miami - Viva Ritmo Latino !  A good education will help you understand the Human Condition a long with a few wacks from a good Psychiatrist ! Both these elements temper your ego and make sure you are not a snob !  The internet is young and I have found a lot of people who created content that is presented  with good taste aimed at all of the US The Unwashed ! I strongly resent the critics on the internet who have no backround liberal arts critisizing others !  Teche’s are the worst at this since usually they have technical degress and have never learned to communicate with anything other than a machine !

My people communicators are Seth Godin- Davie Winer- Chris Brogan-ShelIsrael-Bill Israel-Andrew Badera-Frank Eliason-Guy Kawasaki -Fred Wilson-Gotham Gal and many more !

Me  marshal.m1@gmail.com-

Bio for Marshal SandlerMarshal Sandler was born in 1936 in Detroit, Michigan. He attended Detroit Country Day School (high school), and he left Michigan to attend the University of Miami, Florida.Marshal joined the Us Army and served from 1959 to 1961. He traveled extensively in the 1950s to France, Cuba, Spain and throughout the US.Marshal’s working career was in the Industrial Laundry and Textile Sales industry. He currently lives in Michigan where he is semi-retired and working on this site and related publications.Interesting Tidbits about Marshal    * Hobbies, canoing (became expert while working many summers in Algonquin Park, Ontario), art, music, target shooting and sailing.    * Favorite Artist, Modigliani (http://www.artchive.com/artchive/M/modigliani.html)    * Favorite Canoe, Chestnut (http://www.eagle.ca/~chestnut/cat.htm)    * Favorite Sailboat, (http://www.catboats.org/FAQ.htm)    * Favorite Park, Algonquin Park (http://www.algonquinpark.on.ca/)    * Favorite Classical Musician, Yo Yo Ma * Favorite Jazz Musician, Lennie Tristano    * Favorite Book, Adventures of Augie March    * Favorite Cuban Musicians, Celia Cruz and Tito Puente * States lived in, Michigan / Oregon / Missouri / Florida / Arizona    * Favorite Off-Beat Writer, Blaize Cendrars-Marshal.m1@gmail.com       Soy feliz. I am happy by nature.
Gotham Gal.
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</description>
<dc:date>2009-01-17T17:12:28Z</dc:date>
<dc:author>msandler</dc:author>
<dc:subject>theapple</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://marshalsandler.com/2009/01/gotham-gal-4/"><img border="0" src="http://blogmarks.net/screenshots/2009/01/17/4ce973e3130de26b9dd201fc3d367439.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://marshalsandler.com/2009/01/gotham-gal-4/">MarshalSandler.com » Gotham Gal-Etiquette</a></h4>
 
by <a href="http://blogmarks.net/user/msandler">msandler</a> 
<p class="description">It is no secret Gotham Gal is one of my favorites and is a top content creator ! I once posted a comment on her husband’s web site that I still took notes on  Crain StationaryWith A Quill pen ! http://www.crane.com/

My mother was very well educated and in our house Etiquette was king ! We had beautiful Crane Note paper and I still remember even though I was born in 1936-having to write hundreds of thank you note’s to people who attended my Bar Mitzvah ! I of course used a Parker 51 Fountain Pen that I got as a gift !  When I turned 21 I had my own Crain Stationary that was blind embossed with a simple line in the left hand column and the store where I bought it had to register the embossing !  The stationary got me a lot of response from politicians and other people I wrote , they must have thought I was important !  Presentation is a very important element in any communcation !  I was always jealous of my Friends who attented Catholic School since their penmanship was a work of art ! They had the Palmer method applied to their fingers with a ruler !

I didn’t meet the ruler method until I went Hebrew School !  I  went to Detroit Country Day School for grades 1-12 and there was a lot of pressure applied to read and write ! Steve Ballmer also graduated from that School  a long time after me and I know dam well it gave him an excellent base for a career !  Most of the people at that school were Harvard Bound since the headmaster F Alden Shaw was a Harvard graduate ! Me I went to the University of Miami and majored in what they call today Communication, with a minor in Statistics  and it was the fifties so we all got 5th Degree Black Belts in Rum Drinking on a beautiful island 90 mies from Miami - Viva Ritmo Latino !  A good education will help you understand the Human Condition a long with a few wacks from a good Psychiatrist ! Both these elements temper your ego and make sure you are not a snob !  The internet is young and I have found a lot of people who created content that is presented  with good taste aimed at all of the US The Unwashed ! I strongly resent the critics on the internet who have no backround liberal arts critisizing others !  Teche’s are the worst at this since usually they have technical degress and have never learned to communicate with anything other than a machine !

My people communicators are Seth Godin- Davie Winer- Chris Brogan-ShelIsrael-Bill Israel-Andrew Badera-Frank Eliason-Guy Kawasaki -Fred Wilson-Gotham Gal and many more !

