Ce site constitue un prototype pour démontrer les possibilités de mashup avec les données du Linked Data et les technologies du Web sémantique.

Donc vendredi 20 novembre, salon du livre de Montréal, de 12h à 13h, 1 heure de radio en direct où pour la première fois je rencontrerai Karl de La Grange, site historique et un de nos grands dérangeurs de la pensée web, et Robert ne veut pas lire, l’expérience édition numérique sans doute la plus proche dans l’esprit de notre publie.net. Il y aura aussi Gilles Herman, avec qui je repiquerai même lieu à 14h pour une autre table ronde "faut-il avoir peur du livre numérique".

And so for 20 years now these folks --- *the* shining lights, in many ways, of "practical" programming language, operating systems, and general systems research --- have continued to fail to "get" the fundamental practical needs of everyday programmers working in The Real World.

Tony White is the author of novels including Foxy-T (Faber and Faber) and the non-fiction work Another Fool in the Balkans. Tony also co-edited the fiction anthology Croatian Nights (Serpent’s Tail/VBZ). Balkanising Bloomsbury is a fiction project by White which reworks the archive of existing texts about the Balkans, from travel writing, Hague tribunal transcripts and mass media texts, using experimental literary techniques to create completely new works of fiction which explore ideas of European identity.

Artists’ eBooks is a collaborative project exploring new platforms and formats for writers and artists.

The excesses of the Schön case—like the fantastic forgeries of previous eras—throw light onto habits and practices that have come to seem normal. The relentless rat race to produce new results quickly in order to secure the next round of funding or promotion is not without consequences.

Canadian forces are actually suffering the most. They're mostly deployed in the southern Kandahar, which adjoins the province of Helmand, where the bulk of British troops are posted. Both are Taliban strongholds.

And, if wounded soldiers are factored in, a shocking picture emerges.

When we move into any social space we have to choose which of our faces to show. At any given moment, a few of them are visible. The others are hidden, often because we think they are somehow "weird".

“I am large, I contain multitudes.” (Section 51)