Me  marshal.m1@gmail.com-

Bio for Marshal SandlerMarshal Sandler was born in 1936 in Detroit, Michigan. He attended Detroit Country Day School (high school), and he left Michigan to attend the University of Miami, Florida.Marshal joined the Us Army and served from 1959 to 1961. He traveled extensively in the 1950s to France, Cuba, Spain and throughout the US.Marshal’s working career was in the Industrial Laundry and Textile Sales industry. He currently lives in Michigan where he is semi-retired and working on this site and related publications.Interesting Tidbits about Marshal    * Hobbies, canoing (became expert while working many summers in Algonquin Park, Ontario), art, music, target shooting and sailing.    * Favorite Artist, Modigliani (http://www.artchive.com/artchive/M/modigliani.html)    * Favorite Canoe, Chestnut (http://www.eagle.ca/~chestnut/cat.htm)    * Favorite Sailboat, (http://www.catboats.org/FAQ.htm)    * Favorite Park, Algonquin Park (http://www.algonquinpark.on.ca/)    * Favorite Classical Musician, Yo Yo Ma * Favorite Jazz Musician, Lennie Tristano    * Favorite Book, Adventures of Augie March    * Favorite Cuban Musicians, Celia Cruz and Tito Puente * States lived in, Michigan / Oregon / Missouri / Florida / Arizona    * Favorite Off-Beat Writer, Blaize Cendrars-Marshal.m1@gmail.com       Soy feliz. I am happy by nature.
Gotham Gal.
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Feedjit Live Blog Stats

Lijit Search

;

Alltop. Seriously?! I got in?

</p>
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<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/theapple">theapple</a>
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<title>Ill Studio</title>
<link>http://www.ill-studio.com/</link>
<description>!</description>
<dc:date>2009-01-07T11:16:41Z</dc:date>
<dc:author>wojtek.traczyk</dc:author>
<dc:subject>wydawnicza___editorial, ilustracje__illustration, typografia__typography, grafika___graphics, 2d</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.ill-studio.com/"><img border="0" src="http://blogmarks.net/screenshots/2008/04/21/4561a45f04c4d5a428fd0c94e2d98c2e.jpg" alt="" /></a>
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<h4><a class="taggedlink" href="http://www.ill-studio.com/">Ill Studio</a></h4>
 
by <a href="http://blogmarks.net/user/wojtek.traczyk">wojtek.traczyk</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2435755">2 other(s)</a> 
<p class="description">!</p>
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<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/wydawnicza___editorial">wydawnicza___editorial</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ilustracje__illustration">ilustracje__illustration</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/typografia__typography">typografia__typography</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/grafika___graphics">grafika___graphics</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/2d">2d</a>
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<title>If Charlie Parker Was a Gunslinger,&lt;br&gt;There'd Be a Whole Lot of Dead Copycats: The Art of Travel #21</title>
<link>http://tsutpen.blogspot.com/2008/12/art-of-travel-21.html</link>
<description>&lt;blockquote&gt;&lt;p&gt;&quot;And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness.&quot;
-- Nick Tosches, Where Dead Voices Gather&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2008-12-15T14:04:36Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>art, voyage, poster, japon</dc:subject>
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<h4><a class="taggedlink" href="http://tsutpen.blogspot.com/2008/12/art-of-travel-21.html">If Charlie Parker Was a Gunslinger,&lt;br&gt;There'd Be a Whole Lot of Dead Copycats: The Art of Travel #21</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>"And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/art">art</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/voyage">voyage</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/poster">poster</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/japon">japon</a>
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<title>Language (API)  Processing 1.0</title>
<link>http://processing.org/reference/changes.html</link>
<description>The biggest changes in the months prior to release 1.0 are as follows:
&lt;ul&gt;

&lt;li&gt;&lt;strong&gt;Libraries&lt;/strong&gt; - All libraries must be placed in a folder named &quot;libraries&quot;, inside the sketchbook folder. Do not use the main &quot;libraries&quot; directory in the Processing distribution, as it is reserved for the core libraries, and is not visible on Mac OS X.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;XML&lt;/strong&gt; - The XML library is now included by default, so you won't find it in the Import Library menu anymore. In addition, the XML library since 0135 has been greatly improved, making it compatible with far more documents.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Processing.app&lt;/strong&gt; - The Mac OS X release of Processing is now a single .app file, more befitting an OS X application.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Processing.exe&lt;/strong&gt; - The Windows release has a new launcher based on &lt;a href=&quot;http://launch4j.sourceforge.net/&quot;&gt;launch4j&lt;/a&gt;. Unfortunately, some machines &lt;a href=&quot;http://dev.processing.org/bugs/show_bug.cgi?id=986&quot;&gt;have a problem&lt;/a&gt; with the new launcher that we haven't been able to track down. If you have trouble, please &lt;a href=&quot;http://dev.processing.org/bugs/show_bug.cgi?id=986&quot;&gt;help us find the problem&lt;/a&gt;. PDE files are also now double-clickable on Windows.&lt;/li&gt;


&lt;li&gt;&lt;strong&gt;OpenGL&lt;/strong&gt; - All OpenGL sketches now use 2x full screen anti-aliasing. This means that these sketches are always smooth, and the smooth() and noSmooth() commands are ignored. To return to the behavior found in the beta releases, see the &lt;a href=&quot;http://processing.org/reference/hint_.html&quot;&gt;hint()&lt;/a&gt; reference.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;P2D and P3D&lt;/strong&gt; - The P2D renderer has returned (see the &lt;a href=&quot;http://processing.org/reference/size_.html&quot;&gt;size()&lt;/a&gt; reference) and smoothing is now enabled for both P2D and P3D. Smoothing support is unfortunately incomplete, however, and sometimes thin lines can be seen inside shapes. This is a very high priority &lt;a href=&quot;http://dev.processing.org/bugs/show_bug.cgi?id=200&quot;&gt;bug&lt;/a&gt; to be fixed in a future release.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Candy and PShape&lt;/strong&gt; - The Candy SVG library has been merged into the core, which brings along a new &lt;a href=&quot;http://processing.org/reference/loadShape_.html&quot;&gt;loadShape()&lt;/a&gt; command and a new &lt;a href=&quot;http://processing.org/reference/PShape.html&quot;&gt;PShape&lt;/a&gt; object. The special powers of PShape will be rolled out in future releases. For the time being, loadShape() works best with the default renderer (JAVA2D). Complex shapes will often appear jagged or not at all when rendered with &lt;a href=&quot;http://dev.processing.org/bugs/show_bug.cgi?id=1053&quot;&gt;P2D, P3D,&lt;/a&gt; and &lt;a href=&quot;http://dev.processing.org/bugs/show_bug.cgi?id=947&quot;&gt;OPENGL&lt;/a&gt;. We've also added better support for SVG files created with Inkscape.&lt;/li&gt;


&lt;li&gt;&lt;strong&gt;PVector&lt;/strong&gt; - We've added a new class called &lt;a href=&quot;http://processing.org/reference/PVector.html&quot;&gt;PVector&lt;/a&gt;, which is a simple three-dimensional vector (also known as point or tuple) class. This is useful for storing point data, or operations on 3D points.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Tools&lt;/strong&gt; - A new Tools API has been created for developers who want to contribute code that extends the Processing Development Environment in some fashion. Let your creativity flow with fantastical contributions like &quot;Color Selector 2.0&quot;, &quot;ROT13 Code Mangler&quot;, and &quot;I Am Rich&quot;. Visit the &lt;a href=&quot;http://dev.processing.org/tools/&quot;&gt;developer page on tools&lt;/a&gt; for more information. Similar to libraries, tools are installed in a folder of the same name within your sketchbook folder.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Asynchronouse Images&lt;/strong&gt; - Big JPEGs and small pipes? We've added a new &lt;a href=&quot;http://processing.org/reference/requestImage_.html&quot;&gt;requestImage()&lt;/a&gt; that loads an image in the background so that your sketch doesn't freeze when loading lots of large images over a slow connection. &lt;/li&gt;


&lt;li&gt;&lt;strong&gt;Present&lt;/strong&gt; - Present mode (full screen) is handled differently. When run inside the PDE, only Mac OS X uses exclusive mode with Present. Windows and Linux just do full screen windows. When run outside the PDE, all three simply create an undecorated window the size of the entire screen, and on the Mac, an option is added to the Info.plist file to hide the dock and menubar (since that cannot be done programatically from Java). &lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Compiler&lt;/strong&gt; - We've removed the old Jikes compiler and are now using another. We've also tried hard to improve the quality of error messages, though some are still real gems that invoke the complaints of mainframe computers in 1970s films.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Internationalization&lt;/strong&gt; - For better internationalization support, we've changed to UTF-8 encoding when loading and saving sketches. Sketches that contain non-ASCII characters and were saved with Processing 0140 and earlier may look strange when opened. Garbled text and odd characters may appear where umlauts, cedillas, and Japanese formerly lived. If this happens, use the &quot;Fix Encoding &amp; Reload&quot; option under the Tools menu. This will reload your sketch using the same method as previous versions of Processing, at which point you can re-save it which will write a proper UTF-8 version.&lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Java&lt;/strong&gt; - Linux and Windows now inlude Java 6 update 10 with the download. We still &lt;a href=&quot;http://dev.processing.org/bugs/show_bug.cgi?id=598&quot;&gt;don't have support&lt;/a&gt; for Java 1.5 syntax yet, but we hope that the performance boosts in Java 6 will help applications run well. &lt;/li&gt;

&lt;/ul&gt;</description>
<dc:date>2008-12-04T08:35:01Z</dc:date>
<dc:author>Neewok</dc:author>
<dc:subject>processing</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://processing.org/reference/changes.html"><img border="0" src="http://blogmarks.net/screenshots/2008/12/04/476378a47e89f440c930207d653f5b04.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://processing.org/reference/changes.html">Language (API)  Processing 1.0</a></h4>
 
by <a href="http://blogmarks.net/user/Neewok">Neewok</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2979191">1 other(s)</a> 
<div class="description">The biggest changes in the months prior to release 1.0 are as follows:
<ul>

<li><strong>Libraries</strong> - All libraries must be placed in a folder named "libraries", inside the sketchbook folder. Do not use the main "libraries" directory in the Processing distribution, as it is reserved for the core libraries, and is not visible on Mac OS X.</li>

<li><strong>XML</strong> - The XML library is now included by default, so you won't find it in the Import Library menu anymore. In addition, the XML library since 0135 has been greatly improved, making it compatible with far more documents.</li>

<li><strong>Processing.app</strong> - The Mac OS X release of Processing is now a single .app file, more befitting an OS X application.</li>

<li><strong>Processing.exe</strong> - The Windows release has a new launcher based on <a href="http://launch4j.sourceforge.net/">launch4j</a>. Unfortunately, some machines <a href="http://dev.processing.org/bugs/show_bug.cgi?id=986">have a problem</a> with the new launcher that we haven't been able to track down. If you have trouble, please <a href="http://dev.processing.org/bugs/show_bug.cgi?id=986">help us find the problem</a>. PDE files are also now double-clickable on Windows.</li>


<li><strong>OpenGL</strong> - All OpenGL sketches now use 2x full screen anti-aliasing. This means that these sketches are always smooth, and the smooth() and noSmooth() commands are ignored. To return to the behavior found in the beta releases, see the <a href="http://processing.org/reference/hint_.html">hint()</a> reference.</li>

<li><strong>P2D and P3D</strong> - The P2D renderer has returned (see the <a href="http://processing.org/reference/size_.html">size()</a> reference) and smoothing is now enabled for both P2D and P3D. Smoothing support is unfortunately incomplete, however, and sometimes thin lines can be seen inside shapes. This is a very high priority <a href="http://dev.processing.org/bugs/show_bug.cgi?id=200">bug</a> to be fixed in a future release.</li>

<li><strong>Candy and PShape</strong> - The Candy SVG library has been merged into the core, which brings along a new <a href="http://processing.org/reference/loadShape_.html">loadShape()</a> command and a new <a href="http://processing.org/reference/PShape.html">PShape</a> object. The special powers of PShape will be rolled out in future releases. For the time being, loadShape() works best with the default renderer (JAVA2D). Complex shapes will often appear jagged or not at all when rendered with <a href="http://dev.processing.org/bugs/show_bug.cgi?id=1053">P2D, P3D,</a> and <a href="http://dev.processing.org/bugs/show_bug.cgi?id=947">OPENGL</a>. We've also added better support for SVG files created with Inkscape.</li>


<li><strong>PVector</strong> - We've added a new class called <a href="http://processing.org/reference/PVector.html">PVector</a>, which is a simple three-dimensional vector (also known as point or tuple) class. This is useful for storing point data, or operations on 3D points.</li>

<li><strong>Tools</strong> - A new Tools API has been created for developers who want to contribute code that extends the Processing Development Environment in some fashion. Let your creativity flow with fantastical contributions like "Color Selector 2.0", "ROT13 Code Mangler", and "I Am Rich". Visit the <a href="http://dev.processing.org/tools/">developer page on tools</a> for more information. Similar to libraries, tools are installed in a folder of the same name within your sketchbook folder.</li>

<li><strong>Asynchronouse Images</strong> - Big JPEGs and small pipes? We've added a new <a href="http://processing.org/reference/requestImage_.html">requestImage()</a> that loads an image in the background so that your sketch doesn't freeze when loading lots of large images over a slow connection. </li>


<li><strong>Present</strong> - Present mode (full screen) is handled differently. When run inside the PDE, only Mac OS X uses exclusive mode with Present. Windows and Linux just do full screen windows. When run outside the PDE, all three simply create an undecorated window the size of the entire screen, and on the Mac, an option is added to the Info.plist file to hide the dock and menubar (since that cannot be done programatically from Java). </li>

<li><strong>Compiler</strong> - We've removed the old Jikes compiler and are now using another. We've also tried hard to improve the quality of error messages, though some are still real gems that invoke the complaints of mainframe computers in 1970s films.</li>

<li><strong>Internationalization</strong> - For better internationalization support, we've changed to UTF-8 encoding when loading and saving sketches. Sketches that contain non-ASCII characters and were saved with Processing 0140 and earlier may look strange when opened. Garbled text and odd characters may appear where umlauts, cedillas, and Japanese formerly lived. If this happens, use the "Fix Encoding & Reload" option under the Tools menu. This will reload your sketch using the same method as previous versions of Processing, at which point you can re-save it which will write a proper UTF-8 version.</li>

<li><strong>Java</strong> - Linux and Windows now inlude Java 6 update 10 with the download. We still <a href="http://dev.processing.org/bugs/show_bug.cgi?id=598">don't have support</a> for Java 1.5 syntax yet, but we hope that the performance boosts in Java 6 will help applications run well. </li>

</ul></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/processing">processing</a>
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<title>MYBLOG by Ouriel: Gaza/Sderot: A stunning web documentary one tough reality</title>
<link>http://ouriel.typepad.com/myblog/2008/10/gazasderot-a-st.html</link>
<description>This summer i met the team behind Gaza/Sderot a gorgeous documentary packaged in a gorgeous web site made for the web only and distributed on the web only. This web document (i hesitate using the expression work of art) is produced the French/Geman TV channel Arte and is about showcasing everyday a 2min video on the parallel reality lived by Gaza and Sderot Citizens.</description>
<dc:date>2008-10-28T09:15:24Z</dc:date>
<dc:author>srcmax</dc:author>
<dc:subject>ouriel ohayon, veille, gaza sderot, blog, lang:en</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://ouriel.typepad.com/myblog/2008/10/gazasderot-a-st.html"><img border="0" src="http://blogmarks.net/screenshots/2008/10/28/a4b0af87d60fb8dceea60c5891ea9aae.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://ouriel.typepad.com/myblog/2008/10/gazasderot-a-st.html">MYBLOG by Ouriel: Gaza/Sderot: A stunning web documentary one tough reality</a></h4>
 
by <a href="http://blogmarks.net/user/srcmax">srcmax</a> 
<p class="description">This summer i met the team behind Gaza/Sderot a gorgeous documentary packaged in a gorgeous web site made for the web only and distributed on the web only. This web document (i hesitate using the expression work of art) is produced the French/Geman TV channel Arte and is about showcasing everyday a 2min video on the parallel reality lived by Gaza and Sderot Citizens.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/ouriel%2Bohayon">ouriel ohayon</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/veille">veille</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/gaza%2Bsderot">gaza sderot</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/blog">blog</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/lang%253Aen">lang:en</a>
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<title>i will work for vitamin C</title>
<link>http://chookooloonks.my-expressions.com/archives/7899_1714915339/307530</link>
<description>About 10 years ago, I remember going to work with a raging cold. It was the latest in a series of weird little illnesses I'd picked up over the two previous years. 

'I have no idea what's wrong with me,' I remember lamenting to my boss, Mike. 'I'm generally healthy as a horse.' 

'Oh please, Karen,' said Mike. 'You haven't noticed how you always get ill when you're stressed? I can almost predict the day you're going to come down with something, just by looking at your workload.' 

I remember being incredibly shocked by this, and vehemently denying it ... until I realized he was right. And you'd think by now I'd learn to stock up on vitamins during stressful times, but that would require logic and planning on my part, wouldn't it ... 

... anyway, as I type this, I'm lying in bed, full of one of Marcus' fabulous seafood stews, and about to take a good swig of Nyquil. And yes, while my current state is indicative of what I've been facing at work, the truth is that today I took the first of many steps toward alleviating my stress. And it was a big first step, too. So even though I feel like hammered dog shit, the good thing is that I feel like very happy, very content hammered dog shit. 

You know, in a manner of speaking. 

</description>
<dc:date>2008-09-04T15:11:58Z</dc:date>
<dc:author>blackgoldfish</dc:author>
<dc:subject>photography, so true, 生活態度</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://chookooloonks.my-expressions.com/archives/7899_1714915339/307530"><img border="0" src="http://blogmarks.net/screenshots/2008/09/04/350b80b99ee481f9944bd47c75ad4f9d.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://chookooloonks.my-expressions.com/archives/7899_1714915339/307530">i will work for vitamin C</a></h4>
 
by <a href="http://blogmarks.net/user/blackgoldfish">blackgoldfish</a> 
<p class="description">About 10 years ago, I remember going to work with a raging cold. It was the latest in a series of weird little illnesses I'd picked up over the two previous years. 

'I have no idea what's wrong with me,' I remember lamenting to my boss, Mike. 'I'm generally healthy as a horse.' 

'Oh please, Karen,' said Mike. 'You haven't noticed how you always get ill when you're stressed? I can almost predict the day you're going to come down with something, just by looking at your workload.' 

I remember being incredibly shocked by this, and vehemently denying it ... until I realized he was right. And you'd think by now I'd learn to stock up on vitamins during stressful times, but that would require logic and planning on my part, wouldn't it ... 

... anyway, as I type this, I'm lying in bed, full of one of Marcus' fabulous seafood stews, and about to take a good swig of Nyquil. And yes, while my current state is indicative of what I've been facing at work, the truth is that today I took the first of many steps toward alleviating my stress. And it was a big first step, too. So even though I feel like hammered dog shit, the good thing is that I feel like very happy, very content hammered dog shit. 

You know, in a manner of speaking. 

</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/photography">photography</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/so%2Btrue">so true</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/%25E7%2594%259F%25E6%25B4%25BB%25E6%2585%258B%25E5%25BA%25A6">生活態度</a>
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<title>License-oriented metadata validator and viewer: summertime is winding up - Creative Commons</title>
<link>http://labs.creativecommons.org/2008/08/16/license-oriented-metadata-validator-and-viewer-summertime-is-winding-up/</link>
<description>&lt;blockquote&gt;&lt;p&gt;A Web application capable of parsing and displaying license information embedded in both well-formed and ill-formed Web pages has been developed. &lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2008-08-18T06:34:32Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>metadata, creativecommons, rdf, rdfa</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://labs.creativecommons.org/2008/08/16/license-oriented-metadata-validator-and-viewer-summertime-is-winding-up/"><img border="0" src="http://blogmarks.net/screenshots/2008/08/18/87961c3eb3fa654319d7d599ae550f08.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://labs.creativecommons.org/2008/08/16/license-oriented-metadata-validator-and-viewer-summertime-is-winding-up/">License-oriented metadata validator and viewer: summertime is winding up - Creative Commons</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>A Web application capable of parsing and displaying license information embedded in both well-formed and ill-formed Web pages has been developed. </p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/metadata">metadata</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/creativecommons">creativecommons</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/rdf">rdf</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/rdfa">rdfa</a>
</p>
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<title>designswarm thoughts » Blog Archive » Uneasy intimacies</title>
<link>http://designswarm.com/blog/2008/07/18/uneasy-intimacies/</link>
<description>&lt;blockquote&gt;&lt;p&gt;I never thought ubicomp would come out of an iPhone app. If anything, Exposure has the power to connect us with objects and lives that were lived around us in the past, as long as they’ve been geotagged first. Matt and I had a look, sitting on our couch at home, and found pictures of people who are probably our neighbours having a bbq, portraits, etc. There was something uneasy about seeing pictures of people who cease to become strangers yet aren’t familiar at all. A whole future of perception lies ahead.&lt;/p&gt;&lt;/blockquote&gt;</description>
<dc:date>2008-07-19T03:12:01Z</dc:date>
<dc:author>karlcow</dc:author>
<dc:subject>opacité</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://designswarm.com/blog/2008/07/18/uneasy-intimacies/"><img border="0" src="http://blogmarks.net/screenshots/2008/07/19/7c5f3de3d9b80bc35dba1a473d96380e.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://designswarm.com/blog/2008/07/18/uneasy-intimacies/">designswarm thoughts » Blog Archive » Uneasy intimacies</a></h4>
 
by <a href="http://blogmarks.net/user/karlcow">karlcow</a> 
<div class="description"><blockquote><p>I never thought ubicomp would come out of an iPhone app. If anything, Exposure has the power to connect us with objects and lives that were lived around us in the past, as long as they’ve been geotagged first. Matt and I had a look, sitting on our couch at home, and found pictures of people who are probably our neighbours having a bbq, portraits, etc. There was something uneasy about seeing pictures of people who cease to become strangers yet aren’t familiar at all. A whole future of perception lies ahead.</p></blockquote></div>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/opacit%25C3%25A9">opacité</a>
</p>
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<title>Ill - Studio</title>
<link>http://www.ill-studio.com/</link>
<description>design-graphique studio</description>
<dc:date>2008-04-21T11:41:44Z</dc:date>
<dc:author>Paykhan</dc:author>
<dc:subject>design graphic, portfolio, agency, illustration</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.ill-studio.com/"><img border="0" src="http://blogmarks.net/screenshots/2008/04/21/4561a45f04c4d5a428fd0c94e2d98c2e.jpg" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.ill-studio.com/">Ill - Studio</a></h4>
 
by <a href="http://blogmarks.net/user/Paykhan">Paykhan</a> 
 &amp; <a class="public" href="http://blogmarks.net/link/2435755">2 other(s)</a> 
<p class="description">design-graphique studio</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/design%2Bgraphic">design graphic</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/portfolio">portfolio</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/agency">agency</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/illustration">illustration</a>
</p>
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<title>Microsoft Spins Legal Defeat into PR Fool`s Gold</title>
<link>http://www.eweek.com/index.php?option=content&amp;task=view&amp;id=46539&amp;Itemid=28&amp;limit=&amp;limitstart=&amp;mosmsg=You have already voted!</link>
<description>&quot;If you didn't know what was really behind Microsoft's open standards and source promises, it might sound like Microsoft was making real changes.

You've got to give Microsoft credit for gall. They take a crunching defeat at the hands of the European Union court system for trying to conceal information and now that the court has forced them to reveal that same information, Microsoft is all about increasing &quot;the openness of its products and drive greater interoperability, opportunity and choice for developers, partners, customers and competitors.&quot;

Urgh. Excuse me. I feel a little ill.&quot; - Steven J. Vaughan-Nichols</description>
<dc:date>2008-02-28T02:12:38Z</dc:date>
<dc:author>ericpaul</dc:author>
<dc:subject>antimicrosoft, MicrosoftFUD, multinationals, Monopolists</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.eweek.com/index.php?option=content&amp;task=view&amp;id=46539&amp;Itemid=28&amp;limit=&amp;limitstart=&amp;mosmsg=You have already voted!"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.eweek.com/index.php?option=content&amp;task=view&amp;id=46539&amp;Itemid=28&amp;limit=&amp;limitstart=&amp;mosmsg=You have already voted!">Microsoft Spins Legal Defeat into PR Fool`s Gold</a></h4>
 
by <a href="http://blogmarks.net/user/ericpaul">ericpaul</a> 
<p class="description">"If you didn't know what was really behind Microsoft's open standards and source promises, it might sound like Microsoft was making real changes.

You've got to give Microsoft credit for gall. They take a crunching defeat at the hands of the European Union court system for trying to conceal information and now that the court has forced them to reveal that same information, Microsoft is all about increasing "the openness of its products and drive greater interoperability, opportunity and choice for developers, partners, customers and competitors."

Urgh. Excuse me. I feel a little ill." - Steven J. Vaughan-Nichols</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/antimicrosoft">antimicrosoft</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/MicrosoftFUD">MicrosoftFUD</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/multinationals">multinationals</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/Monopolists">Monopolists</a>
</p>
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<title>mice</title>
<link>http://amp.dascene.net/detail.php?detail=modules&amp;view=4880</link>
<description>Handle:  	Mice
Real Name: 	Mikko Riku Olavi Ahola
Lived in: 	Finland
Ex.Handles: 	n/a
Was a member of: 	Black Jack (BJ), Brainstorm (BRS), Erotic Design (ERC), Fate, GAC, Zenon, Supergroup</description>
<dc:date>2008-02-23T19:40:07Z</dc:date>
<dc:author>otrox</dc:author>
<dc:subject>amiga, music, chiptune</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://amp.dascene.net/detail.php?detail=modules&amp;view=4880"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://amp.dascene.net/detail.php?detail=modules&amp;view=4880">mice</a></h4>
 
by <a href="http://blogmarks.net/user/otrox">otrox</a> 
<p class="description">Handle:  	Mice
Real Name: 	Mikko Riku Olavi Ahola
Lived in: 	Finland
Ex.Handles: 	n/a
Was a member of: 	Black Jack (BJ), Brainstorm (BRS), Erotic Design (ERC), Fate, GAC, Zenon, Supergroup</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/amiga">amiga</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/music">music</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/chiptune">chiptune</a>
</p>
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<title>kollaps</title>
<link>http://amp.dascene.net/detail.php?detail=modules&amp;view=4103</link>
<description>Handle:  	Kollaps
Real Name: 	Jakob Vedel Sørensen
Lived in: 	Denmark
Ex.Handles: 	Daddy Kool, Nuclear Ninja, Turbocop, Boris Bahnhof, Vedel, Hveed, Bassverner, Endnu Ikke, Morten Korg, BassVerner, Captain Future, Brodtgård, MZ1453, B.Bahnhof, Brodtgard, Brodtgaard
Was a member of: 	Depth (DPH), The Cult (CLT), Focus Design (FD), Gunnars Farvebio (GFB), Instinct (ITC), Light, Mantra (MTA), Quackbusters, X-Force (XF), Q-Branch</description>
<dc:date>2008-02-23T19:26:03Z</dc:date>
<dc:author>otrox</dc:author>
<dc:subject>amiga, music, chiptune</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://amp.dascene.net/detail.php?detail=modules&amp;view=4103"><img border="0" src="http://blogmarks.net/screenshots/404.php" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://amp.dascene.net/detail.php?detail=modules&amp;view=4103">kollaps</a></h4>
 
by <a href="http://blogmarks.net/user/otrox">otrox</a> 
<p class="description">Handle:  	Kollaps
Real Name: 	Jakob Vedel Sørensen
Lived in: 	Denmark
Ex.Handles: 	Daddy Kool, Nuclear Ninja, Turbocop, Boris Bahnhof, Vedel, Hveed, Bassverner, Endnu Ikke, Morten Korg, BassVerner, Captain Future, Brodtgård, MZ1453, B.Bahnhof, Brodtgard, Brodtgaard
Was a member of: 	Depth (DPH), The Cult (CLT), Focus Design (FD), Gunnars Farvebio (GFB), Instinct (ITC), Light, Mantra (MTA), Quackbusters, X-Force (XF), Q-Branch</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/amiga">amiga</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/music">music</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/chiptune">chiptune</a>
</p>
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<title>Designs we left behind - Alpha Channel - msnbc.com</title>
<link>http://alphachannel.msnbc.msn.com/archive/2007/11/12/463550.aspx</link>
<description>Admit it. You saw our new homepage and it lived up to your wildest fantasies about online news presentation. Me, too. Okay, maybe—maybe—two, three people tops will say ‘what were they thinking?!’ Rest assured we were thinking. For about two years. Here’s how it started.</description>
<dc:date>2007-11-18T22:44:49Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>webdesign, news</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://alphachannel.msnbc.msn.com/archive/2007/11/12/463550.aspx"><img border="0" src="http://blogmarks.net/screenshots/2008/01/30/0de01560c7d183768e09a472c8f97c5c.png" alt="" /></a>
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<h4><a class="taggedlink" href="http://alphachannel.msnbc.msn.com/archive/2007/11/12/463550.aspx">Designs we left behind - Alpha Channel - msnbc.com</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">Admit it. You saw our new homepage and it lived up to your wildest fantasies about online news presentation. Me, too. Okay, maybe—maybe—two, three people tops will say ‘what were they thinking?!’ Rest assured we were thinking. For about two years. Here’s how it started.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/webdesign">webdesign</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/news">news</a>
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<title>bill viola - interview with the us video artist</title>
<link>http://www.designboom.com/eng/interview/viola.html</link>
<description>bill viola is a video artist, born in 1951. he grew up in both queens and
westbury new york and received his bfa in experimental studios
from syracuse university in 1973. after graduating he worked in
florence, italy for 18 months as technical director of production
at art/tapes/22, one of the first video art studios in europe.
he later traveled to record traditional performing arts in the
solomon islands, java, bali, and japan. in 1977 viola was invited
by cultural arts director kira perov to show his videos at la trobe
university in australia. a year later, perov moved to new york,
where she and viola married. they have lived and worked
together ever since. in 1980, they lived in japan as part of a
cultural exchange where they studied buddhism under zen
master daien tanaka. during this period, viola was also invited to
serve as the first artist-in-residence for sony's atsugi research
lab. his work has been shown at the museum of modern art in
new york, the national gallery in london, guggenheim berlin,
guggenheim new york, the whitney museum of american art,
getty los angeles and the metropolitan museum of art in new
york. viola was also selected as the u.s. representative for the
46th venice biennale, where he showed ' buried secrets',
a collection of five installations including 'the greeting'. viola has
served as a scholar in residence at the getty research institute
in los angeles in 1998 and was elected to the american academy
of arts and sciences in 2000. he currently lives and work in long
beach, california.</description>
<dc:date>2007-11-09T12:42:10Z</dc:date>
<dc:author>sbrothier</dc:author>
<dc:subject>video, art</dc:subject>
<content:encoded><![CDATA[<div class="mark">
<a href="http://www.designboom.com/eng/interview/viola.html"><img border="0" src="http://blogmarks.net/screenshots/2007/11/09/575e7fe1ce9eb8a48aee6ad25b135958.png" alt="" /></a>
<div class="xfolkentry">
<h4><a class="taggedlink" href="http://www.designboom.com/eng/interview/viola.html">bill viola - interview with the us video artist</a></h4>
 
by <a href="http://blogmarks.net/user/sbrothier">sbrothier</a> 
<p class="description">bill viola is a video artist, born in 1951. he grew up in both queens and
westbury new york and received his bfa in experimental studios
from syracuse university in 1973. after graduating he worked in
florence, italy for 18 months as technical director of production
at art/tapes/22, one of the first video art studios in europe.
he later traveled to record traditional performing arts in the
solomon islands, java, bali, and japan. in 1977 viola was invited
by cultural arts director kira perov to show his videos at la trobe
university in australia. a year later, perov moved to new york,
where she and viola married. they have lived and worked
together ever since. in 1980, they lived in japan as part of a
cultural exchange where they studied buddhism under zen
master daien tanaka. during this period, viola was also invited to
serve as the first artist-in-residence for sony's atsugi research
lab. his work has been shown at the museum of modern art in
new york, the national gallery in london, guggenheim berlin,
guggenheim new york, the whitney museum of american art,
getty los angeles and the metropolitan museum of art in new
york. viola was also selected as the u.s. representative for the
46th venice biennale, where he showed ' buried secrets',
a collection of five installations including 'the greeting'. viola has
served as a scholar in residence at the getty research institute
in los angeles in 1998 and was elected to the american academy
of arts and sciences in 2000. he currently lives and work in long
beach, california.</p>
<p class="tags">
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/video">video</a>
<a rel="tag" class="tag public_tag" href="http://blogmarks.net/marks/tag/art">art</a>
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